Miniature Landscape Photography
to
319
4,713
3,240
2,685
2,968
5,863
Overall Width
to
Overall Height
to
1
172
1,568
2,963
2
15
70
80
29
136
177
222
157
169
1
2,785
758
67
43
36
27
13
11
9
7
1,812
1,631
1,258
1,929
1,662
1,139
707
639
637
525
510
487
400
385
371
350
348
348
309
297
282
271
233
2,240
1,783
1,045
1,037
1,026
565
431
322
218
127
317
1,794
3,131
1,263
Size: Miniature
Touchdown (Stranger than Paradise)
Located in Morongo Valley, CA
Touchdown - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #4667.
Not mounted.
...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Pane Mirage (Stranger than Paradise)
Located in Morongo Valley, CA
Plane Mirage - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #4666.
Not mounted....
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Plane anomaly (Stranger than Paradise)
Located in Morongo Valley, CA
Plane anomaly - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #4668.
Not mounted...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Plane mist (Stranger than Paradise)
Located in Morongo Valley, CA
Plane mist - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #4663.
Not mounted.
...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Plane spotting (Stranger than Paradise)
Located in Morongo Valley, CA
Plane spotting- 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #7638.
Not mounted...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Plane runway (Stranger than Paradise)
Located in Morongo Valley, CA
Plane runway- 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #4664.
Not mounted. ...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Plane blue (Stranger than Paradise)
Located in Morongo Valley, CA
Plane blue - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #4634.
Not mounted.
...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Plane take off (Stranger than Paradise)
Located in Morongo Valley, CA
Plane take off - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #4633.
Not mounte...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
J'irai avec les chevaux - Color Photography, Archival pigment print, Horse
Located in AIX-EN-PROVENCE, FR
Archival pigment print on Fine Art paper 305g (Matt Appearance). Limited edition of 30.
Title : " J'irai avec les chevaux me mêler à la brume"
Artist : Johann Fournier (FR)
Unframed...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Paper, Pigment
Black Dune, Oceano California
By Brett Weston
Located in Carmel, CA
Considered one of Brett Westons most beautiful dunescape. Denise Bethel of Sothebys remarked it was the greatest dune of Brett she had ever seen.
Vintage Photograph printed...
Category
1930s Black and White Photography
Materials
Silver Gelatin
Plane belly (Stranger than Paradise)
Located in Morongo Valley, CA
Plane belly - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #4655.
Not mounted. ...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Mirage (Stranger than Paradise)
Located in Morongo Valley, CA
Mirage - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #4636.
Not mounted.
The...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Landing (Stranger than Paradise)
Located in Morongo Valley, CA
Landing - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #4661.
Not mounted.
Th...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Sunset (Stranger than Paradise)
Located in Morongo Valley, CA
Sunset - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory #4630.
Not mounted.
The...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Eighth Avenue
By Marc Yankus
Located in New York, NY
2007
Signed, titled, dated, and numbered, verso
Archival pigment print
22 x 17 inches, sheet
(Edition of 15)
$3500.00
17 x 11 inches, sheet
(Edition of 15)
$1200.00
Please no...
Category
Early 2000s Contemporary Photography
Materials
Archival Pigment
Dayworker (American Depression)
Located in Morongo Valley, CA
Dayworker (American Depression) - 1999
20x 20 cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Certificate and signature label.
Artist Inventory...
Category
Early 2000s Contemporary Portrait Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Colored Photograph St. Mark's Square Venice Plaza Scene
Located in Houston, TX
Colored photograph of the St. Marks Square in Italy. The photograph is matted to a thick board to protect against bending. The photograph is not framed.
Category
20th Century Photorealist Landscape Photography
Materials
Photographic Paper
Viola Vivido by Gina Soden - Abandoned places photography, Italy, purple & gold
By Gina Soden
Located in Paris, FR
Viola Vivido is a limited-edition photograph by British contemporary artist Gina Soden.
This photograph is sold unframed as a print only. It is available in 2 dimensions:
*44.64 × 4...
Category
2010s Contemporary Color Photography
Materials
Giclée
Riviera (Malibu) - vintage print
Located in Morongo Valley, CA
Riviera (Malibu), 2004
39x37cm,
Edition 2/5.
Analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper,
based on the original Polaroid.
Artist inventor...
Category
Early 2000s Contemporary Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Renée's Dream (Days of Heaven), no 5
Located in Morongo Valley, CA
'Renée's Dream' no. 5 (Days of Heaven) - 2005
part of the 29 Palms, CA project
26 x 32cm,
Edition 4/100.
Archival C-Print based on the original Polaroid.
Certificate and signatur...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Renée's Dream (Days of Heaven), no 1
Located in Morongo Valley, CA
'Renée's Dream' no. 1 (Days of Heaven) - 2005
part of the 29 Palms, CA project
26 x 32cm,
Edition 14/100.
Archival C-Print based on the original Polaroid.
Certificate and signatu...
