Meryl Meisler

Guardian Angel in my Classroom IS 291, Bushwick, Brooklyn, NY February 1983

1983

Tasty Pretzel Bakeries Starr Street, Bushwick, Brooklyn, NY October 1983 Signed, titled, dated, and numbered, verso Archival pigment print (Edition of 1...

Guest at a Ball in Harlem, New York 1984/printed later Signed and numbered, verso Archival pigment print (Edition of 12) 15.25 x 23 inches, image $2600.00 This work is offered b...

Chromogenic print Signed, verso 14 x 11 inches, sheet 13 x 8.5 inches, image This photograph is offered by ClampArt, located in New York City.

Guy with Radio, East 7th Street January 01, 1977 Vintage gelatin silver print 14 x 11 inches Arlene Gottfried was a New York City street photographer celebrated for her intimate a...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose Picayo. The opening reception will be held Wednesday, November 7th, from 6:00pm to 8:00pm. The exhibit will run through January 6, 2019. In this exhibition, Picayo seeks to revive the concept of unadulterated beauty captured as a single moment in time. An unapologetic user of film, Picayo prides himself on his avoidance of digital processing for personal work. When asked why it remains his preferred medium, Picayo answers, “Digital is so overpoweringly real; photography is more magical to me.” For Picayo, Polaroid film is a medium where he can capture something as is – a moment in time. Just to hold the photograph in his hands is enough. 25 Years of Polaroids showcases Picayo’s most iconic work. This exhibit includes personal photographs of Cuba from 1994, Polaroid image transfers showcasing his impressive use of visual texture and his eye for fashion. Also included are his Atget-esque tree portraits from a New Jersey public arboretum in 2012. Additionally, a selection of 8” x 10” Polaroids from Mugshots 2008, will be included, exploring how a person’s soul can be captured in what appear to be basic photographs. The main questions at the heart of Picayo’s photography stem from the mystery of human perception and the precious things that are lost to time. The invitational image, Rotating Doll, 1997, features a multi-paneled display of polaroids which cover an entire length of a wall. These 20” x 24” Polaroids appear larger than life and were given much praise in Picayo’s recent exhibit Polaroids 2016 at The Erie Museum in Erie, PA. This series stems from a collection of children’s dolls Picayo has found over the years, each one with its own strange and authentic story to tell. By cultivating a deteriorated look reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls, reflecting on the objects we hold dear and how they fall apart as we try to hold onto them. Picayo speaks of his own influences, crediting photographers Eugène Atget, Walker Evans, and Edward Curtis, Michael Disfarmer, and Torkil Gudnason with impact on both his fine and commercial art. He is well known for his work in fashion, but for Picayo his personal and commercial work are interrelated, each extensions of one another. Born in Cuba, Picayo immigrated to Puerto Rico during his childhood and settled in New York City by the early 80s. After receiving his BFA from Parsons School of Design, Picayo began his professional career as a commercial photographer, shooting for magazines such as Vanity Fair, Sassy, Taxi, and Connoisseur. Picayo’s work has since appeared in Harper’s Bazaar, L.A. Style, New York Times Magazine...

Jean-Michel Basquiat at The Brooklyn Academy of Music, 1 October 1985 Photographed by Jonathan Becker Contemporary 18" x 18.5" Archival Pigment Print Edition Nº 3 of 9 Certificate...

The big bird is a painting. I painted it. It's oil on canvas. I mounted it on plywood and silhouetted it with a jigsaw. I took the silhouetted bird with me on the subway. We each had our own seat on the trip from Brooklyn to the Bronx The station has changed. In a Google stock image photo, you can see the geniuses have destroyed the beautiful character of the station. The early 20th-century signage and lighting fixtures have been changed by soulless and cheap-looking replacements. Robert Funk is a pioneer of toy photography, doll photography...