Child Landscape Photography

Lila and Sam (Stay) with Ewan McGregor and Naomi Watts - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

Wild Things (Till Death do us Part) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #9309 Not mounted....

Childhood Memories (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2295 Not mounted. Stefan...

Memory Sequence (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2273 Not mounted. Stefanie ...

Big Boy (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2266 Not mounted. Stefanie Schneide...

This early 1970s landscape photograph, captured by society photographer Slim Aarons, features a surfer in the sea at Laguna Beach, California. This is an estate stamped and hand num...

Rosé Britanny Rock Edition of 25 signed and numbered by the artist The Pink Granite Coast is the perfect playground to discover and have fun recognizing the shapes of our impressive granite blocks...

Without You (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 934. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

On The Run (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 23024. Signature label and ...

Ancient Views of Chinese Customs is a set of six original vintage Albumen prints on single cardboard: 34 x 26 cm. Image 9.5 x 13 cm and on the rear 14 ...

Colon is a lot of two different prints made by photographers of the end of 19th Century. Prints in excellent condition, applied on a single cardboard. Caption in Italian ink hand-w...

Short Stop (The Last Picture Show) - 2000 20x20m, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

Ramifications (The Last Picture Show) - 2000 40x80m including white border, diptych. Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the 2 original Polaroids. Cer...

Ancient Views of the Strait of Magellan is a lot of five different prints made by unknown photographer. Prints in excellent condition, applied on ...

Golf In Hong Kong 1959 A group play golf on a coastal golf course, Hong Kong by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment print unframed (framing...

Dreams Twilight (Haley and the Birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inven...

Rapture (Haley and the Birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1...

'Verbier Vacation' Holiday-makers take the sun on a mountain top in Verbier, 1964. 30 x 30 inches / 76 x 76 cm paper size Estate Stamped Collection Edition to 150 Photo by Sl...

Holidaymakers aboard the 'Zephyria I' in Monte Carlo, August 1970. A classic view of a Riva Aquarama with family members aboard in Monaco in the hey-day ...

Carlton Hotel The entrance to the Carlton Hotel, Cannes, France, 1958. Slim Aarons Chromogenic C print Printed Later Slim Aarons Estate Edition Produced utilising the only origi...

Occupational Portraits in Seto Islands is a lot of four hand-inked Albumen print with aniline applied on a single cardboard. Very good conditions. Cardboard cm 26 x 34; Print cm 9 x...

Portraits of Women in Nagasaki is a lot of four hand-inked Albumen print with aniline applied on a single cardboard. Very good conditions. Cardboard cm 26 x 34; Print cm 9 x 13.5 Y...

'Nice Pool' 1955. American writer C.Z. Guest (Mrs. F.C. Winston Guest, 1920 – 2003) and her son Alexander Michael Douglas Dudley Guest in front of their Grecian temple pool on the o...

A group of colourfully dressed holidaymakers on a yacht, Bermuda, June 1970. (Photo credit Slim Aarons / Getty Images) Estate stamped and hand numbered edition of 150 with certific...

Spear Fishing In San Diego A spear fisherman in a mask, snorkel and wetsuit, with two boys on a beach in San Diego, California, October 1956. Slim Aa...

Prices for UNFRAMED. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will be held on Wednesday, June 27th from 6 – 8 PM, and the show will be on view until September 23rd, 2018 Rice has brought together the works of 55 gallery artists and nearly a hundred photographs for this salon-style exhibition. From floor to ceiling, the walls of the gallery are a mosaic of various size photographs in sepia, color and black & white, expertly hung to fit together like pieces of a puzzle. “This is my favorite exhibition even though it takes months to curate and a week to install,” says Rice. “I love the moment when a viewer is first drawn to an image. Sometimes in’s indefinable; a moment when the viewer not only shares but reconnects to an experience remembered.” Each year, the Summertime Salon matures and Rice’s annual masterpiece is revealed to showcase an exhibition stronger than the year before. Rice has a close relationship with the works of her photographers, and strategically curates the show to best exemplify the artists’ strengths, remaining cohesively linked by Rice’s aesthetic. This year’s invitational image, Hoop and Ball by Nenad Samuilo Amodaj is from a series of one hundred photographs. Rice chose three photographs from Amodaj’s series to create a triptych on the back wall of her gallery for this exhibition. The invitational image is of a standing semi-nude woman in profile wearing a hoop skirt. Her entire head rests inside of a large white plaster ball that she holds above her. He explained: “I wanted to explore the abstract architectural properties of the hoop skirt, a clothing item with curious geometric form that appears both in nature and in the world of artifice.” Before photographing the model he created numerous figure drawings that helped solidify his vision for the series. Men, black and white, Isle of Man...

A group of colourfully dressed holidaymakers on a yacht, Bermuda, June 1970. Bathers in bright pink and red vintage swimwear enjoy the afternoon on t...

'Speedboat Landing' (Slim Aarons Estate Edition) A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Ital...

Breaking the Waves (Zuma Beach) - 1997 43x59cm, Edition of 3/5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signed on back and Certificate. Artist Inventory #...

Slim Aarons Estate Print - Nice Pool - Oversize American writer C.Z. Guest (Mrs F.C. Winston Guest, 1920 – 2003) and her son Alexander Michael Douglas Dudley Guest in front of their Grecian temple pool on the ocean-front estate, Villa Artemis, Palm Beach. Original Publication: A Wonderful Time – Slim Aarons (Photo by Slim Aarons) Chromogenic print paper size 40 x 40" inches / 101 x 101 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. summer summery dog dogs...

