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Stefanie Schneider
Gasoline III (Stranger than Paradise) - 20th Century, Contemporary, Polaroid

1999

$6,000
£4,524.03
€5,213.31
CA$8,323.62
A$9,326.57
CHF 4,854.84
MX$114,096.29
NOK 61,623.17
SEK 58,202.34
DKK 38,918.43
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About the Item

Gasoline III (Stranger than Paradise) - 1999 Edition 10, 120x120cm, analog C-Print, hand-printed by the artist, based on the Polaroid, Not mounted, Certificate and Signature label, artist Inventory No. 271.01 Exhibition photos from the solo show 'Rough Cuts' at the Susanne Vielmetter gallery, LA Projects. The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century? In this captivating artwork, we are drawn into the enigmatic world captured by Stefanie Schneider, where a solitary man, lost in his own thoughts, embarks on a journey while engulfed in a cloud of smoke. The scene unfolds with a sense of purpose and introspection, inviting us to delve deeper into the layers of meaning behind this evocative image. As the man moves forward, his posture and expression reveal a blend of determination and contemplation. His steps, shrouded in the haze of smoke, suggest a metaphorical passage through life's complexities, each stride imbued with significance and the weight of personal introspection. In this moment, the act of smoking becomes a visual representation of his introspective journey, an avenue for contemplation and reflection. The smoke, swirling around the man, takes on a symbolic role, representing the ephemeral nature of existence and the transient moments that shape our lives. It dances and dissipates, mirroring the fleeting nature of time and the ever-changing nature of our experiences. In its ethereal presence, we find ourselves confronted with the fragility and impermanence of our human condition. The use of light and shadow further enhances the atmospheric quality of the scene, casting subtle nuances on the man's face and enveloping him in an aura of mystery. Shadows play upon his features, hinting at the depths of his inner world and the multitude of emotions that accompany his journey. It is within these chiaroscuro contrasts that we find a visual representation of the complex interplay between light and darkness, knowledge and uncertainty, in the human experience. This artwork invites us to contemplate the nature of existence, the choices we make, and the paths we embark upon. It prompts introspection and raises profound questions about the purpose and direction of our own lives. As we observe the man navigating through the haze, we are compelled to reflect on our own personal journeys, the challenges we face, and the decisions that shape our destinies. In this poignant portrayal, Stefanie Schneider captures the essence of human existence—an intricate tapestry of movement, contemplation, and the ever-present specter of impermanence. Through the enigmatic image of a man going somewhere while smoking, we are reminded of the profound complexities inherent in our own journeys and the relentless pursuit of meaning in the face of life's uncertainties.

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Untitled (Olancha) - Stranger than Paradise - analog C-Print based on a Polaroid
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