1980s Photography

Euro Disney Resort is a color vintage photo, realized in 1980s.  The photo depicts the Sequoia Lodge guest room. Good conditions and aged. ...

Hailé Selassié in Venice is a vintage black and white photograph realized in the 1960s. Good conditions.

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Black and white portrait of Supermodel Iman, wife of David Bowie. From personality portraits and advertising cam...

Historical Photo Manifestation in from of the Forbidden City, Beijing is a black and white vintage photo, realized in the 1980s.  It belongs to a historical album including historic...

Scottish dancer and choreographer Michael Clark (age 23), photographed in 1986. This is a vintage gelatin silver print, selenium toned, made by hand by m...

Paris, Texas Wim Wenders is a vintage black and white photograph realized in 1984. Good conditions.

Seven  Vintage Photo Portraits of Alberto Bevilacqua is a collection of seven black and white photographs realized in the 1980s. Good conditions.

Conca dei Marini 1984 by Slim Aarons Slim Aarons Limited Estate Edition A quiet bay in Conca dei Marini, on the Amalfi coast in Italy, August 1984. unframed c type print printed ...

Jan Flamina by Don Bronstein is a black and white photograph realized in 1984. Good conditions.

11 x 14" vintage silver gelatin photograph of dancer, choreographer, and filmmaker Yvonne Rainer. Signed by Jack Mitchell on the print verso. Comes dir...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

Edition 25 Black and white portrait of famous actor Divine. From personality portraits and advertising campaigns to magazine layouts and fine art work, Greg Gorman has developed a unique style in his profession. His distinctive use of light in his black and white portraits is one of the identifying aspects of a Gorman photograph. Gorman’s strength has been photographing motion picture and music personalities. His work has been used in film advertising and publicity campaigns as well as album and CD covers. Some of the motion picture celebrities that he has photographed include Ben Affleck, Lauren Bacall, Alec Baldwin, Antonio Banderas, Kim Basinger, Marlon Brando, Pierce Brosnan, Kevin Costner, Bette Davis, Robert De Niro, Brad Pitt, Andy Garcia, Sir Anthony Hopkins, Dustin Hoffman, Sophia Loren, Al Pacino, Barbra Streisand, Kiera Knightley, Clive Owen, Jennifer Lopez and John Travolta. In the music field, Mr. Gorman has worked with Elton John, Michael Jackson, David Bowie, Morrissey, John Mayer, Bette Midler, Grace Jones and Frank Zappa to name a few. A partial list of the films that he has generated graphics and publicity for include “The Hurt Locker”, “Pirates of the Caribbean”, “King Arthur”, “Tootsie”, “The Big Chill”, “Bull Durham...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Artist: Thomas Mangelsen – American (1946- ) Title: Winter Mist – Trumpeter Swans Year: 1987 Medium: Color Photograph Sight size: 13.25 x 19.5 inches. ...

Norman Mailer by Nancy Crampton - Vintage Photo is a black-and-white photograph that was realized for Playbill in 1988. Good condition

This 1980s portrait photograph, captured by society photographer Slim Aarons, features Catherine Wilke joining the topless sunbathers at the Hotel Punta Tragara on the island of Capr...

Fabrizio Bentivoglio t by Angelo Frontoni is a lot of two photographic prints on baryta paper. Photographer's ink stamp on back, high quality prints. ...

Artist: Jeffrey Mayer Limited Edition: Signed and hand numbered in the margin, archival pigment print on 100% cotton paper with a Baryta finish. Authorized worldwide release of 100 ...

Artist: Jeffrey Mayer Limited Edition: Signed and hand numbered in the margin, archival pigment print on 100% cotton paper with a Baryta finish. Authorized worldwide release of 100 prints as follows: 18X24, Edition 70 24X32, Edition 30 LOS ANGELES, CA - FEBRUARY 14: Roger Taylor...

Presences is an original print realized by Franco Fontana in 1981. Offset print from Rondanini Galleria D'arte Contemporanea, Rome. Colored poster from a photograph by Franco Fonta...

