Abstract Prints

color lithography on extremely fine japanese paper Limited edition of 60 copies in roman numbers signed in pencil by artist and numbered IV/LX paper size: : 72,5 x 51 cm excellent co...

Created in 2002 as an original color etching, this unique work on paper by David Shapiro is signed, dated and inscribed MP (monoprint) in pencil. The artwork measures 48 ½ x 12 in. (...

"Dos Personajes Atacado Per Perros" by Rufino Tamayo is a Figurative Abstraction Mixographia on amate paper measuring 61x98 in. The piece is sandwiched between two pieces of plexigla...

LEONARD EDMONDSON (1906 – 2001) WINTER GARDEN, 1957 Color intaglio, Edition 50. signed, titled and no. in pencil. Image 11 x 8 ¾”, sheet 15 ¾ x 12 3/8”....

"CAMU CAMU" is a limited edition pigment print of an oil painting on canvas by Amy Cheng. It is part of a Mandala Series, a group of iconic works that contain circles, spheres, tran...

RICHARD LINDNER (American. 1901-1978) Hand Signed limited edition lithograph with blindstamp Publisher: Shorewood-Bank Street Atelier for the Skowhegan School of Painting and Sculpture 29.25 X 22 inches Richard Lindner was born in Hamburg, Germany. In 1905 the family moved to Nuremberg, where Lindner's mother was owner of a custom-fitting corset business and Richard Lindner grew up and studied at the Kunstgewerbeschule (Arts and Crafts School since 1940 Academy of Fine Arts). From 1924 to 1927 he lived in Munich and studied there from 1925 at the Kunstakademie. In 1927 he moved to Berlin and stayed there until 1928, when he returned to Munich to become art director of a publishing firm. He remained there until 1933, when he was forced to flee to Paris, where he became politically engaged, sought contact with French artists and earned his living as a commercial artist. He was interned when the war broke out in 1939 and later served in the French Army. In 1941 he went to the United States and worked in New York City as an illustrator of books and magazines (Vogue, Fortune and Harper's Bazaar). He began painting seriously in 1952, holding his first one-man exhibit in 1954. His style blends a mechanistic cubism with personal images and haunting symbolism. LIndner maintained contact with the emigre community including New York artists and German emigrants (Albert Einstein, Marlene Dietrich, Saul Steinberg). Though he became a United States citizen in 1948, Lindner considered himself a New Yorker, but not a true American. However, over the course of time, his continental circus women became New York City streetwalkers. New York police uniforms replaced European military uniforms as symbols of authority.At a time when Abstract Expressionism was all the rage, Lindner’s painting went against the current and always kept its distance. His pictorial language of vibrant colours and broad planes of colour and his urban themes make him a forerunner of American Pop Art. At the same time, he owes the critical tone of his paintings to the influence of European art movements such as Neue Sachlichkeit and Dada. His first exhibition did not take place until 1954, by which time he was over fifty, and, interestingly, it was held at the Betty Parsons Gallery in New York, a venue associated with the American Expressionists. From 1952 he taught at the Pratt Institute, Brooklyn, from 1967 at Yale University School of Art and Architecture, New Haven. In 1957 Lindner got the William and Norma Copley Foundation-Award. In 1965 he became Guest Professor at the Akademie für Bildende Künste, Hamburg. His Ice (1966, Whitney Museum of American Art) established a connection between the metaphysical tradition and pop art. He did work on Rowlux which was used by a number of pop artists (most notably Roy Lichtenstein)The painting shows harsh, flat geometric shapes framing an erotic but mechanical robot-woman. His paintings used the sexual symbolism of advertising and investigated definitions of gender roles in the media. While influencing Pop Art (Andy Warhol, Tom Wesselmann and Claes Oldenburg amongst others) his highly colourful, hard-edge style seems to have brought him close to Pop Art, which he rejected. Nevertheless, he is immortalised on the cover of the Beatles record "Sgt. Pepper’s Lonely Hearts Club Band" (1967) as a patron of the pop culture. He also did a tapestry banner with the Betsy Ross Flag...

