Factory Landscape Photography

Jeff Burk Construction on Main Street Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed i...

Bryan Atkinson Truman Road Archival Pigment Print Year: 2024 Visible Size: 7.5 x 9.5 inches Framed: 13 x 17 inches Signed: On Label COA provided *White frame with standard plex Bry...

Jason Dailey Red Grain Bins Archival Pigment Print Year: 2024 Visible Size: 9.5 x 9.5 inches Framed: 12.875 x 12.875 inches Signed: On Label COA provided *White frame with standard ...

'Homage to Giorgio de Chirico' Edition 1/10, 20x30cm, 2012, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. Tao Ruspoli (born 7 Novem...

Williamsburg Brooklyn New York Photograph: The historic Domino Sugar Factory in Williamsburg, Brooklyn photographed by celebrated New York street photographer Fernando Natalici. This work was shot just prior to this Williamsburg, Brooklyn landmark...

Archival pigment print Signed and numbered, verso 20 x 24 inches (Edition of 15) 30 x 40 inches (Edition of 15) 40 x 53 inches (Edition of 15) This artwork is offered by ClampArt...

27"x40" limited edition of 10 signed on reverse. This photograph was taken at the site of Brooklyn's Domino Sugar Refinery, Paul Raphaelson's photographs chronicle the final state ...

Mitchell Funk's photograph of a Red Brick Factory in Long Island City is as much about color-field theory as it is a document of a brightly painted factory facade. Additionally, Fun...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected ...

Happy, TX by Keith Carter is a silver gelatin print and is an edition of 50. The photograph features a parking lot with a silo and a building in the distance. This photograph is sig...

Bryan Atkinson Marolf’s Archival Pigment Print Year: 2024 Visible Size: 7.5 x 9.5 inches Framed: 13 x 17 inches Signed: On Label COA provided *White frame with standard plex Bryan ...

Erin Eggerman ASB Railroad Bridge Lift Mechanism Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted ...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Industrial city  is a black and white vintage photo, realized in Mid 20th Century. Good conditions and aged. It belongs to a historical and nostalgic album including historical mom...

Archival digital print, edition of 25 (#256) 26 x 39 inches unframed 36 x 48 inch inches in simple black frame, 8-ply mat & AR non glare glass John Griebsch learned how to fly an ai...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...

Jason Dailey Green Grain Bins Archival Pigment Print Year: 2024 Visible Size: 9.5 x 9.5 inches Framed: 12.875 x 12.875 inches Signed: On Label COA provided *White frame with standar...

Rebecca Skinner’s “The Piano” was photographed in an abandoned train repair yard. The 16 x 24 inch color metal print is of a piano in a state of decay in an industrial landscape with...

Vegas (Stranger than Paradise) - 2000 38x47cm, Edition of 30, Archival C-Print, based on a Polaroid Certificate and Signature label artist Inventory #537. Not mounted. THE GREAT...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...

Photography "NYC Sky Line Full Manhattan Hudson River" by Didier Fournet. Didier Fournet is a contemporary "painter" thanks to photography: he chose pixels instead of brushes and re...

Print mounted on aluminum with plexiglas, framed. Edition of 15. Dimitri Bourriau is a French photographer, he has always been interested in history...

Roman Houses is a vintage black and white photograph realized in the early 20th Century as reprint of an image of the late 19th century. Good conditions. A historical testimonial o...

View Of Rome is a vintage black and white photograph realized in the early 20th Century as reprint of an image of the late 19th century. With the hand-note in pencil on the rear. Go...

"Silver Stacks" is a black and white photograph signed by James W. Porth. An industrial landscape is the focal point of this piece. Three exhaust pipes stand tall in the distance. A ...

This limited edition of 10, (#1/10) photograph is signed and editioned on the reverse by the artist and is unframed. It depicts the interior warehouse of the historic Brooklyn Domino Sugar...

Steam Train Press, Wyoming, 1954 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed la...

18"x24" limited edition historic photograph, edition 1/5. This photograph features one of the many attractions to come and go at Coney Island. Phillip Buehler is a New York based ph...

Burritos, Tahoka, Texas by Peter Brown depicts a red brick building on a street corner, with "BURRITOS" painted in white above the white door. Edition of 25 Signed and numbered in black ink on print margin. Paper size: 20 x 24 in., Image size: 16 x 20 in. Series: Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

27"x40" (edition of 10) unframed, signed on reverse This photograph was taken at the site of Brooklyn's Domino Sugar Refinery, just before its dismantling and demolition. It was onc...

Print mounted on aluminium with plexiglas, framed. Edition of 15. Dimitri Bourriau is a French photographer, he has always been interested in history and architectural remains. He ...

17"x24" color photograph signed on the reverse by the artist. This fine art photograph depicts the interior warehouse of the historic Brooklyn Domino Sugar...

40"x60" signed on reverse. This photograph was taken at the site of Brooklyn's Domino Sugar Refinery, Paul Raphaelson's photographs chronicle the final state of the once bustling in...

17"x25" signed on reverse, available unframed, This photograph was taken at the site of Brooklyn's Domino Sugar Refinery, Paul Raphaelson's photographs chronicle the final state of ...

Casa das Caldeiras, Sao Paulo, 2012 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fascinated h...

30 x 40 inch type-c print, edition 25. Signed on verso. Framing additional. Other sizes available - please inquire. For more than thirty years, David Graham has produced photographic images infused with both compassion and humor, as he has documented the homes we have built, our lives both public and private, and a purely American expression of “freedom.” Graham was born in Abington, Pennsylvania, in 1952. He received a BA from The University of the Arts, and his MFA from the Tyler School of Art, both in Philadelphia. He studied under Ray K. Metzker and Will Larson, and was mentored by Emmet Gowin...

Edition of 25 Signed and numbered in black ink on print margin by Peter Brown Paper size: 20 x 16 in., Image size: 14 x 11 1/4 in. Series: Hometown Texas Peter Brown attended Stanfo...

Hand printed by artist Signed in pencil on recto. Taken in Quebec City

27"x 40" photograph, signed on reverse, unframed with certificate of authenticity. This photograph was taken at the site of Brooklyn's Domino Sugar Refinery, Paul Raphaelson's photo...

40"x60" signed on reverse. This photograph was taken at the site of Brooklyn's Domino Sugar Refinery, Paul Raphaelson's photographs chronicle the final state of the once bustling in...

available framed edition of 10 (20"x24") from the series: "Rust Belt" Sean Hemmerle is a New York-based photographer whose work ranges from international conflict zones to cont...

available unframed C-Print photograph, 4/10 (24"x20") Sean Hemmerle is a New York-based photographer whose work ranges from international conflict zones to contemporary architect...

Ezra Stoller (American, 1915-2004) is known as one of the most influential photographers of modern architecture. He created iconic photographs of mid-century buildings that help defi...