Abstract Prints

This artwork titled "Centre Noeuds" plate #6 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is ...

This artwork titled "Centre Noeuds" plate #3 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is ...

Max Ernst "Untitled" 1965 Etching and aquatint in colors, on Arches paper. 7.8 x 5.39 inches Publisher: Georges Visat, Paris. Total edition: 100 copies +EA. Publication: Spies - Lepp...

This artwork titled "Centre Noeuds" plate #5, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

Artist: Rafael Bogarin – Venezuelan (1946- ) Title: Jupiter 4 Year: 1980 Medium: Screen Print Sight size: 19.5 x 25.5 inches. Sheet size: 22.5 x 28.5 inches. Signature: Signed lower right Edition: 295 This one: 116/295 Condition: Excellent Unframed This exceptional geometric abstract serigraph is by the noted Venezuelan artist Rafael Bogarin (1946- ). This is Jupiter 4. I have others from the series, also for sale. The print has never been framed and is in excellent condition. It measures 22.5" x 28.5". Rafael Bogarin is an established contemporary Venezuelan artist known for his abstract serigraphs. Bogarin was born in 1946, in El Tigre, where he grew up making his own toys and learning to draw. He studied in Caracas at the Cristobal Rojas School of Fine Arts, specializing in lithography and etching. From 1970 to 1992, Bogarin, like so many artists, lived in New York. As he explored various techniques, he became an expert in serigraphs, earning himself acclaim in Latin America as a pioneer. In South America he traveled the continent giving classes and learning about native cultures. When he returned to the land of his youth, he was inspired to create the concept of the entire world in the Museo Vial in El Tigre in 1982. Later he made others along the route between Colombia and Venezuela. Recently he has been creating and realizing ideas like the Museo de Murales a Cielo Abierto (Museum of Murals to the Open Sky). Detailed biographical information (source: artist's website): Rafael Bogarín was born in El Tigre, Anzoátegui state, Venezuela, on January 20, 1946. He studied at the Cristóbal Rojas School, which he finished in 1966; Among his teachers are Luis Guevara Moreno, Pedro León Zapata, Luisa Palacios and Luis Chacón. Upon returning from school he founded the Zapato Roto group with other artists, with the aim of taking art to the streets. In 1966 he directed the outdoor exhibitions of the Venezuelan American Center, and two years later he participated in the XXVIII Official Salon, where he received the Rome Prize. During that time he ordered elements such as nuts and serrated blades in relation to discs engraved with burin and other techniques, and made the final impression in planes of one color. In 1970 he received a scholarship and traveled to New York; He studies at the Pratt Graphic Center and the Blackburn Printmaking Workshop. In 1973 he founded, together with Manuel Kohn, the Bogarín Printmaking Workshop, a workplace for Venezuelan artists living in the United States; This workshop, of which he has been master printer, allowed continuity to his artistic work. Bogarín investigates the possibilities of super eight cinema and makes films with quality similar to commercial formats; From these experiences emerge The Lonely World (1975) and New World Symphony (1976). In 1977 he deepened his study of color with The New Color, a portfolio where he produced superimposed colors through transparencies and glazes. His teaching experience includes courses at the Rafael