'Porto Ercole' A jetty juts out from a rocky shoreline in Porto Ercole, Tuscany, August 1980. Paper Size 20 x 30 inches / 51 x 76 cm Estate Stamped Collection Edition to 150 P...

Nice Pool' Palm Beach (Slim Aarons Estate Edition) American writer C.Z. Guest (Mrs F.C. Winston Guest, 1920 - 2003) and her son Alexander Michael Douglas Dudley Guest in front of th...

Slim Aarons Estate Print - New England Skiing Starters - Oversize A young skier prefers to carry his skis down the slope in New Hampshire, 1955. (Photo by Slim Aarons) silver gelatin print paper size 40 x 40" inches / 101 x 101 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. b/w black and white winter...

'Verbier Vacation' 1964 Slim Aarons Limited Estate Edition Holiday-makers take the sun on a mountain top in Verbier, 1964. Slim Aarons Chromogenic. C print Printed Later Slim Aa...

Slim Aarons Estate Print - Vila Vera - Oversize The bar at the Villa Vera Hotel Spa and Racquet Club in Acapulco, January 1968. (Photo by Slim Aarons) Chromogenic print paper size 40 x 60" inches / 101 x 152 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. fun leisure summer summery 1960s 60s fashion style palm palms travel vacation party bar...

The Ice Bar at the Hotel Krone in the Austrian ski resort of Lech, February 1979. (Photo by Slim Aarons) Estate Stamped Edition Limited to 150 only This photograph epitomises the travel style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he loved to photograph 'attractive people in attractive places, doing attractive things'. A beautiful and classic Slim Aarons C-type photograph (unframed). Limited edition to 150 only numbered and stamped by The Slim Aarons Estate on verso. Supplied with certificate of authenticity. Gorgeous print measuring 60 x 40" inches / ca 152 x 101 cm’s paper size. Stamped by the Estate on right and numbered in ink on left - limited edition to 150 only. Produced utilising the original transparency held at archive source. FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. We ship regularly using Fedex Express services and shipping to all international locations. Keywords fashion 60s...

Slim Aarons Estate Stamped Edition Limited to 150 only Friends board a riva boat in Monte Carlo, Monaco, 1975. (Photo by Slim Aarons) This photograph epitomises the travel style ...

Silver Gelatine Print by Erich Andres, 1941. This black-and-white photograph, taken in 1938, shows a scene from a lighthouse on the island of Amrum, Germany. A man and a young boy a...

Digital C-print Signed and numbered, verso (Edition of 10) This photograph is offered by ClampArt, located in New York City.

Slim Aarons Estate Print - Spear Fishing In San Diego A spear fisherman in a mask, snorkel and wetsuit, with two boys on a beach in San Diego, Cal...

'Speedboat Landing' (Slim Aarons Estate Edition) A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Ital...

'Speedboat Landing' (Slim Aarons Estate Edition) A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Ital...

Malina (Stranger than Paradise) - 1997 43x59cm, Edition of 1/5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature Label and Certificate. Artist Invento...

Sandy (Malibu) - 2004 39x37cm, Edition of 5. Analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper, based on the Polaroid. Signature label and Certifi...

Hidden Valley (Wastelands), 57x56cm, Edition of 5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, Artist inventory Number 1192....

A Vision you can't Capture (29 Palms, CA) - 2007 60x80cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and certificate. Artist ...

My own private Travel Diary - Bishop, CA - Winter - 2001, 20x29cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid Slide. Signature label and Certifi...

The End (Sidewinder) - 2005 80x80cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 3447. ...

"Vintage photo - The Cucifix" is a black and white vintage photo, realized in Mid 20th Century. Good conditions and aged. It belongs to a historical and nostalgic album including h...

Slow (Oxana's 30th Birthday) - 2010, 38x36cm, Edition 2/5, analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, matte surface, based on a Polaroid. Artist ...

Further to Fly is a series of Wet Plate Collodion Photograms that continues in my practice of using drawings on mylar layered with light-sensitive materials in the darkroom to create...

'A Vision you can't Capture' (29 Palms, CA) 2007, 37.5x49.5cm, Edition 2/5, analog C-Print, hand-printed by the artist on Fuji Crystal Achive Paper, matte finish, based on a Polar...

ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are both artists and he chose to follow their lead. Tom's focus as a photographer is mainly...

'Carlton Hotel' The entrance to the Carlton Hotel, Cannes, France, 1958. 20x20" inches / 51 x 51 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons ...

Slim Aarons Speedboat Landing 1973 (printed later) Chromogenic Lambda Print (C Print) Estate edition of 150 August 1973: A motor boat arrives at a j...

Slim Aarons' Saint-Tropez Beach, an Estate Edition photograph, is a vintage scene of sunbathers on the French Riviera, August 1971. Colorful coral red and mint green umbrellas shelte...

Edward S. Curtis Counting The Record 1921 Photogravure Print 18 x 22 inches Vintage large format Curtis Portfolio Photogravure, Portfolio 12, Plate #413, The North American Indian, ...

Young women canoeing at Zephyr Cove on the Nevada side of Lake Tahoe, USA, 1959 Lake Tahoe Trip Slim Aarons Estate Edition Numbered and stamped by the...