1980s Photography

Prince Charles and Lady Diana Spencer is  a black and white vintage photo, realized in July 21th. 1981. The photo depicts an official picture by  Lord Snowden shows Prince Charles a...

Gow, Thailand, 1987 - 30x20cm, Edition of 10. Archival C-Print based on a 35mm negative. Signed on back with Certificate. Not mounted.

Vintage poster realized by Galleria Rondanini (Rome, Italy) in offset technique, in occasion of the Exhibition of the photographer Mimmo Jodice. Very good condition.

11 x 14" vintage silver gelatin photograph of Meredith Monk and Ping Chong in "Paris", 1987. Comes directly from the Jack Mitchell Archives with a certi...

In Adventureland is a colour vintage photo, realized in the Early 1990s. The photo depicts the Adventure Isle, Captain Hook's Pirate Ship, Pirates of the Caribbean Fortress in Euro ...

This depicts a chair in the manner of Mexican surrealist modernist Pedro Friedeberg with a dried flowers. It is a hand signed, titled and dated vintage silver gelatin print photograph. and bears the artists studio stamp verso. Naomi Siegler Savage (1927 – 2005) was an American woman photographer. A native of Princeton, New Jersey, Naomi Savage was the niece of artist Man Ray. She first studied photography under Berenice Abbott at the New School for Social Research in 1943, following this with studies in art, photography, and music at Bennington College from 1944 until 1947. The next year she spent in California with her uncle, studying his techniques. When she returned to New York in 1948, she combined her love of music with her skill in photography by taking portraits of the best known composers of day: Aaron Copland, John Cage, Virgil Thomson, etc. (over 30 in all). In 1950 she married the architect and sculptor David Savage, with whom she moved to Paris, living there for some years. During her career Savage received an award from the Cassandra Foundation in 1970, and a photography fellowship from the National Endowment for the Arts in 1971. In 1976 she received the silver award from the Art Directors Club. Later in life, Savage returned to live in Princeton, where she died. Savage was heavily influenced by her uncle, the avant garde artist Man Ray, prompting her to experiment with the medium of photography, combining traditional techniques with more unusual processes, including some of her own design. She worked extensively with photogravure and photoengraving, transforming these mechanical printing techniques to be used for aesthetic effects rather than duplication. Unlike many photographers, Savage considered the metal plate that photographs are etched on to be a work of art in its own right. She pioneered the use of using the photographic metal plate to produce a three dimensional form with a metallic surface. Savage explored variations in color and texture in her work often by using inked and intaglio relief prints. Many of her works were created by combining media such as collage, negative images, texture screening, multiple exposure, photograms, solarization, toning, laser printing on metallic foils. Her works focus on a variety of subject matter and imagery, which has included portraits, landscapes, human figures, mannequins, masks, toys, kitchen utensils, dental and ophthalmological equipment. Her approach represents an involvement with "process as medium," and an interest in art as image manipulation, a pursuit shared by contemporaries like Robert Heinecken, Betty Hahn, and Bea Nettles. She has experimented extensively with photogravure and photoengraving, employing these mechanical printing techniques for aesthetic effects rather than duplication. Savage uses inked and intaglio relief prints to explore variations in color and texture, and considers the metal plate on which the photograph has been etched to be a work of art in its own right. She has also combined media--collage, negative images, texture screening, multiple exposure, photograms, solarization, toning, printing on metallic foils--and made laser color prints. Several of her pieces are owned by the Museum of Modern Art, and she is represented as well in the collections of the Art Institute of Chicago, the International Center for Photography, the Fogg Art Museum, the Museum of Fine Arts, Houston, and the Madison Art Center. A photo engraved mural depicting the life of Lyndon Baines Johnson is a centerpiece of the Lyndon Baines Johnson Library and Museum. A collection of her papers relating to the life of Man Ray is held by the Archives of American Art at the Smithsonian Institution. She was included in the show Making Space at MoMA in 2017. It shone a spotlight on the stunning achievements of women artists between the end of World War II (1945) and by Lee Krasner, Helen Frankenthaler, and Joan Mitchell; the radical geometries by Lygia Clark, Lygia Pape, and Gego; and the reductive abstractions of Agnes Martin, Anne Truitt, and Jo Baer; the fiber weavings of Magdalena Abakanowicz, Sheila Hicks, and Lenore Tawney; and the process-oriented sculptures of Lee Bontecou, Louise Bourgeois, and Eva Hesse. The exhibition also featured treasures such as collages by Anne Ryan, photographs by Gertrudes Altschul, Naomi Savage, Ruth Asawa, Carol Rama, and Alma Woodsey Thomas...

