Sitting Figurative Photography

Audrey Hepburn, r23_7 -- Shot for the April 19, 1954 international issue of Life. Initially Audrey Hepburn did all she could to avoid Mark Shaw's cameras. When she realized they shar...

Audrey Hepburn Under the Dryer Holding Cigarette, c10_10 – While working on the film Sabrina, Audrey Hepburn was shampooed every night -- She of...

Audrey Hepburn Under the Dryer Holding Cigarette, c10_10 – While working on the film Sabrina, Audrey Hepburn was shampooed every night -- She often conducted business with her agents...

Caroline Feeds Flower to JBK, JFK looks on, nb_081a -- The Kennedys at Hyannis Beach. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in...

Audrey Hepburn Getting Shampooed and Reading, Wide, c7_14 – Photographed for Life in 1953, part of Audrey Hepburn's nightly ritual was a shampoo given at the studio. Image size is 13...

Caroline Feeds Flower to JBK, JFK looks on, nb_081a -- The Kennedys at Hyannis Beach. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in li...

edition 2/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

Lorenzo Agius (b.1962) Ewan with gun 2012 digital C-Type print 48 x 60 in. / 30 x 40 in. / 20 x 24 in. signed and numbered printed later This work is available in the following size...

Edition 1 of 3, 2 APs Large Size: 27.75 x 36 STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the hist...

Jim’s of Lambertville is proud to offer this artwork by: Charles Searles (1937-2004) He was born in Philadelphia, PA and received his fine art education at the Pennsylvania Academy of Fine Art (PAFA) from 1969-72. He also attended the University of Pennsylvania for liberal arts studies, where he worked in the labs beside the scientists and engineers creating technical illustrations for text books. His early paintings embraced the tumultuous 60's and also reflected his own family life and surroundings. Before graduating the PAFA, Searles received the Cresson Memorial Traveling Scholarship, and the following year, the Ware Memorial Traveling Scholarship. He was the first student to use these funds to travel to Africa. His travels in Africa marked his life and work forever -- the life, the rhythms, the patterns, and the energy. Searles returned to Philadelphia and began teaching at the Ile Ife Cultural Center. It was then that he began his "Dancer" Series. This series marked a change in his life, celebrating his new sense of renewal and the African experience. He was awarded his first mural commission at the William G. Green Federal Building. This work, entitled "Celebration" is still on view today. At that time, he was also hired as a drawing teacher at the (then) Philadelphia College of Art, where he remained a professor for over twenty years. In 1978, Searles moved to New York City. He found a large, raw space -- an old sewing factory -- on Broadway and Bleeker where he would remain for the rest of his life. He continued to commute to Philadelphia teaching part time. He met Kathleen Spicer, an art student, in 1983. They married in 1985. Together, they shared a wonderful, open, artistic, social, and creative experience. Searles gradually moved away from painting and into sculpture. His sculptures maintained the vibrant color and patterns from his paintings, but seemed to dance in three dimensions. These new works embodied a live sense of rhythm and energy -- trademarks that he maintained throughout his career, whether in wood, bronze, or aluminum. In his lifetime, Charles Searles participated in over 60 group shows, and 25 solo exhibitions. He was represented by the Sande Webster Gallery in Philadelphia for over 20 years. His paintings and sculptures can be found in innumerable public and private collections. Public commissions include the Delaware River Port Authority, the NYC Mass Transit Authority, the First District Plaza in Philadelphia, and the Amtrak station in Newark, NJ. He was the recipient of many awards, including ones from the Pollock-Krasner Foundation, the Adolph and Esther Gottleib Foundation, the Creative Arts Project Fellowship, and the National Endowment for the Arts. His wife of 23 years, Kathleen Spicer adds: "Charles was his work, and his work was him. Inseparable. Our lives were all about art. We lived each day as if it was a gift. To me, he was enchanted. His vision was clear -- he could envision something and make it come to life as easy as breathing. Genius. Charles made the world a better place. Charles speaks loud and clear." Bio courtesy of Kathleen Spicer (Searles) Selected Periodical Citations: Newhall, Edith, "Dual Celebration of Self-expression", Philadelphia Enquirer, May 2013 Fabbri, Anne, "A Farewell to Charles Searles", Art Matters, January 2005 Cornell University Review, August 2000 O'Neill, Denise I., "Black Experience Puts Soul Into the Heart of Christmas", Chicago Sun-Times, December 1996 Gleuck, Grace, Review, The New York Times, December 1996 McBride, Octavia, "An Artist Acclaimed", Philadelphia Tribune, April 1993 Fox, Catherine, "National Black Arts Festival Program Guide", The Atlanta Journal, July 1990 Wilson, William, "Black Artists in Tune with Ancestors", Los Angeles Times, January 1990 Jamusch, Ann, "Special Show-Legacy of Black Art", Dallas Times Herald, January 1990 Binkley, Barbara, "Colors, Bright and Bold", The Daily News, April 1986 Grafly, Dorothy, "Charles Searles at Neumans", ART in Focus, Summer 1978 Crittendon, Denise, "Back Home from Nigeria", The Michigan Chronicle, December 1977 Garrett, Bob, Art Section Review. Boston Sunday Herald, November 1975 Patry, Louise, "A Jubilee of Afro-American Art in Boston", New England Journal, December 1975 Wright, Charles, "Paint Art Racist", The Village Voice, April 1971 Nelson, Nells, "Black Artists Rise Above the Tempest", Philadelphia Daily News, April 1971 Canaday, John, "Black Artist on View in Two Exhibitions", The New York Times, February 1970 Collections: - Philadelphia Museum of Art - The Woodmere Art Museum - Smithsonian Institute of American Art - Pennsylvania Academy of the Fine Arts - LaSalle University Art Museum - Howard University Gallery of Art - Dallas Museum of Art - Delaware Valley Arts Alliance - Montclair Museum of Art - Afro-American Historical & Cultural Museum - Museum of Afro-American History - 35 + corporate collections - National & international private collections 75+ Group Exhibitions, Including: - Woodmere Art Museum - Pennsylvania Academy of the Fine Arts - Whitney Museum of American Art - Museum of American Art - Boston Museum of Fine Arts - Brooklyn Museum - Art Alliance - National Afro-American Museum - Liberty Museum - National Blacks Fine Arts Show - Institute of Contemporary Art - Ackland Arts Museum - Arnot Art Museum 30+ Solo Exhibitions, Including: - Philadelphia Museum of Art, Philadelphia PA - The State Museum of Pennsylvania, Harrisburg, PA - LaSalle University, Philadelphia, PA - Temple University, Philadelphia, PA - Montclair Art Museum, Montclair, NJ - Noyes Museum, Oceanville, NJ - Delaware Valley Arts Alliance, Narrowsburg, NY - North Carolina State University - Winston Salem State University, Winston Salem, NC - G.R. N’Namdi Gallery, New York, NY - Sande Webster Gallery, Philadelphia, PA - June Kelly Gallery, New York, NY - Noel Gallery, Charlotte, NC - Malcolm Brown...