"Gorgeous With" is one of a limited edition of 30 archival pigment prints of an oil painting by Amy Cheng. The image is approachable, ornamental, cheerful, and bright. This painting...

Photography, printed as fine art print, limited edition of 15, signed by the author.

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Lithograph, 1966 Handsigned by the artist in pencil and numbered 60/60 Publisher : Alain Mazo, Paris Printer : Mourlot, Paris Catalog : [Prudhomme n°42 p.70] 64.50 cm. x 48.00 cm. 2...

the painting is being offered with a work and authenticity certificate

Photography, limited edition of 15, signed by the author.

A very good impression of this color woodcut and lithograph diptych. Signed and dated in pencil by Dine. From a limited edition of 12.

Lithograph, 1953 Handsigned by the artist in pencil and numbered 27/100 Printer : Jean Pons (Paris) LCD5352

"The Concept of Symmetry" is a print of an oil painting on canvas by Amy Cheng. It belongs to a Mandala Series she produced in the 2010's. Her work is not religious or overtly spirit...

Artist: Lamar Briggs, American (1935 - ) Title: Spirit Coasas VIII Year: 1976 Medium: Lithograph on Arches Paper, signed and numbered in pencil Edition: 200 Paper Size: 29 x 21 inches

"A Lightness of Being" is a limited edition 0f 30 pigment prints of an oil painting on canvas by Amy Cheng. It is part of a Mandala series, a group of works that rely on a visual vocabulary such circles, spheres, transparency, layering, pattern, repetition, and ornamentation. Sumptuous, intricate, ornamented, these prints are richly referential — they call to mind a range of associations from mandalas, the cosmos, cells, lace, brocade and more. The artist feels aligned with the long history of geometric and floral ornamentation the Far Eastern, Middle Eastern, and European craftsmen have long employed. They did so with the implicit understanding that pattern and repetition, which are endemic in nature, are primal in their rhythmic connection to the human nervous system. The artist identifies herself with the long tradition of visual artists interested in notions of cosmology. The artist Thomas Lyon Mills describes the Mandala painting...

"WE SPIN A WORLD" is one of a limited edition of 30 prints of an original oil painting on canvas by Amy Cheng. The painting is part of a Mandala Series she produced in the 2010's. Th...

Lithograph, 1949 Handsigned by the artist in pencil and numbered II/XX Publisher : La Guilde de la Gravure (Paris-Genève) Catalog : Passeron, p.130 38.00 cm. x 56.00 cm. 14.96 in. x...

Birds 003, 2017 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His work ha...

Carne (Meat) is an contemporary artwork realized by Bruno Di Bello in 1980 Hand signed and numbered o the lower margin. Mixed colored screen print. E...

El Ultimo viaje del buque fantasma, Plate IV Color lithograph, 1976 Signed and numbered in pencil (see photos) From: Gabriel Garcia Marquez, El Ultimo viaie del buque Fantasma (The Last Voyage of the Ghost Ship (1868), 12 illustration by Wilfredo Lam Edition: 99 (6/99) This one of an edition of 99 from the deluxe edition of the book of the same title There was an additional edition of 200 books, signed and numbered on the justification page Publisher: Poligrafa, Barcelona Printer: Poligrafa, Barcelona The Gabriel Garcia Marquez/Lam book is an illustrated version of the short story, a man recalls the night during his boyhood when an enormous passenger ship went aground in his small town on the shores of the Caribbean. It is considered a Latin American masterpiece of surrealism and transculturation. (See below analysis of the story) Condition: slight yellows (aging) of paper small paper scuffs verso from previous hinges Sheet size: 22 x 29 7/8 inches About the author and the storyline of the book by Marquez: Gabriel García Márquez was born in 1927, he is a famous Colombian writer, novelist, short story writer, screenwriter and journalist. In 1982 he received the Novel Prize for Literature. He is an author sometimes inherently related to magical realism and his best-known work is the novel One Hundred Years of Solitude in which we find this literary genre. Summary of "The Last Voyage of the Ghost Ship" (1868): The novel by Gabriel García Márquez, The Last Voyage of the Ghost Ship, written in 1968, is written in a single great sentence, which tells the surprising and amazing adventure that has changed the existence of a child living in a coastal town with a small port sunny, almost forgotten by civilization. The days are peaceful, the nights are silent and illuminated only by the rotating beacon that, every fifteen seconds, transforms the town into a lunar camp with phosphorescent houses. During one night in March, the boy saw an immense afterlife ship that sails through the seas with all the dead crew and sometimes appears to the living, silently crossing the deserted sea, a huge and unexpected mass whose trajectory suddenly it seems to drift, and then runs aground on the reefs. This cataclysm is accomplished without disturbing the night's silence, and the next day the boy found no traces of the shipwreck and no one believed it, not even his mother. Time passes, and the same shipwreck occurs again, every year, on the same night in March; the adolescent...