"Indietro Tutta" is a black and white vintage photo, realized in February 14th 1988. The photo depicts a moment of the popular Italian TV show "Indietro Tutta" of Renzo Arbore, also...

U2 On Tour By Martyn Goddard Signed Limited Edition U2 in their tour van at Leeds University 1980 All prints are signed and numbered by the artist. Paper size 16x20 inches printed 2022 Edition size varies with paper size: 11×14 edition of 50 20×16 edition of 40 20×24 edition of 25 40×30 edition of 23 FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. bono adam clayton...

Mat measures 20 X 26 sight measures 13 X 19.5 Jiu Zhai Gai Sichuan nature preserve colorful painted architecture with lion painting and artisan working. Mark Abrahamson is an Ameri...

Palm - Signed limited edition archival pigment print - Edition of 8 Photography : 2012 Bichromate print : 2012 Pigment print : 2020 Sunny photograph of a dry palm trunk against ...

Laura Hawk In Paestum 1984 by Slim Aarons Slim Aarons Limited Estate Edition Laura Hawk, assistant to the photographer, poses reading a guide to Paestum...

Fine art 20x24" print of rock band Queen, Freddie Mercury, Brian May, John Deacon and Roger Taylor, arriving by helicopter to Knebworth Park in the UK. Taken by acclaimed photographe...

© Michael Putland Siouxsie Sioux Siouxsie Sioux, London 1980 Siouxsie Sioux is a pioneering English singer, songwriter, and frontwoman of Siouxsie and the Banshees, renowned for h...

Pooh, Thailand, 1987 - 30x20cm, Edition of 10. Archival C-Print based on a 35mm negative. Signed on back with Certificate. Not mounted.

Chateau Saint-Martin 1986 by Slim Aarons Slim Aarons Limited Estate Edition Breakfast on the verandah of the Chateau Saint-Martin, a luxury hotel in Vence on the Cote d’Azur, Fran...

Three Portraits of italian singer Pino Daniele by Ennio Antonangeli is a lot of 3 photographic print on baryta paper. Photographs by the famous photog...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Swimming Pool On The Beach 1981 by Slim Aarons Slim Aarons Limited Estate Edition The pool at the Meridian Club, owned by Ginny and Bill Cowles, on the Turks and Caicos islands, M...

A black and white photograph, Masked Ball, France, 1989 by Roberta Fineberg, is a 14 x 11 signed gelatin silver print in an edition of 5. A couple poses in costume at a masquerade party in France of the 1980s . The image was shot at a masked ball, in a private garden and estate of a local aristocrat -- whose small chateau (castle) once hosted the infamous 18th Century French writer Marquis de Sade. Provenance: RF Studio *** Artist's Bio: As a visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and the development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and concepts such as the ephemeral (Butterfly Series), stolen moments (documentary photography), play, timelessness, the enduring, and the significance of matter. RF, living in New York City, began her career as an editorial photographer while studying in Paris. In France she contributed both photography and writing to publications, landing a column (photos and text) with The Saturday Review while exhibiting photographs in public spaces. Roberta Fineberg’s freelance photography appeared in Le Monde, Jeune Afrique, Paris Match, L’Officiel Femme, Ms, Weltwoche, Vanguardia, among others with images licensed through stock agencies. Photographs were selected for cover art at W.W. Norton, St. Martin’s Press, Harcourt, Bookspan, Simon & Schuster, etc. Print Regional Design Annual New York (2003) awarded her for book jacket photography for If Wishes Were Horses. In 1997 Macmillan published City Riders: A Story of Riding and Friendship her first book of black-and-white photographs and a story about three teenage girls in the 1990s who rode horses at the now-defunct Claremont Riding Academy and oldest stable in New York City. In 2023, RF created an interactive installation, works on paper on the female body, in a public space. In July 2022, Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2020, 2022), CADAF online art...

