Utility Pole Photography

Stéphane COUTURIER (*1957, France) Les Nouveaux Constructeurs, Sète – Port n°4, 2018 Cibachrome, framed to artist's specification 69 x 52 cm (27 1/8 x 20 1/2 in.) Edition of 4; Ed. no. 2/4 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. – Les Nouveaux Constructeurs At the invitation of Julie Gutierrez, curator of the Musée Fernand Léger in Biot (France), Stéphane Couturier intensively studied the work of Fernand Léger, one of the Master of Modern painting in France in the early 20th century. Léger paid particular attention to the upheavals of his time. Alongside the city, the transformation of man through machine and mass production was the central theme of his works, which, starting from the formal experiments of the Cubists, found their own artistic expression, combining Cubist avant-garde with Communist commitment. ‘I have become aware of the many elements that bring me closer to him - his fascination for the city, for industrial elements, for architecture, for the geometry of forms...’, comments Stéphane Couturier on his examination of Léger's work. When photographs of cityscapes and industrial architecture are combined with the painter's compositions, the principle of superimposing two images, which the photographer has developed into an essential element of his art in recent years, is taken to a new level. The encounter of two different and yet closely related, because architectural structures, leads to works that are both painterly photographs and photographic paintings. Constructively and constructively, these works depict the reality as seen, yet go beyond the merely visible. Not images, but pictures that have their own reality. Photographed as cibachromes and fitted into a black object...

"Post Oak #2, Atlanta, GA " is a nocturne photograph of an urban tree featuring hues of green, red, yellow and blue. This listing is for a framed print. Additional unframed sizes are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker...

"Rockin’ Tug, Cummington Fair" is an edition of 5. Mark Caceres is inspired by the work of Jeff Jacobson, Alex Webb and Alec Soth. Mark Cáceres was born ...

Omaha Sketchbook: Road in Snow - Contemporary Photography, American Signed on reverse Digital chromogenic print 22 x 18 inches From a limited edition of 7 prints For the last fiftee...

American Decorum Le grand rêve de l'Americana, cette culture américaine peuplée de symboles, de fétiches, de clichés auxquels la majorité d'entre nous a été exposé. Un imaginaire fer...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 1/1 on verso. This is a unique print. In the series ‘Weights & Measures’ (2...

17"x20.5" fine art photograph, limited editon of 5- hand signed and editioned by the artist. This color photograph depicts a basketball court in Nebatieh, Lebanon, with the hand painted N...

30 x 40 inch type-c print. Edition 25. Signed, titled and dated on verso. This was the cover image of a recent catalog published by the University of the Arts, Philadelphia, in conjunction with a solo exhibition of the artist's work. Throughout his career, David Graham, has produced photographic images infused with both compassion and humor, as he has documented the homes we have built, our lives both public and private, and a purely American expression of “freedom.” Graham was born in Abington, Pennsylvania, in 1952. He received a BA from The University of the Arts, and his MFA from the Tyler School of Art, both in Philadelphia. He studied under Ray K. Metzker and Will Larson, and was mentored by Emmet...

Stéphane COUTURIER (*1957, France) Les Nouveaux Constructeurs, Sète – Port n°3, 2018 Cibachrome, framed to artist's specification 69 x 52 cm (27 1/8 x 20 1/2 in.) Edition of 4; Ed. no. 2/4 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. – Les Nouveaux Constructeurs At the invitation of Julie Gutierrez, curator of the Musée Fernand Léger in Biot (France), Stéphane Couturier intensively studied the work of Fernand Léger, one of the Master of Modern painting in France in the early 20th century. Léger paid particular attention to the upheavals of his time. Alongside the city, the transformation of man through machine and mass production was the central theme of his works, which, starting from the formal experiments of the Cubists, found their own artistic expression, combining Cubist avant-garde with Communist commitment. ‘I have become aware of the many elements that bring me closer to him - his fascination for the city, for industrial elements, for architecture, for the geometry of forms...’, comments Stéphane Couturier on his examination of Léger's work. When photographs of cityscapes and industrial architecture are combined with the painter's compositions, the principle of superimposing two images, which the photographer has developed into an essential element of his art in recent years, is taken to a new level. The encounter of two different and yet closely related, because architectural structures, leads to works that are both painterly photographs and photographic paintings. Constructively and constructively, these works depict the reality as seen, yet go beyond the merely visible. Not images, but pictures that have their own reality. Photographed as cibachromes and fitted into a black object...