A very good impression of this color lithograph with collage of screenprinted reflective Mylar on Arches. One of 9 numbered artist's proofs, aside from the edition of 84. Signed, tit...

Untitled. Original color silkscreen, cca. 1980. Edition of 250 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced b...

Lithograph, 1966 Handsigned by the artist in pencil and annotated "Con un abrazo de". Artist proof Edition : 100 ex. Publisher : Salon de Mai Printer : Mo...

Adan Paredes (Mexico, 1961) 'Untitled 1', 2020 collagraph on paper 28.4 x 22.1 in. (72 x 56 cm.) Edition of 40 ID: PAD-101 Unframed

Adan Paredes (Mexico, 1961) 'Untitled 4', 2020 collagraph on paper 28.4 x 22.1 in. (72 x 56 cm.) Edition of 40 ID: PAD-104 Unframed

"Alberto Castro Leñero (Mexico, 1951) 'Untitled II', 2019 woodcut, silkscreen on paper Velin Arches 300 g. 31.5 x 63 in. (80 x 160 cm.) Edition o...

Lithograph, 1951 Handsigned by the artist in pencil and numbered 104/200 Publisher : La Guilde de la Gravure, Paris-Genève Catalog : Passeron 29 38.00 cm. x 57.00 cm. 14.96 in. x 22...

the painting is being offered with a work and authenticity certificate

Adan Paredes (Mexico, 1961) 'Untitled 3', 2020 collagraph on paper Feltmark 300 g 28.4 x 22.1 in. (72 x 56 cm.) Edition of 40 ID: PAD-103 Unframed

This abstract limited edition print by Roger Mudre is inspired by his recent trip to the Northern Italian city. In it, Mudre weaves his exploration of the circle together with a geom...

Carnivalesque Composition is a colored screen print on paper, realized in 1973 by the Italian artist Wladimiro Tulli. Hand-signed on the lower right. Numbered, edition of 24/100. ...

Christo Wrapped Magazines (Revues Empaquetees), Hand Signed, 1991 Offset lithograph postcard (hand signed by Christo) 5 4/5 × 4 1/5 inches Signed in ink by Christo on the image Unfra...

Adan Paredes (Mexico, 1961) 'Untitled 7', 2020 collagraph on paper Feltmark 300 g 42.6 x 29.2 in. (108 x 74 cm.) Edition of 40 ID: PAD-107 Unframed

Ajay Malghan is an American artist and son of immigrant parents from India. His mother was usually found combining cultures at home, and his father, a Materials Scientist and Engineer often brought him to the lab. The daily experimentations happening around him, both personal and scientific, would later inform his work. While his parents wanted him to follow more straightforward career paths, he was the first in his family to eschew their expectations and pursue art and music instead. Malghan went on to receive an MFA in Photography from Savannah College of Art and Design - Hong Kong. Here he experimented in a darkroom, bleaching film, adding watercolor to glass plates, thinly cross-sectioning fruits and vegetables until they formed abstractions, beginning his exploration into the repurposing of materials. In his twenties, Malghan was diagnosed with Leukemia, the treatment of which resulted in avascular necrosis, a bone disease that eventually required numerous surgeries and three hip replacements. His experience through illness and recovery not only led him to photography, but also informs his manipulation of raw, often overlooked materials in order to reorient our understanding of beauty, pleasure, and purpose. Malghan has been exhibited across the country and has lectured in Hong Kong, India, the University of Texas, the University of Notre Dame - Maryland, and UMLAUF Sculpture & Design Museum. He most recently has been commissioned by The Walters Art Museum, and his work is in the private collections of Johns Hopkins University, the University of Texas, and Georgetown University...