Laura Hawk, assistant to the Slim Aarons, relaxes by the pool at El Rincon, the von Pantz's Marbella home, September 1st, 1985. Slim Aarons Marbella Pool Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. Collector will get the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Internal: Mid-Century Vintage Marbella...

SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/American aviation pioneer, aeronaut and photo collage artist. She played a very important role in balloon development...

Tullio Abbate 1983 by Slim Aarons Slim Aarons Limited Estate Edition Tullio Abbate, of Abbate Boats, at the back of yacht as it is moored at a property on the shores of Lake Como,...

Hotel New York is a colour vintage photo, realized in the Early 1990s. The photo depicts the Rockefeller Plaza skating rink at night, in Euro Disneyland. Good conditions and aged. ...

Pete Townshend Soho Pete Townshend in a Soho backstreet London, 1980 Photo by Martyn Goddard Printed 2024. Signed limited edition photograph; edition of 25 in this size. 20×24 in...

Slim Aarons Amalfi Coast 1984 Chromogenic Lambda Print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. A young woman, wearing a bi...

Vintage Photo. The actors Dean Martin and Roger Moore in a scene from the movie "The Cannonball Run".

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Droulers And Daughters (1984) Limited Estate Stamped - Giant (Photo by Slim Aarons) Roberta Droulers sitting with her daughters, Nathalie and Virginie, in the lobby of the Villa D...

Tiziana 1984 by Slim Aarons Slim Aarons Limited Estate Edition A topless Tiziana Audino enjoys a shower at the Hotel San Pietro in Positano, 1984. unframed c type print printed 2...

Pool On Amalfi Coast A view of the seaside pool at the Hotel St. Caterina, Amalfi, Italy, September 1984. Slim Aarons Chromogenic C print Printed Later Slim Aarons Estate Editio...

LUNCH TIME CROWD IN CHASE TOWER PLAZA WITH MARC CHAGALL'S MOSAIC 'FOUR SEASONS IN BACKGROUND, CHICAGO, USA 1979 (photo Alain Le Garsmeur) A gorgeously observed scene, taken in the early late 1970's by prolific documentary and well known editorial photographer Alain Le Garsmeur. Wonderful. Beautiful Oversize C type print 40x30 inches paper size LIMITED edition, unframed. edition size 1/100 (Also available signed - ask us for details) Alain Le Garsmeur was born in France in 1943 and after assisting the likes of Helmut Newton, Guy Bourdin and Donald Silverstein...

Tightrope Walkers- Vintage b/w Photo realized in the Late 1980s. With the handwriting on the rear. Good conditions. The photograph is captured aesthetically, in an interesting mom...

In American Motel Signs Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the n...

Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interio...

Roadsign and Field is a stunning Colour Print on Hahnemuehle Paper in an Edition of 20 in this size by photographer Michael Ormerod. All prints are produced to order. Lead times bet...

This vintage exhibition poster features a David Hockney photographic collage. A young man with a mop of curls wearing brown leather loafers crouches over his camera, reloading its f...