Yoshinori MIZUTANI (*1987, Japan) Tokyo Parrots 005, 2013 Archival pigment print on Hahnemuhle Fine Art Baryta paper Sheet 53.5 x 80 cm (21 x 31 1/2 in.)...

This image resulted from a collaboration between the Japanese photographer Toshio Shibata and the Belgian architect and engineer Laurent Ney, when Ney invited Shibata to photograph a...

During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...

During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...

During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...

Editions of 12. Mounting and framing not included.

Signed, inscribed with date and numbered on reverse Four silver gelatin prints Image size: 22 x 22 inches each Paper size: 29 1/4 x 29 inches each From an edition of 35

Edition of 5. 16 x 20 inches (image); 22 x 26 inches (framed) Catherine Opie’s series '1999' documents her second epic road trip to capture America leading up to the new Millenium; ...

Todd Hido Untitled #8747 (from “A Road Divided”) 2023 Signed and numbered, verso Archival pigment print 8 x 10 inches (20.3 x 25.4 cm) This work is offered by CLAMP in New York ...

EMMA SUMMERTON (*1970, Australia) Words, 2023 Archival pigment print on Hahnemühle paper, hand-embellished with ink, watercolour and oil pastel mounted on Aluminium Dibond with woode...

Estate embossment on the front and estate stamped on the reverse

#3333, 2004 - Todd Hido (Colour Photography) Signed, titled and dated on reverse Archival pigment print Available in three sizes: 20 x 24 inches, from an edition of 10 + 3 APs 30 x ...

#1609-b, 1996 - Todd Hido (Colour Photography) Signed, titled and dated on reverse Archival pigment print Available in three sizes: 14 x 11 inches, from an edition of 10 + 3 APs 24 ...

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

David Drebin Malibu Digital C Print on Paper Signed and numbered by artist Available in the following sizes: 40 x 32 inches, Edition of 10 60 x 48 inches, Edition of 7 Currently on...

Signed, titled and dated on reverse Archival pigment print Available in three sizes: 24 x 20 inches, from an edition of 10 + 3 APs 38 x 30 inches, from an edition of 5 + 2 APs 48 x ...

#2523 - Todd Hido (Colour Photography) Signed, titled and dated on reverse Archival pigment print Available in two sizes: 24 x 20 inches, from an edition of 10 + 3 APs 38 x 30 inche...

Things we lost in fire and heat - golden-shaded two part picture of a lightly dressed model walking down a road. The dry hot landscape with girl gets completed by a desert shot with ...

Visually I try to construct my images in a metaphorical and abstract way so that the viewer’s imagination is free to explore and derive their own thoughts and conclusions independent...

Albert Watson is a veteran of international fine art-, fashion- and commercial photography, a non-conformist intellectual and uncompromising creative force. The multitalented photogr...

Albert Watson is a veteran of international fine art-, fashion- and commercial photography, a non-conformist intellectual and uncompromising creative force. The multitalented photogr...

Signed, numbered and dated on the front of the mount. Signed, dated and numbered and titled with artist’s copyright stamp on the back of the mount. We have over 2,000 works available...

The Bridge at Hoover Dam series looks at the evolution of the Colorado River Bridge, in the context of the Black Canyon and Hoover Dam, as its construction continues through the end ...

Sometimes there is a hazy, almost tropical light that falls over the Bay Area. The moisture in the air falls on the landscape and makes it appear as a series of two-dimensional plane...

Feels Like Real

Signed and dated on the front of the mount. Vintage, printed circa 1938.

Initialed and dated on front of mount.