Urban Photography

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 44 x 32 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 44 x 32 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 22 inches, sheet (Edition of 15) $1400.00 27 x 38 inches, sheet (Edition of 9) $2800.00 38 x 54.5 inches, sh...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 44 x 32 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) This photograph is offered by ClampAr...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 22 inches, sheet (Edition of 15) 32 x 44 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) This photograph is offered by ClampAr...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 44 x 32 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 44 x 32 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

Archival pigment print Signed and numbered, verso 30 x 30 inches 40 x 40 inches 48 x 48 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. ...

'Jean Michel Basquiat Dancing at The Mudd Club', New York City, 1979: This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. Archival inkjet print on 310gsm fiber based paper. 11 x 14 inches (including borders). Hand signed & numbered from an edition of 50. Provenance: Obtained directly from artist. Shipped flat using protective materials. Lot 180 gallery is an authorized dealer rep of Nick Taylor. Taylor’s insightful photographs of a young Basquiat have been featured in numerous world renown publications, exhibits and documentaries surrounding Basquiat, among these: "How Music Powered Basquiat," The New York Times, 9/22/17 Sotheby's "Untitled, 1982;" catalog, May, 2017 Artnet, 9/18/17: Debunking Basquiat’s Myths The Mudd Club: Richard Boch, 2017 Jean-Michel Basquiat: 1981, The Studio of the Street; Diego Cortez King for a Decade: Jean Michel Basquiat; Taka Kawachi Exhibits: Basquiat: Boom For Real, The Barbican, London, 2017/2018. More on Nicholas Taylor: Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the No Wave band “Gray” before Taylor launched a successful career as a DJ famous for track-looping. His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Circa 1981, Basquiat payed homage to Taylor by incorporating "Nick Taylor" and "DJ High Priest" (a title anointed him by Basquiat) into two separate drawings. While everyone else in the downtown tries to take credit, it was in fact Taylor who first introduced Jean-Michel to Madonna - at the Mudd Club - the very place this one of a kind image was captured. More on The Mudd Club: In the 1970s New York City, uptown had the glitz of Studio 54 and downtown had the Mudd Club: a legendary, downtown art scene venue known for pushing the boundaries of nightlife. The space became a natural collision of fashion, art, music, and literature. And the list of guests who walked through the front door reflected that scene: musicians like Grace Jones, Madonna, David Bowie, Mick Jagger, Debbie Harry, Fab Five Freddy, Marianne Faithfull, The Ramones, The Talking Heads, and Nico; fashion luminaries such as, Anna Sui, Betsey Johnson, and Gia Carangi...

Burritos, Tahoka, Texas by Peter Brown depicts a red brick building on a street corner, with "BURRITOS" painted in white above the white door. Edition of 25 Signed and numbered in black ink on print margin. Paper size: 20 x 24 in., Image size: 16 x 20 in. Series: Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Digital C-print (Edition of 10) Signed, dated, and numbered, verso 30 x 35.5 inches, sheet 22 x 27 inches, image This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. To commemorate the 400th anniversary of Henry Hudson...

Digital Photograph,l ed. 3 of 9 HP Premium Satin Photo Paper with archival inks Born in Japan in 1940 and educated at The Art Center College of Design in California, Michael K. Yama...

Killer Joe Piro American dance instructor ‘Killer’ Joe Piro (1921 – 1989) dances past the park in New York, July 1964. Gorgeous print measuring an large 40 x 40" inches / ca 101 ...

1955: John Bryant with his AC sports car in Kinnerton Place, London SW1. His passenger is Margaret McAulay Estate stamped and hand numbered edition of 150...

Kabul by Justin Creedy Smith Street scenes, Kabul Afghanistan, during a pre-christmas visit by French foreign minister, Michèle Alliot-Marie, to the French soldiers based in Afgh...

Colored Photograph From Night City Collection 1988 1/1, signed Dimetry Vilensky lower left in ink. Photographs in permanent Collections: State Russ...

Brooklyn Heights View, Original Cityscape Photography, 2017 9" x 19" (HxW) Photographic Print A clear blue sky is the perfect backdrop for the skyscr...

Portofino Harbour, 1977 Chromogenic Lambda Print Estate edition of 150 The harbour in the Ligurian town of Portofino, August 1977. Estate stamped and hand numbered edition of 150 w...

Stamped with artist’s estate ink stamp and numbered 1/5 on reverse Modern silver gelatin print Printed on 15 3/4 x 11 3/4 inch paper From an edition of 5 Provenance: The Estate of D...

Portfolio 2008

Our gallery has the most extensive art photography of New York City, due to our abiding love for the city. We present the work of different photographers, some of whom are emerging talents who have had their work published in noted magazines in Europe or the USA, others, who are recognized for their work in international photography competitions. This series is EXCLUSIVE to gallery. Can be paired or placed in a series of New York art photography in the series. Inquire for complimentary consulting and digital rendering. ABOUT THIS PIECE: This is drawn from archive of an award winning photographer. Photo is taken using tungsten color set up. taken over a quiet weekend early dawn, exuding a rare relative calm of the city. The work is a C print -sold print...

Award winning photographer Alejandro Cerutti presents cityscape, art photography of New York City. Recognized in the international photog...

11" x 14" Unframed Silver Gelatin Print Hand Signed by Ken Heyman From the Hipshot series

American dance instructor 'Killer' Joe Piro (1921 - 1989) dances past the park in New York, July 1964. Estate stamped and hand numbered edition of 150 with certificate of authentic...

Spire, Notre Dame, Paris, France by Michael Kenna is a limited edition black and white photograph of the spire of the Notre Dame cathedral from an aerial view. The city of Paris and ...

John Conn, Cuba 159, limited edition Color Photograph taken in Cuba in 2016. It is a photograph, printed on 13x19 archival paper. Signed and Numbered. This is currently unframed. Edition of 15. This gold toned photograph is filled with a vintage car, people and the Cuban cityscape and buildings. John Conn got his start as a Marine Combat photographer, and later earned his BFA at the School of Visual Arts in New York. As a freelance photographer and writer, he has captured a range of subjects photojournalism delving into political and social issues, nature and landscapes, architecture, and underwater images. His work has appeared in: New York Times Sunday Magazine; Time/Life Books; IMAX Films; Village Voice; Human Rights Magazine; Shutterbug Magazine; Hasseleblad Magazine; American Photographer; RangeFinder Magazine; LensWork Magazine; Ocean Realm; Dive Travel Magazine; Picture Magazine; Discover Diving Magazine; Picture Magazine; Popular Photography; Nikon World; Black & White Photography; B&W Magazine; Studio Photography, to name a few. Starting in 1970, John travelled to South Africa capturing images of the people and social divide of Aparteid. His iconic Subway series shot between 1970 and 1982 in New York City is part of the permanent collection of the Museum of the City of New York, The New York Historical Society and Hoboken Historical Museum. In 2010, John Conn spent 45 days in Antarctica and Patagonia, traveling and hiking to capture the land and seascapes. He spent over 20 days journeying over 3,200 nautical miles in Antarctica before heading to Patagonia for the second part of his expedition. In 2014 John began a series of treks across the US photographing Americans, similar to what Robert Frank did in the late 1950’s. In 2015/16, he spent a month in Cuba photographing...

Ed. of 5 Nicolas Ruel has been working, for the last several years, on an ambitious body of work, 8 seconds, where he attempts to revisit the image of the world’s greatest cities. From Elements (2007) to Microscripts (2011), he has refined an in camera double exposure technique, where a sudden swivelling motion triggers the transfiguration of the visible. He travels in quest of familiar images in order to expose their hidden architecture: his sculptural compositions, crystallised in monumental stainless steel...

Shipped in a tube Digital Photography HP Premium Satin Photo Paper with archival inks Edition 2 of 9 Born in Japan in 1940 and educated at The Art Center College of Design in Cal...

Shipped in a tube Digital Photography HP Premium Satin Photo Paper with archival inks Edition 3 of 9 Born in Japan in 1940 and educated at The Art Center College of Design in California, Michael K...

Balthasar BURKHARD (1944–2010, Switzerland) Tokyo 03, 2000 Silver gelatin print on Baryta paper Sheet 125 x 250 cm (49 1/4 x 98 3/8 in.) Frame 129 x...

'Amalfi Coast' by DJ Leon, 2015, Ed. of 15. Archival C-print photograph of the famed Amalfi beach during the Summer months. The photograph print measures at 24 x 36...

Digital Photograph from Film Original ed. 2 of 9 HP Premium Satin Photo Paper with archival inks Born in Japan in 1940 and educated at The Art Center College of Design in California...

This black and white photograph by Ruth Orkin features five men standing with CBS camera equipment on top of a structure. They appear to be filming out into a large crowd at Times Sq...

Archival Pigment Print COA Hand Signed by Michael Grecco

4 photographs from up and coming Michigan based photographer, Joseph Glaub. Depicting the Beaver Island Ferry, the commercial buildings of Birmingham an...

"Pink Harmony" Photography 40" x 30" inch Edition of 24 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) Ships in a tube 2019 ABOUT Rob Woodcox Rob Woodcox is a ...

Edition of 25 Signed, titled, negative date, print date and numbered. Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and alluring. His ima...

The Chrysler Building has new neighbors, and together, they form the "New New York Skyline". Captured from a downtown location, Photographer Mitchell Funk's style of hyper-lighting w...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...

"Nuts4Nuts" is a colorful abstract photograph using analogue photography by Greek-American artist & photographer MK Semos. It is sized 24x30 inches / 61x76 cm, and has a French cleat...

Downtown, Original Cityscape Photography 8" x 18" (HxW) Photographic Print A sleek and modern photograph capturing the iconic cityscape of downtown New York City at dusk. This urban setting is easily recognized with tall skyscrapers jutting out between an open sky and open water, the view of the Manhattan peninsula never seems to get old. Images with frames are examples only; this work comes unframed. Artist Commentary: Long Exposure photograph of Downtown Manhattan taken from Hoboken, New Jersey Artist Biography: William brings many years of creative experience to the table. He possesses an MFA in Cinematography from the Academy of Art University in San Francisco. His studies have taken him around the world. In the summer of 2008 he studied at the prestigious Film and Television School of the Academy of Performing Arts in Prague, the fifth oldest film school in the world. In 2011, while completing his masters, Will traveled to Dublin, to work on the Academy Award nominated film Albert Nobbs starring Glenn Close...