Shelter Landscape Photography

Reportage from Albania - Tirana  is a vintage photograph realized in the Late 1970s. Good conditions.

Rebecca Skinner’s “Saint Olaf Church” is a 24 x 36 inch color photograph captured in the North Dakota grasslands. The historic structure rests in the beautiful landscape with colors ...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – often from a bird’s-eye view ...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – often from a bird’s-eye view ...

This rich, vibrant Slim Aarons Estate Edition photograph depicts a swimming pool at the glamorous Villa Igiea, in the Sicilian cultural, economic and tourism capital of Palermo, on t...

Reportage from Albania - Tirana  is a vintage photograph realized in the Late 1970s. Good conditions.

Lillian Crawford, the wife of actor Lee Kinsolving, in Palm Beach, May 1970. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aaron...

Chromogenic print on Kodak Endura paper Signed and numbered on label, verso 24 x 20 inches (Edition of 4) 61 x 50 inches (Edition of 6) This photograph is offered by ClampArt, loca...

Chalet Costi Skiers outside the Chalet Costi in Zermatt, 1968. Paper size 48 x 48" / 122 x 122 cm Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printed in 202...

Vintage poster after a photograph by Franco Fontana (Modena, 1933), one of the italian most famous contemporary photographers. Titled at the bottom. Very good conditions. Fontana st...

Four Buddhist nuns in traditional dress outside a school near Inle Lake, in the Taunggyi District of Shan State, Myanmar (Burma), May 1971. Gorgeous print measuring 24 x 20" inches...

Reportage from Albania - Tirana - Photograph is a color photograph realized in the Late 1970s. Good conditions. the landscape of Albania through the art of photography is captured ...

A lonely cabin seen through late summer grasses on a marshland. The light glimmers through the grass seed. James Sparshatt’s black and white landscapes have an ethereal beauty. Th...

Carol Shinn is a studio artist who lives in Fort Collins, Colorado. She is known internationally for photo-based machine-stitched images. She has taught many classes and workshops ac...

Bourbon (Suburbia) - 2016 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #420 Not mount...

Untitled (Oilfields) - 2016 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1197 Not mo...

Beverly Hills Hotel Slim Aarons Limited Edition Estate Print Cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California, 1957. Paper size 20 x 20 inches / 51 x...

Liebe (Stage of Consciousness) - 2016 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #8...

Innocence (Stage of Consciousness) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #7850 Not mounted. ...

Untitled (Stage of Consciousness) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #6328 Not mounted. ...

Await (The Girl behind the White Picket Fence) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #13084 ...

The Klosters, Switzerland, Estate Edition, Landscape Photograph This early 1960s landscape photograph, captured by society photographer Slim Aarons, features skiers pass by the Hotel Chesa Grischuna...

"The Yellow Brick Road" is 1 of a set of 4 digital prints whose titles were inspired by the iconic film The Wizard of Oz starring Judy Garland. The other three are titled: The Land o...

Rodeo Grounds (Till Death Do Us Part) - 2010 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by snap Collective, 2024. ...

Landscapes of Seto Islands is a lot of four hand-inked Albumen print with aniline applied on a single cardboard. Very good conditions. Cardboard cm 26 x 34; Print cm 9 x 13.5 Yokohama School print (Yokohama Shashin), realized during the Meiji dinasty (1868-1912). From a collection printed in the Shin-E-Do studio, as evidenced by the ink stamp on some copies. These prints does not show visible stamps on the front. On the lower margin of the prints some hand-written captions in black ink Italian on the cardboard. In the lot, four landscapes...

Coffee Break (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1576. Not mounted. Stefanie...

Vintage poster after a photograph by Franco Fontana (Modena, 1933), one of the italian most famous contemporary photographers. Titled at the bottom. Very good conditions. Fontana st...

Chromogenic print on Kodak Endura paper Signed and numbered on label, verso 24 x 20 inches (Edition of 4) 61 x 50 inches (Edition of 6) This artwork is offered by ClampArt, locate...

Into Eternity (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 893. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Palm Blue House A tall palm tree stretches above the shell of a blue coloured house near Galle, Sri Lanka, 2013. by Stuart Möller Born in Kabul, part German and Anglo-Indian and ...

Rodeo Grounds (Till Death do us Part) - 2010 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Arti...