A black and white photograph of a woman dressed in costume - goddess of the hunt, the moon, and nature - in mythology, Diana, the huntress a maiden with blond braids and a gold tiara. The mask on the back of the goddess invites us into the spirit world ... the subject photographed at a countryside masked ball in St Martin d'Ardeche, France. Diana the Huntress, France, 1989 by Roberta Fineberg is a signed 14 x 11 gelatin silver print in an edition of 5. Provenance: RF Archive *** Artist's Bio: As a visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and the development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and concepts such as the ephemeral (Butterfly Series), stolen moments (documentary photography), play, timelessness, the enduring, and the significance of matter. RF, living in New York City, began her career as an editorial photographer while studying in Paris. In France she contributed both photography and writing to publications, landing a column (photos and text) with The Saturday Review while exhibiting photographs in public spaces. Roberta Fineberg’s freelance photography appeared in Le Monde, Jeune Afrique, Paris Match, L’Officiel Femme, Ms, Weltwoche, Vanguardia, among others with images licensed through stock agencies. Photographs were selected for cover art at W.W. Norton, St. Martin’s Press, Harcourt, Bookspan, Simon & Schuster, etc. Print Regional Design Annual New York (2003) awarded her for book jacket photography for If Wishes Were Horses. In 1997 Macmillan published City Riders: A Story of Riding and Friendship her first book of black-and-white photographs and a story about three teenage girls in the 1990s who rode horses at the now-defunct Claremont Riding Academy and oldest stable in New York City. In 2023, RF created an interactive installation, works on paper on the female body, in a public space. In July 2022, Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2020, 2022), CADAF online art fair (2020), Gallery122 New York pop-up group...

Hotel Santa Fe is a colour vintage photo, realized in the Early 1990s. The photo depicts the Cantina Restaurant at Hotel Santa Fe, Euro Disneyland. Good conditions and aged. It be...

Richard Heeps 'Ordinary Places' Series, captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at the Photograp...

Fisherman Fly Box Hampshire England 1985 by Homer Sykes oversize 30 x 20 inches / 76 x 51 cm paper size signed limited edition print edition of 8 only this size printed 2022 Certificate of authenticity provided Note Other sizes available Chelsea, London, England circa May 1985. The Chelsea Flower Show. Visitors sheltering, its raining, its summer in Britain. People sitting under their umbrellas. Homer Sykes Sykes's father, Homer Warwick Sykes, was a Canadian-born American of English extraction who worked for the China National Aviation Corporation in Shanghai; his mother, Helen Grimmitt, was Canadian-born and raised in Hong Kong. The couple were married in August 1947, but in June 1948, in an early stage of his wife's pregnancy, Homer was killed in an accident at Lunghua airfield. Helen returned to her family home in Vancouver, and the son was born three weeks later, in 1949.[1][2] When the boy's mother remarried in 1954, the family moved to England.[3] Homer was a keen photographer as a teenager, with a darkroom both at home and at boarding school. In 1968 he started a three-year course at the London College of Printing (LCP),[1][3] while sharing a house in St John's Wood.[4] In the summer vacation during his first year, he went to New York, and was impressed by the work of current photographers – Cartier-Bresson, Davidson, Friedlander, Frank, Uzzle and Winogrand – that he saw at the Museum of Modern Art.[3] Solo exhibitions "Traditional British Calendar Customs", Arnolfini Gallery (Bristol), 1977;[14] Side Gallery (Newcastle), 31 August – 25 September 1977.[15] "Shanghai Odyssey", Open Eye Gallery (Liverpool), 24 May – 20 June 2003.[14][16] Festival of Photography and Contemporary Art (Biella), 2005.[14] "On the Road Again", Hereford Town Hall (Hereford Photography Festival), 2002.[17] "Green Man and Friends, photographs from the 1970s", WPS (Hastings), 2009.[18] "England 1970–1980", Maison de la photographie Robert Doisneau (Gentilly, Paris), 27 June – 12 October 2014.[10][11][19][20] "My Britain 1970–1980", Les Douches la Galerie, Paris. 5 September – 31 October 2015.[21][22][23] "Once a Year – Homer Sykes", Lucy Bell Gallery, St Leonards-on-Sea, May–June 2021[24] Other exhibitions "Personal Views 1850–1970", British Council touring exhibition, 1970.[3] "Traditional Country Customs" (with work by Benjamin Stone), ICA (London), 1971.[3][14] "Young British Photographers", Museum of Modern Art (Oxford), 1971.[14] Exhibition of photographs by Stone and Sykes of festivals, customs and pageants, Southampton and Birmingham, 1973.[7] "Reportage Fotografen", Museum des 20. Jahrhunderts (Vienna), 1978.[14] "Il Regno Unito si diverte". British Council, Milan, 1981. With Chris Steele-Perkins and Patrick Ward.[25] "The Other Britain", National Theatre (London), and touring in Britain, 1982.[26] "A British Eye on the World", Museum of Modern Art (Rio de Janeiro), 1986.[14] "Viva, une agence photographique", Jeu de Paume (Paris), 2007.[27][28] "How We Are: Photographing Britain." Tate Britain (London), 2007.[29][30] "No Such Thing as Society: Photography in Britain 1968–1987", Aberystwyth Arts Centre; Tullie House (Carlisle); Ujazdów Castle (Warsaw).[31] "Unpopular culture." De La Warr Pavilion (Bexhill), 2008.[32] "The Other Britain Revisited: Photographs from New Society", Victoria and Albert Museum, 2010.[26] "Goodbye London: Radical art and politics in the seventies", Neue Gesellschaft für Bildende Kunst (Berlin), 26 June – 15 August 2010. With Stuart Brisley, Victor Burgin, David Hall, Margaret Harrison, Derek Jarman...