Catherine Wilke Catherine Wilke joins the topless sunbathers on the island of Capri. Paper size 16 x12" inches / 40 x 30 cm Estate Stamped Collection Edition to 150 Photo by ...

Pete Townshend Soho Pete Townshend in a Soho backstreet London, 1980 Photo by Martyn Goddard Printed 2024. Signed limited edition photograph; edition of 25 in this size. 20×24 in...

Hotel On Lake Como 1983 by Slim Aarons Slim Aarons Limited Estate Edition The swimming pool and jetty at the Villa d’Este Hotel, Lake Como, Ital...

'Pool On Amalfi Coast' by Slim Aarons A view of the seaside pool at the Hotel St. Caterina, Amalfi, Italy, September 1984. Gorgeous blues in this image with the ocean and swimming ...

Gelatin silver print Signed, verso This artwork is offered by ClampArt, located in New York City.

Unghia Marina 1989 by Slim Aarons Slim Aarons Limited Estate Edition A group of people stand on a terrace, at the Unghia Marina on the island of Capri, Italy, in September 1989. T...

Philippe Noiret - Vintage Photo is a vintage black and white photograph realized in the 1980s. Good conditions.

Marcus Leatherdale (1952 - 2022) Silver gelatin print with copper leaf mount 1987 Titled: High Priest. From the Demigod series. Hand signed and dated and bears artist studio stamp verso. Provenance: Greathouse Gallery (with label & information verso) Edition: 1 of 10. Dimensions mage measures 12" x 5", total measurements are 24" x 13" Marcus Leatherdale was a Canadian portrait photographer. Marcus Andrew Leatherdale was born on 18 September 1952, in Montreal, Canada, to Jack Leatherdale, a veterinarian, and Grace Leatherdale, a homemaker. He attended the San Francisco Art Institute. Leatherdale arrived in New York City in 1978, where he attended the School of Visual Arts. started his career in New York City during the early eighties, setting up a studio on Grand Street. Leatherdale first served as Robert Mapplethorpe office manager for a while and was photographed in the nude by the master, grabbing a rope with his right hand and holding a rabbit in his left. Thereafter he worked as an assistant curator to Sam Wagstaff. He soon became a darling of the then vibrant club scene and the fashionable media: Interview, Details, The New Yorker, Vanity Fair, and Elle Decor presented his work. Later on he was featured in artsy publications as Artforum, Art News, and Art in America. Leatherdale was the Cecil Beaton of downtown New York, He photographed a not-yet-famous club kid named Madonna in her ripped jeans and his denim vest. The performance artist Leigh Bowery was majestic in a tinseled mask, a corset and a merkin. Andy Warhol was a Hamlet in a black turtleneck. Susanne Bartsch, the nightlife impressaria, was a towering presence in red leather. He documented the New York City lifestyle, the extraordinary people of Danceteria and Club 57 where he staged his first exhibits in 1980. Leatherdale was an acute observer of the New York City of the nineteen eighties. His models were the unknown but exceptional ones – like Larissa, Claudia Summers or Ruby Zebra – or well known artists – like Madonna, Keith Haring, Andy Warhol, Winston Tong and Divine, Trisha Brown, Lisa Lyon, Andrée Putman, Kathy Acker and Sydney Biddle Barrows, otherwise known as the Mayflower Madam, Jodie Foster, and fellow photographer John Dugdale. He Married Claudia Summers, theirs was not a traditional marriage, but they were best friends, and he was Canadian, so it made life easier if they wed. His boyfriend for a time was Robert Mapplethorpe, whose photography studio Mr. Leatherdale also managed. He and Mapplethorpe were a striking pair, dressed like twins in leather and denim, their faces as if painted by Caravaggio, and they often photographed each other. Jean-Michel Basquiat was often hanging out there, playing his bongo drums; so were friends like Cookie Mueller, the doomed, gimlet-eyed author and Details magazine contributor who was for a time Mapplethorpe’s and Ms. Summers’ drug dealer, and Kathy