Cotton Canvas Still-life Photography

Black and white, Still life, Flower, Botanical, Rose, Abstract, flower, still life, photograph, black and white photograph, abstraction, b&w All the photographs in a limited edition. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.” ABOUT In 2008, Andrew Arrick and Michael Hofeman first came across The Robin Rice Gallery and immediately fell in love with the fine art photography becoming fans and collectors of the work. On a visit to the gallery this past winter, Michael and Andrew had a brilliant idea to join forces with Robin to curate an exhibition in tune with the aesthetic of their vintage lifestyle boutique, FINCH hudson...

Listing is for UNFRAMED print. Inquire within for framing. CURRENT EXHIBITION - runs through December 18th, 2016. Any framed photographs purchased during the show will be available...

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. More sizes available Sarah Hadley's narrative work focuses on memory, place and the...

Arum Lilies - Signed limited edition archival pigment print, 1993 - Edition of 5 Unframed, a beautiful still life of a bouquet of Arum lilies This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid- and lignin-free paper, Museum quality for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Signed + numbered by artist with certificate of authenticity, packaged with care. Edition : 1/5 , unframed Archival pigment print available sizes ( Image size , the white margin is not counted) : 50 x 45 cm / 19,68 x 17,72 in - Edition of 5 75 x 66 cm / 29,53 x 25,99 in - Edition of 5 100 x 89 cm / 39,37 x 35,04 in - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. Ian produced images over a 35 year career. For most he worked as both a Commercial and Fine Art photographer; during his last years concentrated on his personal archive. Ian and his widow Nathalie have worked for many years with alternative printing techniques in their workshop, ISP, creating Platinum Palladium, Silver Gelatin, Lith or Gum Bichromate. This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. Platinum Palladium printing is a traditional photographic technique which precedes silver gelatin technique. Many photographers have worked with it in the past as Irvin Penn, Manuel Alvarez Bravo, Robert Mapplethorpe, Sebastiao Salgado o Ormond Gigli with its Platinum with gold leaf print 'Girls in the Windows'. ISP Workshop continues with the work of Ian's widow to create archival pigment prints like this one but also rare and personalized photographs. categories : Black and white photography, 20th. century, Archival pigment print, Monochromatic Art...

Orchids by Ian Sanderson Signed limited edition archival pigment print, 1991 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file whi...

Orchids by Ian Sanderson Signed limited edition archival pigment print, 1991 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file wh...

Black and white photograph of Edward Weston's desk, by Kim Weston (American, b. 1953). This photograph was taken in the former home of Edward Weston, Kim We...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ FlowerHead 1‘ who was captured on film...

Andy Warhol Hammer & Sickle, 1976 Acetate negative acquired directly from Chromacomp, inc. Andy Warhol's printer in the 1970s. accompanied by a signed letter of provenance from the r...

Cactus - Limited edition pigment print - Limited Editions of 5 Close-up of a cactus plant in backlighting. Signed + numbered by artist with certificate of authenticity. Archiva...

"Human Nature Pt. 2" Black & White Photography 50x40 in Ed of 3 by Brendan North not framed ships rolled in a tube ABOUT: Brendan North is a fine art photographer based in Los Ange...

Large and wonderful B & W photograph by American photographer Andreas Feininger (1906-1999). Photograph is of a gorilla rib cage. Printed in 1951, it measures 8ft. 10 in. x 10ft. Photograph is attached to linen and can be rolled for easy storage and shipping. Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew, and the American painter and art educator Lyonel Feininger (1871-1956). His paternal grandparents were the German violinist Karl Feininger (1844–1922) and the American singer Elizabeth Feininger, (née Lutz), who was also of German descent. His younger brother was the painter and photographer T. Lux Feininger (1910–2011) In 1908 the Feininger family moved to Berlin, and in 1919 to Weimar, where Lyonel Feininger took up the post of Master of the Printing Workshop at the newly formed Bauhaus art school.[2] Andreas left school at 16, in 1922, to study at the Bauhaus; he graduated as a cabinetmaker in April 1925. Afterwards he studied architecture, initially at the Staatliche Bauschule Weimar (State Architectural College, Weimar) and later at the Staatliche Bauschule Zerbst. (Zerbst is a city in the German state of Saxony-Anhalt, about 20 km from Dessau, where the Bauhaus moved to in 1926.) The Feininger family moved to Dessau with the Bauhaus. In addition to continuing his architectural studies in Zerbst, Andreas developed an interest in photography and was given guidance by neighbour and Bauhaus teacher László Moholy-Nagy. In 1936, he gave up architecture and moved to Sweden, where he focused on photography. In advance of World War II, in 1939, Feininger immigrated to the U.S. where he established himself as a freelance photographer. In 1943 he joined the staff of Life magazine, an association that lasted until 1962. Feininger became famous for his photographs of New York...