Monasterios School of Plastic Arts in Maracay (1969-1970), Ceagraf (1979), as well as workshops in various cities around the world. In 1980 he made an exhibition of silkscreen prints in cities in Italy, El Salvador, Colombia, Mexico and the United States. That year he resumed his interest in outdoor exhibitions with a museum project with murals by 30 artists for El Tigre (Venezuela); The Rafael Bogarín Road Museum was inaugurated in 1982 and brought together 30 murals on 2 x 4 meter fences, by artists such as Mario Toral, Édgar Sánchez and Paul Davis. He carried out the project to recover the architectural spaces of El Tigre (Venezuela), through murals, sculptures, plazas and humanized spaces. In 2006 he painted the largest painted flag in the world in El Tigre, Venezuela. Bogarín has exhibited his work on all 5 continents and currently lives and works in Panama City in his private workshop and in the Articruz workshop. Individual exhibitions Ø 1966. Gallery of the Medical College. Caracas Venezuela. Ø 1966. Venezuelan American Center. Caracas Venezuela. Ø 1970. Protobello Gallery. Caracas Venezuela. Ø 1977. First National Bank of Louisville. Luosville, Kentucky, USA. Ø 1978. Venezuela Gallery. New York City, USA. Ø 1979. Julián Marchena Room, Museum of Costa Rica. San Jose Costa Rica. Ø 1979. La Otra Banda Gallery. Merida, Venezuela. Ø 1980. Galeter Center. Adro, Italy. Ø 1980. Gallery of Modern Art. Santo Domingo Dominican Republic. Ø 1980. Jewish Community Center. Monmouth, New Jersey, USA. Ø 1980. Frank Fedele Fine Arts. New York City, USA. Ø 1980. El Túnel Gallery. Guatemala, Guatemala. Ø 1981. Garcés – Velásquez Gallery. Bogota Colombia. Ø 1982. Siete Siete Gallery. Caracas Venezuela. Ø 1984. Acquavella Gallery. Caracas Venezuela. Ø 1985. Cultural Center. Santa Cruz, Bolivia. Ø 1992. Sotage Gallery, Puerto La Cruz, Venezuela. Ø 2017. Arteconsult Gallery. Panama City, Panama. Awards Ø 1969. Rome Prize. XXIX Official Salon of Venezuelan Art, Museum of Fine Arts. Caracas Venezuela. Ø 1971. Honorable mention. First Young Artists' Salon. Maracay, Venezuela. Ø 1984. First prize, Salón Aragua. Maracay, Venezuela. Murals Ø 1974. Venezuelan Consulate. New York City, USA. Ø 1982. Creator of the First Road Museum in the World. El Tigre, Venezuela. Ø 1983. Road Museum. Roldanillo, Colombia. Ø 1984. Bicentennial Road Museum. Cucuta, Colombia. Ø 2000. Ceramic mural. Dairy, Venezuela. Group exhibitions Ø 1963 to 1966. Spiral Gallery. Caracas Venezuela. Ø 1966. El Pez Dorado Gallery. Caracas Venezuela. Ø 1966. “Zapato Roto” Festival. Caracas Venezuela. Ø 1967. D´Empaire Hall. Maracaibo Venezuela. Ø 1970. Drawings and engravings room. Central University of Venezuela. Caracas Venezuela. Ø 1966 and 1971. Arturo Michelena Hall. Valencia, Venezuela. Ø 1966 to 1968. Annual Venezuelan Art Salon. Museum of Fine Arts. Caracas Venezuela. Ø 1968. Luis Ángel Arango Library. Bogota Colombia. Ø 1969. Tertulia Room. Cali, Colombia. Ø 1969. Lunn Gallery. Washington, DC, USA. Ø 1969. Gallery of Visual Arts. Maracay, Venezuela. Ø 1970. Venezuelan Cultural Week. Miami and Jamaica. Ø 1972. Two Rivers Gallery. Binghampton, New York City, USA. Ø 1972. Moos Gallery. Montreal, Canada. Ø 1973. Spoleto Festival. Italy. Ø 1974. Young Artists, Union Carbide Building. New York City, USA. Ø 1975. Government of Caracas. Caracas Venezuela. Ø 1975. Graphic VII, Mendoza Gallery. Caracas Venezuela. Ø 1976. Brooke Alexander Gallery. New York City, USA. Ø 1977. Denise Rene Gallery. New York City, USA. Ø 1978. Sam Flax...

