Mark Morrisroe

Untitled (Princess)

1987/1988

2022 Signed and numbered, verso Cyanotype print toned with ammonia and tannic acid (Edition of 5) 9.5 x 7 inches (24.1 x 17.8 cm), image 12.25 x 9.75 inches (31.1 x 24.8 cm), fra...

Untitled (Lynelle), black and white photograph by Mark Morrisroe Untitled (Lynelle) 1986/1996 Editioned in pencil, verso Photogravure (Edition of 46) 16 x 11 inches, sheet 4.25 x...

Mark Morrisroe Untitled (Self Portrait) c. 1984 Estate stamp in black ink, verso Vintage chromogenic print (negative sandwich) (Edition of 12) 20 x ...

Mark Morrisroe Untitled (Tabboo!) 1981 Two toned gelatin silver prints 5.5 x 5.5 inches, sheet (each) 3.75 x 3.75 inches, image (each) Contact galle...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 40. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Ceramic and powdered steel

Untitled, 2016

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs...