Abstract Prints

William Tillyer "some natural flowers that looked like fakes" 1974/2018 Copper plate relief and intaglio printing on Arches paper, Edition of 25 Paper si...

William Tillyer "some natural flowers that looked like fakes"- Caladiums "it all comes down to syphilis in the end" 1974/2018 Copper plate line drawings on Arches paper, Edition of 2...

William Tillyer "some natural flowers that looked like fakes" - "without the shadow of a doubt, the horticulturists are the only true artists left to us nowadays" 1974/2018 Relief an...

William Tillyer "He saw the savage Nidularium blossoming between her uplifted thighs with its swordblades gaping open to expose the bloody depths" 1974/2018 Line drawing on zinc plat...

William Tillyer "gazing at the tortoise where it lay huddled in a corner of the dinning room; glittering brightly in the half light" 1974/2018 Coloured relief and intaglio printing o...

Signed and editioned in pencil by the artist

William Tillyer The Acrobat - Miss Urania "this hefty young woman, this exchange of sex between Miss Urania and himself excited him tremendously" 1974/20...

William Tillyer "Like those Japanese boxes that fit inside one another" 1974/2018 Intaglio print from two zinc plates on Arches paper, Edition of 25 Paper...

Squeak Carnwath draws upon the philosophical and mundane experiences of daily life in her paintings and prints, which can be identified by lush fields of color combined with text, pa...

William Tillyer These aromatic stanzas 1974/2018 Line drawing and relief printing collage on Arches paper, Edition of 25 Paper size: 66 x 50.7 cms (26 ...

Aquatint, lift-ground etching and aquatint on J.B. Green paper 89.5 x 66.7 cms (35 1/4 x 26 1/4 ins) Edition of 75

Aquatint, lift-ground etching and aquatint on Georges Duchene Hawthorne of Larroque handmade paper 87.6 x 61 cm (34 1/2 x 24 inches) Edition of 52

86 x 107 cms (33 7/8 x 42 1/8 ins) Edition of 66

Lithograph on Arches 88 paper

Nu is an original etching realized by Jean Fautrier in 1937. Hand signed in pencil on lower right margin, Artist's proof. Excellent conditions. Elegant laying female figure realized...

Abstract stone lithograph of strong geometric shapes on an off white background by Hintschuts, 1977. Signed lower right and dated lower left. Original artwork on paper displayed on ...

Hand signed and numbered. Edition of 40 prints. Excellent conditions, except some light creases on the higher left margin of the paper. Image dimensions 43 x 32 cm. Antonio Corpora...

A very good impression of this color lithograph. Artist's proof, aside from the edition of 75. Signed and inscribed "EC" in pencil. Printed by Maeght, Paris. Published by Société Int...

24.25 x 17 ins (61.6 x 43.2 cms) Edition of 100 Signature Signed "Motherwell" in pencil lower right Publisher Hollander Workshop, New York Printer Irwin Hollander...

Created in 1988, this lithograph and chine appliqué is hand-signed by Robert Motherwell (Aberdeen, 1915 - Provincetown, 1991) in pencil in the lower right margin and is numbered from the edition of 50 in pencil in the lower right margin. About the Framing: Framed to museum-grade, conservation standards, Robert Motherwell Three Poems...

Balls 1990. Original color silkscreen, 1990. Edition of 130 signed and numbered impressions on Arches paper. James Rosenquist is one of the biggest American artist of second part of ...

"Drawing in 3 sections #1". Original color aquatint, unknown year. Edition of 30 signed and numbered impressions on Arches paper. David Tremlett is an Englis...

Abstract Composition, 1959 Lithograph This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon Kahana, Moshe Tamir and Michael Gross. Joseph (Yossef) Zaritsky (Hebrew: יוסף זריצקי‎; September 1, 1891 – November 30, 1985) was one of Israel's greatest artists and one of the early promoters of modern art in the Land of Israel both during the period of the Yishuv (Palestine, the body of Jewish residents in the Land of Israel before the establishment of the State of Israel) and after the establishment of the State. In 1948 Zaritsky was one of the founders of the "Ofakim Hadashim" group. In his works he created a uniquely Israeli style of abstract art, which he sought to promote by means of the group. For this work he was awarded the Israel Prize for painting in 1959. Joseph Zaritsky was born in 1891 in Borispol, in the Poltava Oblast (province), in the Southwestern portion of the Russian Empire (today the Kiev Oblast of the Ukraine), to a large, traditional Jewish family. His parents, Golda and Joseph Ben Ya'acov, were farmers with National-Zionist leanings. One of the main expressions of this was their devoting of two rooms in their home to the study of Hebrew and reading. From 1910 to 1914 he studied art at the Academy of Arts in the city of Kiev. Among the artists that influenced Zaritsky was the Russian Symbolist painter Mikhail Vrubel...

Vintage original 1960s Alexander Calder lithograph from Derriere le Miroir: Dimensions: 11 x 15 inches. Minor signs of handling; good overall vintage condition with well preserved colors. Unsigned from an edition of unknown. Sold unframed. Derrière le miroir: In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies. Alexander Calder was an American artist best known for his invention of the kinetic sculptures known as mobiles. Calder also produced a variety of two-dimensional artworks including lithographs, paintings, and tapestries as seen in his Butterfly (1970). “My whole theory about art is the disparity that exists between form, masses, and movement,” the artist once said. Born on August 22, 1898 in Lawnton, PA, Calder turned to art in the 1920s, studying drawing and painting under George Luks and Boardman Robinson at the Art Students League in New York. Calder moved to Paris to continue his studies in 1926, where he was introduced to the European avant-garde through performances of his Cirque Calder (1926–1931). “I was very fond of the spatial relations,” he said of his interest in the circus. “The whole thing of the—the vast space—I’ve always loved it.” With these performances, along with his wire sculptures, Calder attracted the attention of such notable figures as Marcel Duchamp, Jean Arp, and Fernand Léger. Notably, it was his friend Duchamp that coined the term mobile—a pun in French meaning both “motion” and “motive”—during a visit to Calder’s Paris studio in 1931. His earliest mobiles moved by motors, but Calder soon abandoned these mechanics and designed pieces that moved by air currents or human interaction. Over the course of seven decades, along with his mobiles, he also produced paintings, monumental outdoor sculptures, works on paper, domestic objects, and jewelry. The artist lived in both Roxbury, CT, and Saché, France, before his death on November 11, 1976 in New York, NY. Today, his works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London. Related Categories: Alexander Calder prints. Mid Century Modern Calder prints. 1970s. Calder spiral. Calder mobile. Vintage Alexander Calder. Miro. Calder spirals. Calder flowers.

Mark Francis Untitled 3, 2004 etching and aquatint, ed. of 40 29 7/8 x 22 in. (76 x 56 cm)

Eduardo Chillida (1924 - 2002) Zedatu III, 1961 aquatint, ed. of X AP 19 5/8 x 25 5/8 in. (49.8 x 65.1 cm)

Eduardo Chillida (1924-2002) Zedatu II, 1991 aquatint, ed. of X AP 19 5/8 x 25 5/8 in. (49.8 x 65.1 cm)

Eduardo Chillida (1924-2002) Zedatu III, 1991 aquatint, ed. of X AP 19 5/8 x 25 5/8 in. (49.8 x 65.1 cm)

Lithograph and chine appliqué to Arches paper. Siri Engberg and Joan Banach 'Robert Motherwell: The Complete Prints 1940-1991. Catalogue Raisonne', Walker Art Center and Hudson Hills...

2005 Set of two lithographs in colors, on wove paper Sheet: 16 1/8 x 12 1/4 in., each Edition of 100 Each signed, dated, and numbered in pencil, lower margin

Untitled, 1968 Sreenprint 21 1/2 x 21 1/2 inches Edition of 20 Biography Natvar Bhavsar (b. 1934) is an Indian born American artist. He is known for his abstract expressionist and color field paintings. Bhavsar earned is MFA at the University of Pennsylvania School...

2018 Screenprint in colors, on Saunders Waterford Hi-White 425gsm Sheet size: 40 x 30 in. (101.6 x 76.2 cm) Edition of 55 Signed, dated and numbered in pencil, lower margin Unframed,...

Created in 2001 by Caio Fonseca, Seven String Etching No. 7 is a color aquatint, spitbite and sugarlift etching with chine collé, hand-signed in pencil, dated and numbered, the artwo...

Letter J by Rafael Alberti, from Alphabet series, is an original lithograph, realized by Rafael Alberti in 1972. Hand-signed, dated, numbered, edition of 83/99 prints The state of...

5th print in a series of six aquatints. Edition 47/50

Carmen Herrera (Cuban, b. 1915) Untitled, 2018 Medium: Silkscreen in colors Dimensions: 76.2 x 55.9 cm (30 x 22 in) Edition of 50: Hand signed and numbered Condition: Mint

Created by Ellsworth Kelly in 1983 as a color lithograph, Ellsworth Kelly's Untitled is hand-signed and numbered in pencil. Measuring 29 x 41 in. (73.7 x 104 cm), unframed, this art...

Created by the artist in 1975, Robert Motherwell’s, Untitled is an exceptional etching and aquatint, hand-signed in pencil, and numbered, measuring 30 x 22 in. (76.2 x 60 cm), unfram...

A highly influential mid-century American artist, Richard Diebenkorn is known for his abstract landscape paintings, in particular, the "Ocean Park" series, which he exhibited when re...

Elongated forms become seed-like, with glowing energy of life at the center. We are reminded of the interactions in nature, that all things are constantly changing, rising and fallin...

Elongated forms become seed-like, with glowing energy of life at the center. We are reminded of the interactions in nature, that all things are constantly changing, rising and fallin...

Elongated forms become seed-like, with glowing energy of life at the center. We are reminded of the interactions in nature, that all things are constantly changing, rising and fallin...

Phatyos experiments with the mounted form of the Thai pagoda (stupa), which was originally derived from a pile of ashes, the burial site of a sacred person. Through the tangible pago...

The texture, light and movement of this mounded, pagoda-like form gives an impression of stability, yet in motion, and calls us to contemplate the nature of the stone. Artist Detai...

Elongated forms become seed-like, with glowing energy of life at the center. We are reminded of the interactions in nature, that all things are constantly changing, rising and fallin...

Phatyos experiments with the mounded form of the Thai pagoda (stupa), which originally derived from a pile of ashes or the burial site of a sacred person. Through the tangible pagod...

Included in America: The Third Century portfolio, Roy Lichtenstein created Bicentennial as an original color lithograph with screenprint in 1975, conceived to celebrate the 200th ann...

Pink Girl is an abstract silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi. Hand signed, num...

A bold, vibrant and surreal image, Lichtenstein created Art Critic in 1996 as an original screenprint in colors.  Measuring 26 x 19 1/8 in. (66 x 48.6 cm), unframed, the artwork is s...

2018 Screenprint in colors, on Saunders Waterford Hi-White 425gsm Sheet size: 40 x 30 in. (101.6 x 76.2 cm) Edition of 55 + 15AP Signed, dated and numbered in pencil, lower margin

1996 Oil-based woodcut in colors Sheet: 22 1/2 x 22 1/2 in. Edition of 60 Signed and numbered in pencil, lower right

2017 Screenprint in colors, on Crane Museo Max 365gsm paper Sheet: 23 x 28 1/2 in. (58.4 x 72.4 cm) Edition of 100 Signed and numbered in pencil Unframed, excellent condition

Best known for his paintings of cakes, pies, pastries, and toys, Wayne Thiebaud hadn’t planned on becoming a visual artist. He apprenticed as a cartoonist at Walt Disney studios and ...

2011 Lithograph/screenprint in colors, on wove paper Sheet: 25 3/4 x 19 3/4 in. Edition of 75 Signed, dated and numbered in pencil Unframed

2011 Lithograph in colors, on wove paper Sheet: 14 x 33 in. Edition of 45 Signed and numbered in pencil Unframed, mint condition

2017 Screenprint in colors on Somerset tub sized Satin Enhanced White paper Sheet: 39 2/5 x 29 1/2 inches Edition of 100 Signed, dated and numbered in pencil Unframed, mint condition

Etching and aquatint, 1958 Edition : VIII/X Publisher : Louis BRODER Catalog : VALLIER n°135 page 191 37.00 cm. x 47.50 cm. 14.57 in. x 18.7 in. (paper) 24.50 cm. x 32.00 cm. 9.65 ...

2006 1-color lithograph Sheet: 12 x 6 3/4 in. (30.5 x 17.2 cm) Edition of 100 Signed and numbered in pencil