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Christine SoCaminante No Hay Camino (hand-printed cyanotype, 11 x 8.5" matted to 14 x 11")2024
2024
About the Item
A framed edition of this cyanotype sold to Timothée Chalamet at The Other Art Fair in Los Angeles.
One of 10 mini editions of the same photograph printed by hand using the antique photographic process of cyanotype.
Matted to 11 x 14 inches. Ready to go into any standard 11 x 14" size frame the purchaser buys.
All of my hand-printed cyanotype photographs are “contact photos”, which means that the large negative is exactly the same size as the paper that the photo is printed on because the negative is laid directly on top of the paper while it is being exposed.
These iconic Monterey Pines are in the woods near my house in northern California where I walk. Anyone from Oakland will recognize them. They are a great comfort to me. The changing light and foggy weather transform them so that every hour and every day is like seeing a new painting.
Hand-stained pure cotton cold-press watercolor paper. Printed by hand outdoors using natural sunlight for exposure with giant photo negatives under glass and rinsed.
This is a handmade contact photo using the antique cyanotype process from the 1800s. All of Christine So's hand-printed cyanotype photographs are “contact photos”, which means that the large negative is exactly the same size as the paper that the photo is printed on because the negative is laid directly on top of the paper while it is being exposed.
Unframed. Signed on the back.
Free shipping to the United States.
- Creator:Christine So (1970, American)
- Creation Year:2024
- Dimensions:Height: 14 in (35.56 cm)Width: 11 in (27.94 cm)Depth: 0.2 in (5.08 mm)
- More Editions & Sizes:noPrice: $120
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Oakland, CA
- Reference Number:1stDibs: LU2737215383202
Christine So is an American printmaker, photographer and painter living in the hills across the bay from her hometown, San Francisco. She is best known for her blue and white cyanotype photographs of forests shrouded in fog. The Foggy Woods series is ever-growing as the artist continually hikes these hills which are often foggy at dawn. She explores radically different ways to use this antique photographic medium with and without out a camera. At times her blue prints look like screen prints. At others like abstract watercolors. Besides printing photographs from negatives, botanicals using entire branches, altering the chemical recipe to obtain novel colors, and creating abstract cyanotypes of deliberate patterns, she also paints images using the light-sensitive solution and prints a pattern within them. These last works she calls “cyanotype paintings”. The multiple-day process depends on being able to see while painting in a dark room so as to not expose the light-sensitive painted silhouette before it’s time. She named her series of botanical paintings which have a fine blue and white pattern “Delft Garden” after the Dutch painted porcelain. Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital.
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