Acker, the performance artist and novelist. For quite a while Leatherdale remained in Mapplethorpe's shadow, but was soon discovered as a creative force in his own right by Christian Michelides, the founder of Molotov Art Gallery in Vienna. Leatherdale flew to Vienna, presented his work there and was acclaimed by public and press. This international recognition paved his way to museums and permanent collections such as the Rheinisches Landesmuseum Bonn, the Art Institute of Chicago, the Australian National Gallery in Canberra, the London Museum in London, Ontario, and Austria's Albertina. He was included in the MoMA exhibit New York/New Wave along with Kenny Scharf, William Burroughs, John Crash Matos, Larry Clark, Nan Goldin, Lawrence Weiner and Stephen Sprouse. Above all, his arresting portraits of New York City celebrities in the series Hidden Identities aroused long-lasting interest amongst curators and collectors. In 1993, Leatherdale began spending half of each year in India's holy city of Banaras. Based in an ancient house in the centre of the old city, he began photographing the diverse and remarkable people there, from the holy men to celebrities, from royalty to tribals, carefully negotiating his way among some of India's most elusive figures to make his portraits. From the outset, his intention was to pay homage to the timeless spirit of India through a highly specific portrayal of its individuals. His pictures include princesses and boatmen, movie stars and circus performers, and street beggars and bishops, mothers and children in traditional garb. Leatherdale explored how essentially unaffected much of the country was by the passage of time; and it has been remarked upon that this approach is distinctly post-colonial. In 1999, Leatherdale relocated to Chotanagpur (Jharkhand) where he focusing upon the Adivasis. Later Serra da Estrela in the mountains of central Portugal became his second home base. Leatherdale's matte printing techniques, which adapt nineteenth-century processes and employ half black, half sepia colorations, reinforce the timelessness of his subjects. Tones and matte surfaces effectively differentiate his portraits from the easy slickness of fashion photography. In 2019, Mr. Leatherdale compiled his work from 80s in a book entitled “Out of the Shadows”, written with Claudia Summers. During his time in New York City, he dated Robert Mapplethorpe, whose photography studio Leatherdale managed. His partner of two decades, Jorge Serio, died in July 2021 Major exhibitions 1980 Urban Women, Club 57, NYC 1980 Danceteria, NYC 1981 Stilvende, NYC 1982 The Clock Tower, PS1, NYC 1982 544 Natoma Gallery, San Francisco 1982 Eiko And Koma, Stilvende, NYC 1983 Form And Function Gallery, Atlanta 1983 Galerie in der GGK Wien, Vienna, Austria 1983 The Ring, Vienna (organized by Molotov) 1983 London Regional Art Gallery, London, Ontario, Canada 1984 Performance, Greathouse Gallery, NYC 1984 Social Segments, Grey Art Gallery, NYU 1984 Rheinisches Landesmuseum, Bonn 1985 Ritual, Greathouse Gallery, NYC 1985 Artinzer, Munich 1985 Leatherdale/Noguchi, Gallery 291, Atlanta 1985 Paul Cava Gallery, Philadelphia 1986 Poison Ivy, Greathouse Gallery, NYC 1986 Wessel O’Connor Gallery, Rome 1986 Hidden Identities, Michael Todd Gallery, Palladium, NYC 1987 Demigods, Greathouse Gallery, NYC 1987 Collier Gallery, Scottsdale, Arizona 1987 Tunnel Gallery, NYC 1988 Claus Runkel Fine Art Ltd., London, UK 1988 Madison Art Center, Madison 1989 Wessel-O’Connor Gallery, NYC 1989 Summer Night Festival, Onikoube, Sendai 1990 Bent Sikkema Fine Art, NYC 1990 Fahey-Klein Gallery, Los Angeles 1990 Faye Gold Gallery, Atlanta 1990 Mayan Theatre, Los Angeles 1991 Runkel Hue-Williams Gallery, London 1991 Galerie Michael Neumann, Düsseldorf 1991 Arthur Rogers Gallery, New Orleans 1992 Arthur Rogers, NYC 1992 Galerie Del Conte, Milwaukee 1993 Galerie Bardamu, NYC 1996 Fayf Gold Gallery, Atlanta 1996, 1997, 1998, 1999 Bridgewater/Lustberg, NYC 1998 Rai Krishna Das...

