Late 20th Century Landscape Photography

This mid-1970s portrait photograph, captured by society photographer Slim Aarons, features a guest taking a break from the sun at the Marbella Club, Marbella, Spain. This is an esta...

This mid-1970s portrait photograph, captured by society photographer Slim Aarons, features a guest taking a break from the sun at the Marbella Club, Marbella, Spain. This is an esta...

A black-and-white image shot on film, Roberta Fineberg captures on a carefree summer day a child's hand waving goodbye, prophetically perhaps at the Worl...

This is a classic image of the Staten Island Ferry in New York Harbor bathed in Golden light with the Statue of Liberty in semi-silhouette. The image was shot over 50 years ago but s...

Veteran Photographer Mitchell Funk creates a vibrantly expressive image of Miami Beach's Ocean Drive. The blur color and punchy red sky and bleeding Art Deco Neon signs are the visu...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

A desert house in Palm Springs designed by Richard Neutra for Edgar Kaufman. Lita Baron approaches Nelda Linsk, right, wife of art dealer Joseph Linsk who is talking to a friend, Hel...

On the Road (The Last Picture Show) - 1999 44x75cm including the white frame, image areas: 30x29cm each. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the 2 ori...

Piazza del Popolo -  Vintage Photo is a colored photograph of the 1970s. Good conditions.

Man and Red Arrowby Michael Ormerod is a stunning Colour Print on Hahnemuehle Paper in an Edition of 20 in this size of 20" x 24". States of America: The body of work, States of Am...

Motorcycling Lord Lord Hesketh, Minister of State at the Department of Trade and Industry, by the lake in the grounds of his family estate Easton Neston House, Northamptonshire with...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

Hotel du Cap Eden-Roc 1976 by Slim Aarons printed 2024 Slim Aarons Limited Estate Edition Guests by the pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976 unframed c...

What Brooklyn was like 47 years ago. Mitchell Funk brings new solutions to color photography in his use of golden light to transform a scene from a dull document into a beautiful a...

Construction Site Drive By (Vegas) - 2000 Edition 4/10, 44x59cm. Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid. Certificate and Signature label. ...

Watertower (Vegas) - 2000 Edition 5/10, 44x59cm. Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid. Certificate and Signature label. Artist Inventor...

Guests around the pool at the Monte Carlo Beach Club, Monaco, August 1970 Slim Aarons Monte Carlo Beach Club, 1970 (Printed later) Slim Aarons Estate Edition 40 x 40 inches Framing...

Shipping should be around $100. Dave Grusin ‎– One Of A Kind Album Cover, 1977 Signed and dated and numbers 2/15 lower right recto, unframed, printed later, other sizes available M...

An original silver gelatin black and white photograph by Poly-Press, Bonn, Germany. A view of Manhattan and the East River, circa 1975. Features: Original silver gelatin photography ...

Horses - Limited edition archival pigment print , Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahne...

A poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in Palm Springs, January 1970. Featured in the group are: industrial designer Raymond Loewy (1893 - 1986, centre, standing), Nelda Linsk (in yellow), wife of art dealer Joseph Linsk, and Helen Dzo Dzo (second from right) Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday." Slim Aarons Palm Springs Party...

Steve Snyder (American, XX-XXI), Canoe and Stone, Photograph, 1988, signed in ink, dated, and numbered edition "AP13/75" lower left, black wood frame. Image: 27" H x 37" W; frame: 33...

Artist: Stuart Klipper, American (1941 - ) Title: Most North Year: 1981 Medium: C-Print Photograph Size: 12 x 38 in. (30.48 x 96.52 cm) Frame Size: 19.5 x 45.5 inches

Man walking in Distance (Zuma Beach) - 1999 43x59cm, Edition of 2/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signed on back and Certificate. Artist Inve...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...

Ice Hockey, Switzerland, Estate Edition, Landscape Photograph This early 1990s winter photograph, captured by society photographer Slim Aarons, features a group of people play an im...

Edward Hopper's sense of late light combined with the isolation and desolation of New York is depicted in color photography by Mitchell Funk. Golden light paints 70's New York in a m...

Lombard Street, A Popular tourist location has a magical look. Mitchell Funk, waits for the right light at the right time of year. Signature: Signed, dated, numbered lower right r...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

Palm Springs Palm Trees (Californication) - 2023 40x40cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

A topless swimmer in Saint-Tropez, on the French Riviera, August 1971. Saint-Tropez Seafront, 1970 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with cer...

