Girl Landscape Photography

I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility of...

Vintage Photograph of a Painting     is a black and white vintage photo realized by an anonymous artist in the Early 20th Century. Good condition. The artwork belongs to a series o...

Reportage from Albania - Tirana  is a vintage photograph realized in the Late 1970s. Good conditions.

The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25. Available in 4 siz...

Carlton Hotel The entrance to the Carlton Hotel, Cannes, France, 1958. Paper size 16 x 16" inches / 41 x 41 cm Estate Stamped Collection Edition to 150 Photo by Slim Aarons P...

The End (Sidewinder) - 2005 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by Snap Collective, 2024. 20x20cm, Editi...

Rendering Memories (The Girl behind the White Picket Fence) - 2016 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signatur...

Untitled (29 Palms, CA) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #285 Not mounted. Stefanie S...

After All (Cyndi Lauper) - 'Bring Ya to the Brink' record cover shoot - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. ...

House wife's Chores I (Suburbia) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1671 Not mounted. ...

Mirrored (Memories of Green) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1150 Not mounted. Stef...

Margarita (Till Death do us Part) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #8579 Not mounted. ...

Melancholy (Haley and the Birds) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #16950 Not mounted. ...

Desolate (Haley and the Birds) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #16951 Not mounted. S...

Henry and Athena - Henry's Memory Sequence (Stay) - 2006 featuring Ryan Gosling and Elizabeth Reaser 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate...

Without You (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 934. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

On The Run (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 23024. Signature label and ...

Short Stop (The Last Picture Show) - 2000 20x20m, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

Ramifications (The Last Picture Show) - 2000 40x80m including white border, diptych. Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the 2 original Polaroids. Cer...

Ancient Views of the Strait of Magellan is a lot of five different prints made by unknown photographer. Prints in excellent condition, applied on ...

Dreams Twilight (Haley and the Birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inven...

Rapture (Haley and the Birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1...

Carlton Hotel The entrance to the Carlton Hotel, Cannes, France, 1958. 40 x 40" inches / 101 x 101 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons ...

Portraits of Women in Nagasaki is a lot of four hand-inked Albumen print with aniline applied on a single cardboard. Very good conditions. Cardboard cm 26 x 34; Print cm 9 x 13.5 Y...

Lone Pine Dreaming (The Last Picture Show) - 2005 58x56cm each, Edition 1/5. 2 Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the 2 original Po...

'Porto Ercole' A jetty juts out from a rocky shoreline in Porto Ercole, Tuscany, August 1980. Paper Size 20 x 30 inches / 51 x 76 cm Estate Stamped Collection Edition to 150 P...

Breaking the Waves (Zuma Beach) - 1997 43x59cm, Edition of 3/5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signed on back and Certificate. Artist Inventory #...

Snowmass Village Two fashionably attired women stand in the foreground of a snowy landscape with a helicopter on the slopes of Snowmass Village, in Pitkin County, Colorado, in March...

Slim Aarons Estate Print - Vila Vera - Oversize The bar at the Villa Vera Hotel Spa and Racquet Club in Acapulco, January 1968. (Photo by Slim Aarons) Chromogenic print paper size 40 x 60" inches / 101 x 152 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. fun leisure summer summery 1960s 60s fashion style palm palms travel vacation party bar...

Nice Pool, 1955, Printed Later C print 48 x 48 inches Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Amer...

My own private Travel Diary - Bishop, CA - Walking Lulu II - 2001, 20x30cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid Slide. Certificate and ...

Malina (Stranger than Paradise) - 1997 43x59cm, Edition of 1/5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature Label and Certificate. Artist Invento...

My own private Travel Diary - Bishop, CA - Winter - 2001, 20x29cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid Slide. Signature label and Certifi...

My own private Travel Diary - Bishop, CA - Hotsprings - 2001, 20x29cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid Slide. Signature label and Cer...

Dreamscene on Salt Lake - 2007 from the 29 Palms, CA project 65x80cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on an original Polaroid. Artist Inventory #9682...

The End (Sidewinder) - 2005 80x80cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 3447. ...

Further to Fly is a series of Wet Plate Collodion Photograms that continues in my practice of using drawings on mylar layered with light-sensitive materials in the darkroom to create...

The waterfront at Porto Ercole, Italy, August 1967. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector will r...

Young women canoeing at Zephyr Cove on the Nevada side of Lake Tahoe, USA, 1959 Lake Tahoe Trip Slim Aarons Estate Edition Numbered and stamped by the...

1959: Socialite Alice Topping relaxing at a poolside in Palm Beach. A Wonderful Time - Slim Aarons Slim Aarons Having a Topping Time Slim Aarons Estate Edition Stamped and hand num...

Young women canoeing at Zephyr Cove on the Nevada side of Lake Tahoe, USA, 1959 Lake Tahoe Trip Slim Aarons Estate Edition Numbered and stamped by the Slim Aarons Estate. Certificate of Authenticity included. Printed Later Complimentary dealer shipping to your framer, worldwide. Additional sizes offered: 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $2500 Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Vintage Canoeing...

'Carlton Hotel' by Slim Aarons The entrance to the Carlton Hotel, Cannes, France, 1958. A couple dressed elegantly in all white tennis outfits with rackets in hand, wander past the...

Nick Vedros Dog on Beach Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 10x10in Edition: 12 Signed, dated and numbered by hand on...

The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25. Available in 4 siz...

The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25. Available in 4 siz...

Nice Pool, 1955, Printed Later C print 16 x 16 inches Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Amer...

Slim Aarons Consuelo Crespi 1954 (printed later) C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Contessa Consuelo Crespi wearing an old-fashioned red...

Slim Aarons Leisure In Antibes 1964 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A woman sunbathing in a motorboat as it tow...

Slim Aarons Christiane de Lichtervelde 1979 Chromogenic Lambda Print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Christiane d...

Isletas Homes by Alain Le Garsmeur Banana plantation workers outside their homes, Isletas banana plantation, Honduras, Central America, 1981. Paper size 16 x 20 inches / 40 x 50 cm ...

Slim Aarons Leisure In Antibes 1964 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A woman s...

Carlton Hotel The entrance to the Carlton Hotel, Cannes, France, 1958. Paper size 20 x 30" inches / 51 x 76 cm Estate Stamped Collection Edition to 150 Photo by Slim Aarons P...

Slim Aarons Leisure In Antibes 1964 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A woman s...

1980, Jean and Christiane de Montpellier d'Annevoie float across the moat of their home, Annevoie, Belgium. Estate stamped and hand numbered edition of 150 with certificate of authe...

Nice Pool, 1955 Archival pigment print 60 x 60 inches Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. American writer C.Z. Guest (M...

Digital C-print Signed and numbered, verso 30 x 24 inches (Edition of 10) 40 x 30 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Please no...

Marsha Gayle Marsha Gayle (right) and a friend relax on a deserted beach near Calabash Bay, Andros Island, Bahamas, 1957. Gorgeous print measuring a v...

Edward S. Curtis Counting The Record 1921 Photogravure Print 18 x 22 inches Vintage large format Curtis Portfolio Photogravure, Portfolio 12, Plate #413, The North American Indian, ...