Baia delle Zagare is a vintage offset print realized by Franco Fontana, in 1970s. Offset print. Rondanini Galleria D'arte Contemporanea - Roma. Coloured poster from a photograph by...

Countess On Deck 1982 by Slim Aarons Slim Aarons Limited Estate Edition Countess Gioia Gaetani-Lovatelli relaxes on deck during a yachting holiday in Porto Rotondo, 1982. unfram...

'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...

Pool At Porto Rotondo 1982 by Slim Aarons Slim Aarons Limited Estate Edition A swimming pool in Rosarda, Porto Rotondo, Sardinia, Italy, August 1982. unframed c type print printe...

Marcus Leatherdale (1952 - 2022) Silver gelatin print with copper leaf mount 1987 Titled: High Priest. From the Demigod series. Hand signed and dated and bears artist studio stamp verso. Provenance: Greathouse Gallery (with label & information verso) Edition: 1 of 10. Dimensions mage measures 12" x 5", total measurements are 24" x 13" Marcus Leatherdale was a Canadian portrait photographer. Marcus Andrew Leatherdale was born on 18 September 1952, in Montreal, Canada, to Jack Leatherdale, a veterinarian, and Grace Leatherdale, a homemaker. He attended the San Francisco Art Institute. Leatherdale arrived in New York City in 1978, where he attended the School of Visual Arts. started his career in New York City during the early eighties, setting up a studio on Grand Street. Leatherdale first served as Robert Mapplethorpe office manager for a while and was photographed in the nude by the master, grabbing a rope with his right hand and holding a rabbit in his left. Thereafter he worked as an assistant curator to Sam Wagstaff. He soon became a darling of the then vibrant club scene and the fashionable media: Interview, Details, The New Yorker, Vanity Fair, and Elle Decor presented his work. Later on he was featured in artsy publications as Artforum, Art News, and Art in America. Leatherdale was the Cecil Beaton of downtown New York, He photographed a not-yet-famous club kid named Madonna in her ripped jeans and his denim vest. The performance artist Leigh Bowery was majestic in a tinseled mask, a corset and a merkin. Andy Warhol was a Hamlet in a black turtleneck. Susanne Bartsch, the nightlife impressaria, was a towering presence in red leather. He documented the New York City lifestyle, the extraordinary people of Danceteria and Club 57 where he staged his first exhibits in 1980. Leatherdale was an acute observer of the New York City of the nineteen eighties. His models were the unknown but exceptional ones – like Larissa, Claudia Summers or Ruby Zebra – or well known artists – like Madonna, Keith Haring, Andy Warhol, Winston Tong and Divine, Trisha Brown, Lisa Lyon, Andrée Putman, Kathy Acker and Sydney Biddle Barrows, otherwise known as the Mayflower Madam, Jodie Foster, and fellow photographer John Dugdale. He Married Claudia Summers, theirs was not a traditional marriage, but they were best friends, and he was Canadian, so it made life easier if they wed. His boyfriend for a time was Robert Mapplethorpe, whose photography studio Mr. Leatherdale also managed. He and Mapplethorpe were a striking pair, dressed like twins in leather and denim, their faces as if painted by Caravaggio, and they often photographed each other. Jean-Michel Basquiat was often hanging out there, playing his bongo drums; so were friends like Cookie Mueller, the doomed, gimlet-eyed author and Details magazine contributor who was for a time Mapplethorpe’s and Ms. Summers’ drug dealer, and Kathy Acker, the performance artist and novelist. For quite a while Leatherdale remained in Mapplethorpe's shadow, but was soon discovered as a creative force in his own right by Christian Michelides, the founder of Molotov Art Gallery in Vienna. Leatherdale