Power Plant Drive By (Vegas) - 2000 Edition 4/10, 44x59cm. Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid. Certificate and Signature label. Artis...

"Two Hundred and Seven Sheep, Rakaia Valley, Canterbury, New Zealand" is a limited edition, silver gelatin print. The photograph is signed, numbered, and matted to 20x16 in. Micha...

Signed, dated, numbered 4/15 recto, unframed, printed later, other sized available, Printed on Hahnemühle Fine Art paper

Max and Radha sitting on Rock (Long Way Home) - 1999 featuring Radha Mitchell 57x56cm, Edition of 10, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Certificate and Signature label. Artist Inventory #257. Not mounted. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres...

Unframed, printed later, other size available Mitchell Funk's use of late golden light is on full display as a shimming cobblestone street transforms into an abstract pattern. Photog...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

Landed (Long Way Home) - 1999, 50x50cm, Edition of 25, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label and Certificate. Artist Inventory #834. Not mounted. Berlin based artist Stefanie Schneider enlarges expired Polaroid stock into burned-out C-prints. The lossy images almost completely dissolve into lurid color abstractions. The shiny pink of a sex kitten's glittery body suit becomes an electrified, free-floating color field. The vivid, flame-orange hair of a 70's sexploitation film star vibrates against the dusty gray of the sky above an LA desert. Skin tones and facial details in the figures are completely lost. They are refugees from Faster Pussycat...

An iconic black-and-white image from the 1980s in France, a look at a rooftop vista from an 11th "arrondissement" (district) apartment window in Paris. Paris Rooftops, 1988 by Robert...

Capitolium and Imperial Forums -  Vintage Photo  is a colored photograph of the 1970s. Good conditions.

SUNDAY AFTERNOON FIVER•• • July 26th 1981 PHP 196577-130 (Hy-0) London, SUnday, PA: The Prince of Wales weds Lady Diana at Saint Paul's Cathedral (Background) Horse parade and member...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

Artist: Geir Jordahl – American (1957- ) Title: Prehistoric Rain Forest, Oregon Year: 1988 Medium: Silver Gelatin photograph using infrared film Sight size: 8 x 19.75 inches. Framed size: 16.25 x 26.25 inches Signature: Signed on the mount Edition: 50. This one: 2/50. (Fewer than 50 were actually printed) Condition: Very good Frame: Framed in original metal frame. Frame in fair condition This photograph depicts a lush area in Oregon with many ferns and trees as well as a painted dinosaur head...

See PA Story UPT CUTE ROYAL PIREWORK DISPLAY FOR WEDDING Jันly 28th 1981 PAP 196577-181 (61-W) London, Tuesday, PA: The firework display in Hyde Fark, London tonight, to colobrate to...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

Abaco Islander Author Chester Thompson at work in his coconut grove on the Abaco Islands of the Bahamas, March 1986. His ancester Wyannie Malone settled on the islands in 1783, foun...

Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Chromogenic print on Kodak Professional Paper The sheets are approxima...

Pebble Beach Riders from the Pebble Beach Equestrian Center wend their way through the Californian sand dunes and pampas grass, November 1976. 40x40” / 101 x 101 cm - paper size ...

Left to right: Brando Crespi and daughter Chloe, with his sister Pilar Crespi Echavarria and her son Sebastian, at Monte Argentario Polo Club, Porto Ercole, Tuscany, Italy, September...

Once in a Blue Moon (The Girl behind the White Picket Fence) - 2013 20x24cm, dition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory Number 17849. Not mounted. Offered is a piece from the movie: The Girl behind the White Picket Fence A tale told with blemished and expired Polaroid film about the hopes and dreams of an newly orphaned girl after loosing her parents who lived in Californian desert in an vintage Spartan travel-trailer . -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice over monoloque - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girls journal (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose 10 acre property in Morongo is dotted with vintage trailers. They surround her midcentury home, and serve as sets for her photo shoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004, when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck, if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaim…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

Marie-Louise Scio at the Tettuccio Terme in Montecatini, Italy, June 1980. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons ...

On the Road (The Last Picture Show) - 1999 44x75cm including the white frame, image areas: 30x29cm each. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the 2 ori...

Posing I (Wastelands) - 2004 20x20cm, Edition 1/5, Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate artist inventory number: 11...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...

Garden Way (Zuma Beach) - 1999 20x25cm, Edition of 10 plus 2 Artists Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist Inventory #211. Not mo...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

A topless swimmer in Saint-Tropez, on the French Riviera, August 1971. Saint-Tropez Seafront, 1970 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with cer...