Fan Club by Patty Carroll is an archival pigment print, available in an edition of 15. This photograph features a mannequin reclining in a green chair, fanning herself while being su...

Lorenzo Agius (b.1962) Ewan with gun 2012 digital C-Type print 48 x 60 in. / 30 x 40 in. / 20 x 24 in. signed and numbered printed later This work is available in the following size...

Joan Collins in a turquoise dress, photographed by Ellen von Unwerth. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done ...

This iconic 1977 portrait of Faye Dunaway, captured by Terry O’Neill, is one of the most legendary post-Oscar photographs ever taken. It encapsulates the bittersweet reality of Holly...

LA Times, woman reading in front of a Porsche photographed by Tony Kelly. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are d...

Paul Newman and Lee Marvin are captured talking a publicity still for Stuart Rosenberg's 1972 comedy western Pocket Money in Tucson, Arizona. The American Western buddy comedy sees P...

On the set of the film ‘Three Days of the Condor’ in New York, 1974. Signed and Numbered Lifetime Edition Gelatin Silver Print Sizes: 16" x 12" - Edition of 50 + 10 AP 20" x 16" ...

Ed. 21/50, co-signed by Terry O'Neill and Faye Dunaway. Includes white frame with white mat. This photograph is one of O'Neill's most recognizable works, photographed in 1977 at the...

Ed. 14/27, includes black frame with white mat. Embossed on the recto. Estate-stamped, titled, numbered, and signed on the verso by R. J. Horst, executor of the Hoyningen-Huene Estate. Known for his masterfully composed images that captured the styles of the leading haute couture houses of the 1920s-30s including Chanel, Balenciaga, Lanvin, Vionnet, Schiaparelli, and Lelong, among others, George Hoyningen...

“Claudia symbolizes everything that the Guess-woman stands for,” stated Paul Marciano when doing the anniversary photo shoot for GUESS. “Thanks to her timeless, highly personal style...

EMMA SUMMERTON (*1970, Australia) Raquel on a Rocket, 2008 Archival pigment print on Hahnemühle paper Sheet 120 x 160 (47 1/4 x 63 in.) Edition of 3, plus 2 AP; Ed. no. 1/3 print onl...

Chromogenic print (Edition of 9 + 3 APs) Signed and numbered on label, verso This artwork is offered by ClampArt, located in New York City. Cuban-American artist Anthony Goicolea i...

Photograph available in 15 x 15" (edition of 20), 22 x 22" (edition of 20) and 38 x 38" (edition of 10). Availability and pricing is subject to change without notice. Patty Carroll h...

Photograph available in 15 x 15" (edition of 20), 22 x 22" (edition of 20) and 38 x 38" (edition of 10). Availability and pricing is subject to change without notice. Patty Carroll h...

Domestic Vacations: The Dutch proverb "a Jan Steen household" originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous f...

Laundromat, 1980 Archival pigment print 30 x 40 inches, edition of 10 40 x 60 inches, edition of 10 Signed and numbered Robert Farber’s style has influenced generations of photographers. His painterly, impressionistic style captures the essence of composition in every genre, including nudes, still life, landscapes and architecture. His ten photo art books have sold over half a million copies. Jacqueline Kennedy Onassis brought Farber into Doubleday for the publication of his book “By The Sea,” which won the Art Director’s Award for color photography. Aside from numerous creative awards, Robert Farber also received the Photographer of the Year from PMA (Photographic Manufacturers Association), ASP International Award from the PPA (Professional Photographers of America) and The American Society of Photographers. This award was given to those who’ve made a significant contribution to the science and art of photography. Some previous recipients of this award include Dr. Edwin Land (inventor of the Polaroid), George Hurrell, and National Geographic. Farber’s work with nudes in fine art as well as in the commercial realm is known and respected. He has lectured for Ogilvy & Mather on the “Nude in Advertising.” ASMP requested to use Farber’s nudes as an examples of the artistic application in support of the National Endowment of Arts, after its backing of the controversial Mapplethorpe/Serrano exhibit. His book, “Farber Nudes,” was also included the Jacqueline Kennedy Onassis estate...

Other sizes and prices on request. High-end framing available. Albert Watson has made his mark as one of the world’s most successful fashion and commercial photographers during the...

The photographs of Arthur Elgort created a sensation in his 1971 debut in British Vogue. He brought a breath of fresh air into the world of fashion photography. His relaxed and easy ...