flew to Vienna, presented his work there and was acclaimed by public and press. This international recognition paved his way to museums and permanent collections such as the Rheinisches Landesmuseum Bonn, the Art Institute of Chicago, the Australian National Gallery in Canberra, the London Museum in London, Ontario, and Austria's Albertina. He was included in the MoMA exhibit New York/New Wave along with Kenny Scharf, William Burroughs, John Crash Matos, Larry Clark, Nan Goldin, Lawrence Weiner and Stephen Sprouse. Above all, his arresting portraits of New York City celebrities in the series Hidden Identities aroused long-lasting interest amongst curators and collectors. In 1993, Leatherdale began spending half of each year in India's holy city of Banaras. Based in an ancient house in the centre of the old city, he began photographing the diverse and remarkable people there, from the holy men to celebrities, from royalty to tribals, carefully negotiating his way among some of India's most elusive figures to make his portraits. From the outset, his intention was to pay homage to the timeless spirit of India through a highly specific portrayal of its individuals. His pictures include princesses and boatmen, movie stars and circus performers, and street beggars and bishops, mothers and children in traditional garb. Leatherdale explored how essentially unaffected much of the country was by the passage of time; and it has been remarked upon that this approach is distinctly post-colonial. In 1999, Leatherdale relocated to Chotanagpur (Jharkhand) where he focusing upon the Adivasis. Later Serra da Estrela in the mountains of central Portugal became his second home base. Leatherdale's matte printing techniques, which adapt nineteenth-century processes and employ half black, half sepia colorations, reinforce the timelessness of his subjects. Tones and matte surfaces effectively differentiate his portraits from the easy slickness of fashion photography. In 2019, Mr. Leatherdale compiled his work from 80s in a book entitled “Out of the Shadows”, written with Claudia Summers. During his time in New York City, he dated Robert Mapplethorpe, whose photography studio Leatherdale managed. His partner of two decades, Jorge Serio, died in July 2021 Major exhibitions 1980 Urban Women, Club 57, NYC 1980 Danceteria, NYC 1981 Stilvende, NYC 1982 The Clock Tower, PS1, NYC 1982 544 Natoma Gallery, San Francisco 1982 Eiko And Koma, Stilvende, NYC 1983 Form And Function Gallery, Atlanta 1983 Galerie in der GGK Wien, Vienna, Austria 1983 The Ring, Vienna (organized by Molotov) 1983 London Regional Art Gallery, London, Ontario, Canada 1984 Performance, Greathouse Gallery, NYC 1984 Social Segments, Grey Art Gallery, NYU 1984 Rheinisches Landesmuseum, Bonn 1985 Ritual, Greathouse Gallery, NYC 1985 Artinzer, Munich 1985 Leatherdale/Noguchi, Gallery 291, Atlanta 1985 Paul Cava Gallery, Philadelphia 1986 Poison Ivy, Greathouse Gallery, NYC 1986 Wessel O’Connor Gallery, Rome 1986 Hidden Identities, Michael Todd Gallery, Palladium, NYC 1987 Demigods, Greathouse Gallery, NYC 1987 Collier Gallery, Scottsdale, Arizona 1987 Tunnel Gallery, NYC 1988 Claus Runkel Fine Art Ltd., London, UK 1988 Madison Art Center, Madison 1989 Wessel-O’Connor Gallery, NYC 1989 Summer Night Festival, Onikoube, Sendai 1990 Bent Sikkema Fine Art, NYC 1990 Fahey-Klein Gallery, Los Angeles 1990 Faye Gold Gallery, Atlanta 1990 Mayan Theatre, Los Angeles 1991 Runkel Hue-Williams Gallery, London 1991 Galerie Michael Neumann, Düsseldorf 1991 Arthur Rogers Gallery, New Orleans 1992 Arthur Rogers, NYC 1992 Galerie Del Conte, Milwaukee 1993 Galerie Bardamu, NYC 1996 Fayf Gold Gallery, Atlanta 1996, 1997, 1998, 1999 Bridgewater/Lustberg, NYC 1998 Rai Krishna Das...