Iman poses with Lucas Samaras’ sculpture Stiff Box #12 at the Patrick Lannan Foundation near Palm Beach, Florida in 1982. A muse of the designers Gianni Versace, Thierry Mugler, Calv...

Life in Italy in the 1960s is a vintage black and white photograph realized in the 1960s, it is from a series of vintage photographs of the cultural and artistic events in Italy in t...

Emmy Award 1987. Bruce Willis holding his Emmy for "Moonlighting". Vintage Photo, good condition.

Zucchero Fornaciari  is a vintage black and white photograph realized in the 1980s. Good conditions.

Molly Wilmot’s Pool 1982 by Slim Aarons Slim Aarons Limited Estate Edition The swimming pool at the home of Molly Wilmot in Palm Beach, Florida, April 1982. unframed c type print...

Slim Aarons Skiing In Seefeld 1985 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A group of men and women go cross-country sk...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

Hotel New York is a colour vintage photo, realized in the Early 1990s. The photo depicts the Rockefeller Plaza skating rink at night, in Euro Disneyland. Good conditions and aged. ...

A black-and-white image shot on film in Paris, France in the 1980s, Roberta Fineberg’s subject is a young French-African girl with braids, ribbons, and bows that RF photographed in f...

'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...

This studio portrait of Madonna was taken at Holborn Studios, London in 1984 by UK celebrity photographer, Brian Aris. The photograph was then painted on using golden glitter to create the “Pop Art” touch by Brian’s wife Linda Aris. It is signed on the border by Brian Aris. It is a limited-edition, number 5/25. Artist bio: Brian Aris in the 1970’s began his photographic career as a photojournalist. Over nine years a series of frontline assignments took him around the world. He then decided on a complete change of direction and opened a studio in London where he started photographing fashion and glamour models, as well as stars of the music industry for newspapers and magazines. He broadened his studio work to include pop and rock stars such as Blondie, The Rolling Stones, The Jam, The Clash, The Boomtown Rats, Roxy Music and The Police. During the next two decades he covered every aspect of the music scene from punk rock, glam’ rock and straight rock ‘n’ roll from the Rolling Stones right through to the emergence of the boy bands and then the girl power that arrived with The Spice Girls...

Life in Italy in the 1960s is a vintage black and white photograph realized in the 1960s, it is from a series of vintage photographs of the cultural and artistic events in Italy in t...

Life in Italy in the 1960s is a vintage black and white photograph realized in the 1960s, it is from a series of vintage photographs of the cultural and artistic events in Italy in t...

Antony Zega (1962-2019). Leaning Pine (Cape Cod), ca. 1985. Photographic print, 10 x 10 inches. Mounted to acid free matting board measuring 16 x 20 inches. Unsigned. Estate stamp o...

Life in Italy in the 1960s is a vintage black and white photograph realized in the 1960s, it is from a series of vintage photographs of the cultural and artistic events in Italy in t...

Nastassia Kinski for Playboy is a black and white photograph realized by Helmut Newton in 1983. Black and white photograph. From the series realized by Newton for Playboy magazine....

This series of portraits were shot by Richard Heeps whilst he was studying Photography in Northwich. They beautifully capture a time of life. Here they have been compiled together fo...

"Little Foxes Premiere" by Central Press British-born American actress Elizabeth Taylor (1932 - 2011, right) greets Diana Princess of Wales (1...