Category
Early 2000s Contemporary Color Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
'Baltic freeze #4' - black and white analogue landscape photography 40 x 32 cm
Located in London, GB
'Baltic freeze #4' 2022
A photograph captured with a 35mm camera showcases the winter landscape of Lithuania in black and white.
Printed on the finest archival paper, these limited...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Photographic Film, Archival Ink, Photographic Paper, Giclée
Connected - 21st Century, Contemporary, Landscape, Polaroid
Located in Morongo Valley, CA
'Connected', 2018,
20x24cm
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inventory PL2018-454
Kir...
Category
2010s Contemporary Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
"Remnants II", Contemporary, Landscape, Seascape, Ocean, Black, White, Photo
Located in Natick, MA
Rebecca Skinner’s “Remnants II” is part of her "On and Off the Trail" series and documents the beautiful Mississippi coast. The 12 x 18 inch black and white landscape photo is of pie...
Category
2010s Contemporary Landscape Photography
Materials
Metal
Pit Stop - 21st Century, Polaroid, Landscape Photography
Located in Morongo Valley, CA
Pit Stop - 2017,
20x20cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inventory PL2017-122.
Not...
Category
2010s Contemporary Color Photography
Materials
Archival Paper, C Print, Color, Polaroid, Photographic Paper
Roy's - 21st Century, Polaroid, Landscape Photography, Contemporary, Color
Located in Morongo Valley, CA
Roys (Amboy), 2018,
20x24cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist Inventory Number PL201...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
El Palmar en la Niebla Chingaza, Silver Gelatin Print
Located in Miami Beach, FL
What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...
Category
21st Century and Contemporary Naturalistic Black and White Photography
Materials
Black and White, Silver Gelatin
I Carry That Liminal Space, ii
Located in Los Angeles, CA
Hahnemule Photo Rag Ultra Smooth, 305 gsm
Edition of 8 + 2 AP
Visual artist Dawn Watson is a long-time resident of New York’s Hudson River Valley. After a successful career as a pro...
Category
2010s Color Photography
Materials
Archival Pigment
along Nauset Bay, Eastham
By Frank Yamrus
Located in New York, NY
along Nauset Bay, Eastham
2004
Signed, dated, and numbered, verso
Archival pigment print
6.5 x 6.5 inches
(Edition of 11)
$950.00
The first print in the edition is offered with a...
Category
Early 2000s Contemporary Photography
Materials
Archival Pigment
Blue Yonder - Contemporary, Abstract, Polaroid, 21st Century, Color
By Lisa Toboz
Located in Morongo Valley, CA
Blue Yonder - 2019,
20x40cm,
Edition of 10 plus 2 Artist Proofs.
Archival Print based on the original Polaroid on Hahnemühle photo rag paper.
Signature label and certificate.
Not mounted.
Exhibition: Reclaim Photography Festival: Reclaiming Our Cultural Landscape, Black Country...
Category
2010s Contemporary Color Photography
Materials
Archival Ink, Archival Paper, Color, Archival Pigment, Polaroid
Renée's Dream XI (Days of Heaven) - Landscape, Horse, Polaroid, 21st Century
Located in Morongo Valley, CA
Renée's Dream XI (Days of Heaven). Part of the 29 Palms, CA Project - 2006
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label ...
Category
1990s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Bryce II - 21 Century, Women, Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
Bryce II - 2017,
20x20cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inventory PL2017-261.
Not...
Category
2010s Contemporary Color Photography
Materials
Archival Paper, C Print, Color, Polaroid, Photographic Paper
Bryce I - 21 Century, Women, Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
Bryce I - 2017
20x20cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inventory PL2017-245.
Not m...
Category
2010s Contemporary Color Photography
Materials
Archival Paper, C Print, Color, Polaroid, Photographic Paper
Botanicals III - 21st Century, Polaroid, Landscape Photography
Located in Morongo Valley, CA
Botanicals III - 2018
20x24cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist Inventory Number PL20...
Category
2010s Contemporary Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Tree of Light
Located in Morongo Valley, CA
Tree of Life - 2017,
20x20cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inventory PL2017-285....
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, C Print, Color, Polaroid
Salton Sea Marina (California Badlands) - Polaroid, Landscape, Contemporary
Located in Morongo Valley, CA
Salton Sea Marina (California Badlands) - 2016
20x24cm,
Edition 6/10.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 18088.14.
Not...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Cloud Over Arizona
Located in Carmel, CA
A very cool landscape of the abstract kind.
Beautiful printed silver gelatin - wish it was easy to photograph but with the reflection...
Category
1990s Black and White Photography
Materials
Silver Gelatin
$1,050 Sale Price
30% Off
'Baltic freeze #2' - black and white analogue landscape photography 42 x 27 cm
Located in London, GB
'Baltic freeze #2' 2022
A photograph captured with a 35mm camera showcases the winter landscape of Lithuania in black and white.
Printed on the finest archival paper, these limited...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Photographic Film, Ink, Archival Ink, Photographic Paper, Giclée
Vagabond (American Depression) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
Vagabond (American Depression) - 2017
40x40cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 2...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Maya - Contemporary, Polaroid, Photography, Color, 21st Century, Portrait
By Lisa Toboz
Located in Morongo Valley, CA
Maya - diptych, 2016
17x38cm,
Edition of 10 plus 2 Artist Proof.