Jack's (Sidewinder) 2005 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Artist Inventory 3099. Not mounted. Stefanie Schneider lives a...

This photograph is from among Vincent Dixon's series created in Borneo, Myanmar, Paris, Pushkar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid,...

This vibrant snowscape by Slim Aarons depicts skiers outside the Chalet Costi in Zermatt, 1968. The skier on the left wears white pants and a crisp red jacket, and the skier on the left wears vibrant orange. Vintage skis lean against the warm wood entrance, and two drinks with festive lemon wedges are set on the table for apres-ski. Behind the chalet rises a snowy mountain peak. A classic winter scene from an iconic midcentury photographer...

Vintage poster after a photograph by Franco Fontana (Modena, 1933), one of the italian most famous contemporary photographers. Titled at the bottom. Very good conditions. Fontana st...

Reportage from Albania - Tirana - Photograph is a color photograph realized in the Late 1980s. Good conditions. the landscape of Albania through the art of photography is captured ...

This photograph is from among Vincent Dixon's series created in Borneo, Myanmar, Paris, Pushkar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid,...

Slim Aarons Estate Print - John Rawlings - Oversize 1950, Fashion photographer John Rawlings (1912 – 1970) on the beach at Montego Bay, Jamaica. (Photo by Slim Aarons) Chromoge...

Functional Art- American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th century in a series of America...

Ancient Views of Colombo Sri Lanka is a set of 2 original vintage albumen prints on single cardboard: 25 x 34 cm. Size of photos: 21.5 x 27.5 cm. Good conditions. Caption in Ital...

Colon is a lot of two different prints made by photographers of the end of 19th Century. Prints in excellent condition, applied on a single cardboard. Caption in Italian ink hand-w...

Tobaccos is one of the best photo realized by the italian artist Carlo Caboni in 2020. Always passionate about landscapes and photography, the artist then devoted himself to landsca...

A native Tennessean, Bill was born and raised in Memphis. A forty one year career in the Telecommunications field ended in Nashville with his retirement in 2007. With time on his han...

White Picket Fence (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature labe...

Slim Aarons Estate Stamped Edition Limited to 150 only A view of the Princess Beach Club, Bermuda, June 1967. (Photo by Slim Aarons) This photograph epitomises the travel style a...

Kentucky Thoroughbred by Alain Le Garsmeur A thoroughbred horse on the Calumet horse farm, Blue grass country, Lexington, Kentucky, USA, 1984. Paper size 30 x 40 inches / 76 x 101 c...

Hacienda Trailer Park (29 Palms, CA) - 2007 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist Invento...

Harbour Island Harbour Island in the Bahamas, May 1967 Gorgeous print measuring 30 x 40" inches / ca 76.2 x 101.6 cm’s paper size. Estate Stamped ...

Hollywood (Instantdreams) - 1998 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Certificate and signature label. Artist inventory...

The solar panels is an original vintage photograph realized by an anonymous photographer With the hand-notes on the rear. Good conditions.

This astonishing ancient view of a street in Tokyo is an original vintage photo applied on cardboard: 26 x 34 cm. It was realized between the 1880s and the 1890s. Image 21.5 x 27.5 cm. Caption in Italian, in ink hand-written. An incredibly vivid view of Tokyo streets...

Somerset (29 Palms, CA) - 2007 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist Inventory 4506. Not...

Vintage black and white photo of the Mausoleum of August. In the centuries, the Mausoleum has undertaken numerous changes, starting from 1800, when it was transformed in a theatre. W...

Ancient Japanese ethnographic photographs from Nagasaki is a set of 8 original vintage albumen prints on single cardboard: 26 x 34 cm. Four images in the front and four on the rear ...

Vintage black and white photo representing some old houses in Piazza della Consolazione, in Rome city centre, that probably do no longer exist. Photo taken ...

Akeley, Minnesota, 2007 2007/printed later Signed in black ink, verso Archival pigment print 6 x 6 inches (15.24 x 15.24 cm), sheet 4.75 x 5.5 inches (12.1 x 14 cm), image This w...

My Chest Felt Squeezed (Heather's Dream) - 2013 38x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inv...

Rebecca Skinner’s “Alkabo I” is a 24 x 36 inch black and white photograph captured in a North Dakota ghost town. Dramatic sky frames a weathered structure in this beautiful contempor...