'Cafè Cars' 1981 by Alain Le Garsmeur Limited Edition Archival Pigment Print Taxis outside a cafe in Tegucigalpa, Honduras, Central America, 1981. Paper size : 40x30 inches / 101...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Up in the Air ‘ who was captured on fi...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

Abaco Islander Author Chester Thompson at work in his coconut grove on the Abaco Islands of the Bahamas, March 1986. His ancester Wyannie Malone settled on the islands in 1783, foun...

16 x 20" vintage silver gelatin photograph of dancer Christine Klepal performing "Scherezade" in 1983 numbered 14/25. It is signed by Jack Mitchell on the recto and in pencil on the ...

Stockings (1946) - Silver Gelatin Fibre Print (Photo by Moore/Evening Standard/Getty Images) 12th May 1980: Model Lynne reflected in corocraft sunglasses. Additional Information:...

Skiing In Seefeld 1985 by Slim Aarons Slim Aarons Limited Estate Edition A group of men and women go cross-country skiing in Seefeld, Austria, 1985. unframed c type print printed...

© Michael Putland George Michael London 1987 George Michael was a British pop superstar known for his powerful voice, songwriting talent, and hits like "Faith" and "Careless Whisp...

HARRY BOWERS T E N P H O T O G R A P H S I DON'T LOOK FOR PHOTOGRAPHS I INVENT THEM I recall my first meeting with Harry Bowers in California a few years ago. As he produced his large-scale prints, I was at first flabbergasted, not only by their size, but by their seamless perfection. Technique appeared to be everything but then technique as technique simply vanished. After the first moment, tech­nique was no longer an issue, but rather a passageway to the imagery. Suffice it to say about Harry Bowers' working style that he is an obsessive man. Trained as an engineer, he has turned that discipline to art. His lenses, equipment and darkroom, much of it exactingly manu­factured by himself to answer certain needs, serve the desire of the artist to take photographic tech­nique to its ultimate perfection in invisibility and transparency. I respect obsession in art, and particularly in photography, because obsession in photography passes beyond the easy, middle ground of image making to a more demanding, more difficult, yet more rewarding end. Bowers' obsession is to eliminate "photography as technique." No grain, no decisive moments, no journalism, or, seemingly, direct auto­biographical endeavors appear in his work. Bowers is an artist of synthesis who controls his environment if only in the studio exactly to his liking. The images he creates are formal structures, saucy stories on occasion, which may offer hints of a darker, more frightening sexuality, but what you see is the end product of an experiment in which nothing save the original insight perhaps is left to chance. We seem fascinated with the idea of replication of reality in art. Popular painting frequently reproduces a scene "with the accuracy of a photograph," and photographs may "make you feel as though you were right there." The very invisibility of the photographic medium is important to Bowers, in that it allows him to maneuver his subject matter without concern for rendering it in an obvious art medium which would interfere with the nature of the materials he uses. The formal subtleties of Bowers' recent work are as delicious and ambiguous in their interrelationships as the best Cubist collages, yet while those col­lages always suggest their parts through edge and texture, these photographs present a structure through a surface purity. Bowers' earlier works, for example, the Skirts I Have Known series, were formed of bits of clothing belong­ing to Bowers and his wife or found at local thrift shops. These works fused an elegance of pattern and texture, reminiscent of Miriam Shapiro...

'Front Step Greeting' 1984 by Alain Le Garsmeur Limited Edition Archival Pigment Print A Cape Verde immigrant woman carrying a wash basket on her head wa...

Disney's Sequoia Lodge is a colour vintage photo, realized in the Early 1990s. Good conditions and aged. It belongs to a historical and nostalgic album including historical moments...

Fine art 20x24" print of rock band Queen, Freddie Mercury, Brian May, John Deacon and Roger Taylor, arriving by helicopter to Knebworth Park in the UK. Taken by acclaimed photographe...

Mazatlan Mansion Eldorado, the Redo family villa in Mazatlan, Mexico, January 1984. Paper size 24 x 20" inches / 61 x 51 cm Estate Stamped Collection Edition to 150 Photo by S...

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Black and white portrait of artist Jeff Koons smoking while sitting on a toilet and holds two models in his arms....