Archival photograph printed on Hahnemuhle photo rag paper, based on 2 original Polaroids.
Signature label and ce...
Category
2010s Contemporary Color Photography
Materials
Archival Ink, Archival Paper, Color, Archival Pigment, Polaroid
Ghosts (The Last Picture Show) - Polaroid, Photograph, Contemporary, Americana
Located in Morongo Valley, CA
Ghosts (The Last Picture Show) - 2005
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist inventory 2...
Category
1990s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
"Tortoise", Joshua Tree, California, 2005
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose ...
Category
Early 2000s Contemporary Figurative Photography
Materials
Photographic Paper
Don´t come with me - Contemporary, Photograph, Landscape, 21st Century, Color
Located in Morongo Valley, CA
Don´t come with me - 2011
40 x 40 cm,
Edition of 5 plus 2 Artist Proofs.
Archival Photography printed on Canson Baryta 310gr (not mounted)
Signed on back with Certificate.
About m...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper, Color, Archival Pigment
Untitled 507-12
Located in New York, NY
Selenium-toned gelatin silver print
Signed, titled, dated, and numbered in pencil, verso
Also blindstamped with artist's name and edition number, recto
8 x 8 inches, image size
(Ed...
Category
Early 2000s Contemporary Landscape Photography
Materials
Silver Gelatin
Ski Inn (Bombay Beach), 21st Century, Polaroid, Landscape Photography
Located in Morongo Valley, CA
Ski Inn (Bombay Beach) - 2018
20x24cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Not mounted.
Bombay...
Category
2010s Contemporary Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Last Stop Bombay Beach (California Badlands)
Located in Morongo Valley, CA
Last Stop Bombay Beach (California Badlands) - 2019
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist In...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Table for Two (Bombay All Day) - Contemporary, Polaroid, Bombay Beach, Landscape
Located in Morongo Valley, CA
Table for Two (Bombay All Day) - 2019
20x24cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inven...
Category
2010s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Coney Island (Stay) - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory # 2197.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Coney Island (Stay) - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory # 2196.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Columbia Thinking (Stay) - Polaroid, 21st Century
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...
Category
Early 2000s Contemporary Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Ancient Bridge Views III (Stay)
Located in Morongo Valley, CA
Ancient Bridge Views III (Stay) - 2006
20x20cm,
Edition of 5 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 2490.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
East River View (Stay) - Polaroid, 21st Century
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Schneider's art was the art both characters created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as paintings hanging in several scenes within the movie.
East River View (Stay) - 2006
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Certificate and Signature label, artist Inventory No. 2598.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Summer Interlude II (Deconstructivism) - Contemporary, Expired Polaroid
Located in Morongo Valley, CA
Summer Interlude II (Deconstructivism) - 2020
- about the narrative potential of images.
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid,
Art...
Category
Early 2000s Contemporary Abstract Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Another Galaxy
Located in Morongo Valley, CA
Another Galaxy, 2017,
20x20cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print, Based on the original Polaroid, not mounted.
Signature label with certificate.
Artist inventor...
Category
2010s Contemporary Landscape Photography
Materials
C Print, Color, Polaroid, Archival Paper, Photographic Paper
Phantom Canoe
By Roman Loranc
Located in Carmel, CA
Moving image taken in the central valley, California.
Hand printed photograph by artist.
I have two !!
Category
Early 2000s Black and White Photography
Materials
Photographic Paper
$1,120 Sale Price
55% Off
Fireweed on Emerald Lake-Photograph
Located in Chesterfield, MI
Measures 8 x 10 inches and is Unframed. Also available: 5 x 7 inches.
Category
21st Century and Contemporary Landscape Photography
Materials
Photographic Paper
$75 Sale Price
25% Off
American Photographer Nest Silver Gelatin Vintage Print
Located in Surfside, FL
Andreas Bernhard Lyonel Feininger (December 27, 1906 – February 18, 1999) was an American photographer and a writer on photographic technique. He was noted for his dynamic black-and-...
Category
Mid-20th Century Black and White Photography
Materials
Silver Gelatin
Manhattan (Strange Love)
Located in Morongo Valley, CA
Manhattan (Strange Love) - 2018,
43x39.5cm,
Edition of 5 plus 2 Artist Proofs.
Archival C-Print, based on a 35mm analog Negative.
Signature label and certificate.
Artist Invent...
Category
2010s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Slim Aarons 'Princess Lucy Ruspoli'
By Slim Aarons
Located in New York, NY
Slim Aarons
Princess Lucy Ruspoli
1982 (printed later)
C print
Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate.
Princess Lucy Ru...
Category
1970s Modern Landscape Photography
Materials
Lambda
Bosque Alto Andino Chingaza, Silver Gelatin Print
Located in Miami Beach, FL
The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...
Category
21st Century and Contemporary Naturalistic Black and White Photography
Materials
Black and White, Silver Gelatin
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