Antelope Landscape Photography

Stu Levy's photographs often involve fragile landscapes that invoke a sense of timelessness. The landscape, is often his stimulus or point of departure, then asking the question, &qu...

Brian Kosoff, an accomplished master of the photographic process, spent most of his life in photography and still considers himself a student of the medium. As a teenager, he was in...

Archival pigment print (Edition of 11) Signed, dated, and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editi...

In his latest show, Benjamin Heller invites us to enter a poetic space of echo and convergence. As a photographer, sculptor, and performer, movement is key in this body of work, that is punctuated by self portraits selected from the series "The Long Walk: Analog Narratives". This series features pieces collected over an extended period of time spent traveling. It is a window to the interior landscapes he seeks to find reflected in the world, to contain a sense of this intimate vastness. All of the images can be viewed as variations on a self-portrait. The places of intimacy and sense of vastness contained in the photographs can convey a sense of transport that enhances the viewer's visual experience. The "echoes" we find in the show reside in multiplicities of human and physical forms, rolling natural curves, and animals in flight; all intended to provide a resonance with the contours of earth, water, and wind. The result is an array of images captivating in themselves, but also given new meaning in the context of Robin Rice's skillful curatorial arrangement. Her intuitive placement creates a graphic narrative for the viewer to follow and decipher, encouraged by the convergence of the poetic titles of the works. Traces of poetry, sculpture, the lines of the body, lived experience are also evoked in Heller's photographs, in movement and action. He also finds inspiration in photographer Duane Michals' framing of expressive narratives, and in Sally Mann's felt sense of powerful physical presence. Photographer Miranda Penn Turin, in reviewing the exhibition, said "I can almost hear a soundtrack, and it's the sound of wind". The invitational image is entitled "Fall," a graceful figure, suspended in a glowing arc, light streaming upwards, eyes closed in rapture. This light sits in contrast to the infinite shadow of the black background, conjuring a certain atmosphere. Heller believes that it is shadows that allow the viewer to reside in the experience – this image does just that. These imagined environments speak to our converging lives and the echoed moments we experience, embodying for each viewer, just what Benjamin Heller connects with while photographing. Another view of self portraiture at the front sign in desk, is an image reading, "and the soul wanted to move," between the keys of a typewriter. This show is a mirror of a desire to move. The black & white images capture simultaneously this movement and stillness, asking us to pause between the natural forces that rise and fall. Heller employs multiple-exposure and a fixed 4x5...

A beautiful black and white photograph of the ship "Balclutha" in dock, with Coit Tower in the background by famed San Francisco photographer Gene Wright (American, 20th Century). Im...

Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues o...

Behold nature's stunning beauty in this black & white hand signed landscape photograph of beautiful Ayers Rock in Australia, showcasing the elegant curvatur...

Taken from the world’s largest photographic archive, (Hulton Archive and Getty Images), the Getty Images Gallery collection features an extraordinary time capsule of the last century...

Stunning black & white landscape photograph with trees reflecting in water in the Sierra Nevada mountains by California artist Robert Werling. Signed on mat lower right: "Bob Werling." Presented in a silver metal frame. Image, 15"H x 19"W. Robert Werling was born in San Francisco, California in 1946 and realized an interest in art at an early age. While briefly attending a commercial art school, he found photography to be his medium and went on to obtain both a BA and an honorary MS from the Brooks Institute of Photography in Santa Barbara, CA. He also studied privately under Ansel Adams from 1966 to 1970 and Imogen Cunningham from 1969 to 1975. Through his affiliation with Adams, Werling came to know and work with other noted photographers. Brett Weston became his close friend and mentor and Marion Post Wolcott, relying on his darkroom expertise, entrusted her negatives to his printing genius. While creating an impressive number of his own fine art prints, Werling also lectured extensively and worked as an instructor for the Brooks Institute, the University of California, Santa Barbara, the Zone System Seminars and Workshops in the United States, and for the Werkschule fur Fotografie in Soltau, Germany. Werling has exhibited his photographs in over sixty one-man and group shows in both the United States and Europe. He was guest curator of photography for the Santa Barbara Museum of Art organizing VIVO, the Contemporary Japanese Photography and Brett Weston’s photographs...

Beautiful black and white landscape photograph titled "Yosemite," by Jeff Nixon (American, 20th Century). A mountain range stands high against a cloudless sky and above a forest reflected in a pond below. Signed "Jeff Nixon AP, Yosemite '87," on verso. Presented in a new white mat, 16"H x 20"W. Jeff Nixon began photographing in the late 1960's, and by the end of the millennium had acquired an impressive list of credentials; many years as a year round resident of Yosemite Valley, noted instructor in the techniques of black and white photography which he gleaned from his years of working with Ansel Adams, and learning the Zone System from the master himself. Jeff has been an instructor for two California Junior Colleges, Modesto and Columbia, has led extension courses for UC Santa Cruz and UC Berkeley, and taught and lectured in numerous seminars and classes. He has taught workshops and has had many showings nationwide, working with Morley Baer, Chris Rainier, Rod Dresser, and John Sexton as either field or darkroom assistant. He was also the production and research assistant for the Ansel Adams Publishing Rights Trust, Carmel Highlands...

"Gods at the Beach 1" Photography 31" x 31" in Edition 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. A...

Color fine art landscape photography. Archival pigment ink print as part of a limited edition of 8. All Gerald Berghammer prints are made to order in limited editions on Hahnemuehle ...