Cranmore Mountain Skiers 1955 by Slim Aarons Slim Aarons Limited Estate Edition Skiers at the Cranmore Mountain Resort, North Conway, New Hampshire, USA, 1955 unframed silver gel...

Polo At Cowdray Park 1985 by Slim Aarons Slim Aarons Limited Estate Edition Three people sitting on a red Mercedes convertible watch polo players in ac...

11 x 14" vintage silver gelatin photograph of Broadway actresses Amy Irving, Laura Dean, Glenn Close, Christine Rose, Lisa Banes, Leigh Taylor-Young, Chris...

Church of St. Marcellino is original offset print on paper realized by Mimmo Jodice artist in 1980 ca. Printed by Gallery Rondanini in Rome. Good conditions except for a pale yello...

Beach Near Portinatx 1989 by Slim Aarons Slim Aarons Limited Estate Edition Holidaymakers seen through the trees, at a beach near Portinatx, Ibiza, Spain, 1989. unframed c type ...

Gelatin silver print Signed, titled, dated, and inscribed in pencil, verso 16 x 20 inches, sheet 15 x 18.75 inches, image This photograph is offered by ClampArt, located in New York ...

The Lure Of Lamu 1987 by Slim Aarons Slim Aarons Limited Estate Edition The resort of Kiwayu Mlango wa Chanu in the Lamu Archipelago of Kenya, February 1987. The resort is run by ...

Conca dei Marini 1984 by Slim Aarons Slim Aarons Limited Estate Edition A busy bay in Conca dei Marini, on the Amalfi coast in Italy, August 1984 unframed c type print printed 20...

Il San Pietro Di Positano 1984 by Slim Aarons Slim Aarons Limited Estate Edition Il San Pietro di Positano, a luxury hotel on the Amalfi coast in Positano, August 1984. unframed ...

Haiti Holiday 1981 by Slim Aarons Slim Aarons Limited Estate Edition A woman wearing a translucent white blouse and holding a cocktail stands in a swimming pool in Haiti, February...

Chateau Saint-Martin 1986 by Slim Aarons Slim Aarons Limited Estate Edition An outdoor luncheon by the swimming pool of the Chateau Saint-Martin, a luxury hotel in Vence on the Co...

Barone Bettino Ricasoli 1983 by Slim Aarons Slim Aarons Limited Estate Edition Winemaker Barone Bettino Ricasoli poses holding up a wine glass beside a table, on which stands thre...

Tullio Abbate 1983 by Slim Aarons Slim Aarons Limited Estate Edition Tullio Abbate, of Abbate Boats, at the back of yacht as it is moored at a property on the shores of Lake Como...