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Robert Mapplethorpe
Untitled (Whip)

1972

$11,400List Price

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Autoportrait dans un Coeur
Located in Toronto, Ontario
Pierre & Gilles (Pierre Commoy and Gilles Blanchard) began their creative collaboration in France during the late 1970’s. Together they created a vivid fantasy world of their own, a ...
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Early 2000s Pop Art Photography

Materials

Mirror, Photographic Paper

Painted Flag: Preparatory #2B
By Charles Pachter
Located in Toronto, Ontario
Charles Pachter (b. 1942) is one of Canada’s most collected and cherished artists. His uplifting and patriotic images have independently earned their place in the nation’s museums fr...
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1980s Pop Art Photography

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Catalog: Tony Shafrazi Gallery
By Keith Haring
Located in Toronto, Ontario
Keith Haring (1958–1990) is arguably the most recognized graffiti artist of all time. His iconic imagery developed on the subway walls of New York City in the early 1980s, breaking t...
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1980s Pop Art Prints and Multiples

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Rain Dance Poster
By Keith Haring
Located in Toronto, Ontario
Keith Haring (1958–1990) is one of the most celebrated and widely recognized (graffiti) artists of all time. His iconic imagery emerged on the subway walls of New York City in the ea...
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1980s Pop Art Prints and Multiples

Materials

Lithograph, Offset

Dutch Hearts
By Jim Dine
Located in Toronto, Ontario
Jim Dine was one of the key artists who defined American Pop Art in the 1960s. Like Jasper Johns and Andy Warhol, Dine appropriated quintessential American images and icons. He used ubiquitous and familiar forms, like tools, food, and stylized clothing, as the basis for bold and colorful compositions inspired by Dada assemblage, Abstract Expressionism, and collage techniques. The "Heart" is the most celebrated icon in Dine's oeuvre. He uses its motif to explore pattern, color, and texture across mediums. This classic and iconic example of Jim Dine's hearts from his most sought-after period. Four coral hearts, adorned with flecks of blood orange, hover in the center of the work. The background features tactile grapefruit splotches that dance across the sheet to reveal and accentuate stretches of negative space. The result is a striking illusion of depth that simultaneously camouflages the hearts and accelerates them to the foreground of the work. Questions about this piece? Contact us. or visit our Toronto gallery on Thursdays or by appointment. "Dutch Hearts...
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1970s Pop Art Prints and Multiples

Materials

Lithograph

Monet Cane
By General Idea
Located in Toronto, Ontario
General Idea was founded in 1967 in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The trio was both prolific and multi-disciplinary long before it became de rigueur. They worked across a wide range of media including photography, sculpture, painting, mail art, video, installations, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element for General Idea, who utilized longevity as an avenue to delve deeper into, build upon, and evolve with the complex and nuanced subject matter they took on. “Monet Cane” is an extraordinary example of General Idea’s use of iconography, appropriation, (and mischief) from this era. Beginning in the early 1980s, General Idea began using the poodle as an emblem for the trio, quickly elevating it to one of the most dominant motifs in their practice. Both single poodles, and trios (which would be a sort of group self-portrait) appeared frequently in a variety of artwork during their last decade of production. The 80's was a decade that saw appropriation flourish in the visual arts. General Idea made a significant contribution to this trend. While many of their contemporaries used mass-market images or objects (think Barbara Kruger, Jeff Koons, and Richard Prince) General Idea did not restrict themselves to accessible imagery but also claimed canonical images and blue-chip references. General Idea created two major series of paintings featuring the trio of poodles; in pastels (which were often bleached in a commercial washing machine) and in neon colors. This painting is exceptionally rare as it is one of four paintings made with this distinct flecked surface. This unique texture is a significant (and beautiful) anomaly at odds with their predominantly flat and graphic aesthetic. The surface of the canvas is enveloped in tiny, weighted flecks of paint that have been layered to create an incredible texture. This application of paint, which appears to be chenille-like, recalls both the atmospheric pastel palette and impressionistic effects made famous by Claude Monet. "Monet Cane" can not only be contextualized with other poodle paintings...
Category

1980s Pop Art Figurative Paintings

Materials

Mixed Media

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