Gabriel Macotela (Mexico, 1954) 'Untitled', 2020 woodcut on paper Intaglio 300 g. 28.6 x 43.2 in. (72.5 x 109.5 cm.) Edition of 30 ID: MAG-102 Unframed

Adan Paredes (Mexico, 1961) 'Untitled 6', 2020 collagraph on paper Feltmark 300 g 42.6 x 29.2 in. (108 x 74 cm.) Edition of 40 ID: PAD-106 Unframed

Vicente Rojo (Mexico, 1932-2021) 'Suite Nubes de fuego IV', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 18.9 x 26.8 in. (48 x 68 cm.) Edition of 50 ID: ROJ-121 Unframed

Engraving, 2003 Handsigned by the artist in pencil 23.00 cm. x 17.00 cm. 9.06 in. x 6.69 in. (paper) 18.50 cm. x 14.00 cm. 7.28 in. x 5.51 in. (image) LCD5610

Vitrail is an etching realized by Hector Saunier in 1974. The print represents an abstract composition. Edition,48/100 Title and signature hand-written with pencil on lower margin...

Style: Contemporary, Modern, Conceptual Small study for the series “Rare Earth"

Francisco Valverde (Mexico, 1972) 'Untitled', 2022 silkscreen on paper 27.6 x 27.6 in. (69.9 x 69.9 cm.) Edition of 60 ID: VAF-101 Unframed

Lithograph, 1979 Handsigned by the artist in pencil and numbered 96/100 Publisher : Bram Van Velde & Jacques Putman (Paris) Printer : Pierre Badey (Paris) Catalog : Mason Putman 331 ...

Valentine Love (number 10 white) R By Agent X [2021] limited_edition Mixed Media Edition number 100 Image size: H:55 cm x W:55 cm Complete Size of Unframed Work: H:55 cm x W:55 c...

Gabriel Macotela (Mexico, 1954) 'Untitled', 2020 woodcut on paper Guarro Super Alpha 250g. 30 x 44.1 in. (76 x 112 cm.) Edition of 20 ID: MAG-103 Unframed

A very good impression of this color aquatint. Signed and numbered 2/100 in red crayon, lower margin. Published by Maeght, Paris.

Scarecrow is a contemporary artwork realized in the mid-20th Century by Josè Ortega. Mixed colored woodcut print. The artwork is from the serie "Segadore...

Vicente Rojo (Mexico, 1932-2021) 'Aforismo F', 2015 silkscreen on paper Deponte 300 g. 20.3 x 26.4 in. (51.5 x 67 cm.) Edition of 140 ID: ROJ-147 Unframed

Victor Vasarely (French-Hungarian, 1906-1997) Untitled, 1974 Hand-signed in pencil Screenprint 27 3/8 x 26 3/8 in 69.5 x 67.0 cm Ed. 250

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

ABOUT THIS ARTIST: Siobhan O’Dwyer is a creative artist splitting her time between New York City and Southern California. Working as a full-time pharmacist in the beginning of her cr...

"Up Against the War Motherland" UC Berkeley Workshop April 26, 1970 Screenprint on computer paper 14.75"x22" unframed Unsigned Poster is printed on tracto...

This angular print by William Schwedler is indicative of his geometric, abstract manner of composing forms and shapes in his compositions. Press Charges Artist: William Schwedler,...

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.

Lithograph, 1979 Handsigned by the artist in pencil and numbered 88/100 Publisher : Bram Van Velde & Jacques Putman (Paris) Printer : Pierre Badey (Paris) Catalog : Mason Putman 341 ...

Lithograph, 1975 Handsigned by the artist in pencil et numbered 76/400 Publisher : Bram Van Velde & Jacques Putman (Paris) Printer : Pierre Badey (Paris) Catalog : Mason 212 66.00 cm...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edi...