Original Edition Lithograph on wove paper. Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 10, 1958. Pub...

MODULATED PATHS INTO SUNDAY'S DESIRING, is an original etching by Sharon E. Sutton printed on heavyweight buff color printmaking paper. An architecturally inspired composition compri...

This artwork titled "Centre Noeuds" plate #9, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

Original Edition Lithograph on wove paper. Edition: 2,000. Inscription: Signed in the plate and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: Published b...

This artwork titled "Centre Noeuds" plate #1, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...

This artwork titled "Centre Noeuds" plate #4, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

This artwork titled "Centre Noeuds" plate #7, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

This artwork titled "Centre Noeuds" plate #2, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

Original Edition Linocut on wove paper. Inscription: Signed in the plate and unnumbered, as issued. Excellent Condition; never framed or matted; lithograph by the artist, verso, as i...

Original Edition Lithograph on wove paper. Edition: 1,500. Inscription: Signed in the plate and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: Published a...

Alistair Grant Jeremiah - 1968 Print - etching, with Aquatint   16'' x 24'' inches Edition: signed and numbered in pencil 17/50 Alistair Grant was a great and justly-revered experim...

This artwork titled "Centre Noeuds" plate #10, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It i...

Original Edition Linocut on wove paper. Edition: 1,500. Inscription: Signed in the plate and unnumbered, as issued, verso. Excellent Condition; never framed or matted. Notes: From th...

Original Edition Lithograph on wove paper. Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 20, 1962. Pub...

Original Edition Woodcut on wove paper. Edition: 1,500. Inscription: Signed in the plate and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volum...

Original Edition Linocut on wove paper. Edition: 1,500. Inscription: Signed in the plate and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volum...

Original Edition Lithograph on wove paper. Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 20, 1962. Pub...

color lithograph on Guarro paper , edited in 1974 Limited Edition of 75 copies plus 15 HC Hand signed, dated and numbered in pencil 37/75 in pencil (lower left) Paper size: 69,5 x 52...

Original Edition Lithograph on wove paper. Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 10, 1958. Pub...

Original Edition Linocut on wove paper. Inscription: Signed in the plate and unnumbered, as issued, verso. Excellent Condition; never framed or matted; lithograph by the artist, vers...

Original Edition Lithograph on wove paper. Signed in the plate and unnumbered, as issued, verso. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, Homa...

Original Edition Woodcut on wove paper. Edition: 1,500. Inscription: Signed in the plate and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volum...

Original Edition burin etching and engraving on wove paper. Edition: 1,500. Inscription: Signed in the plate and unnumbered, as issued. Excellent Condition; never framed or matted. N...

Alan Shields TV Re-Run A, 1978 Mixed Media Monotype embossing, linocut, with watercolor and silver leaf applied decoration on TGL Handmade Paper. Mounted on Linen Board Signed by Ala...

Original Edition Linocut on wove paper. Edition: 1,500. Inscription: Signed in the plate and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volum...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Salvador Dali Jack of Hearts, 1967 Limited Edition Limoges Porcelain Plate. Signature Fired into Plate. Numbered with COA 9 3/4 × 9 3/4 × 3/10 inches 24.8 × 24.8 × 0.8 cm Edition 35...

Original Edition Lithograph on wove paper. Edition: 1,500. Inscription: Signed in the plate and unnumbered, as issued, verso. Excellent Condition; never framed or matted. Notes: From...

Lithographs by Blair Litho, Los Angeles, CA, USA Lithograph in brilliant Colors on paper, 1966 Image 6 x 6 inches Sheet: 7.5 x 7.33 inches COA provided Lithographs by Blair Litho, L...

Original Edition etching and engraving on wove paper. Inscription: Signed in the plate and unnumbered, as issued, verso. Excellent Condition; never framed or matted; lithograph by th...

Alistair Grant Wailing Women - 1968 Print - etching, with Aquatint   16'' x 24'' inches Edition: signed and marked in pencil 36/50 image size = 8.75 x 13.5" Unframed in Excellent Con...

Original Edition Linocut on wove paper. Edition: 1,500. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Sièc...

Firenze, 2022 Screenprint in colors, on Saunders Waterford 425gsm paper Sheet size: 32 x 24 in. (81.3 x 61 cm) Edition of 100 + 25 AP Signed, dated and numbered in pencil, lower marg...

Vaclav Vytlacil, an eminent American artist and educator, played a pivotal role in popularizing Hans Hofmann's teachings in the United States. Renowned alongside modernist giants lik...

This original etching and aquatint with collage is hand signed in pencil by the artist "Miró" at the lower right edge. It is also hand numbered in pencil from the edition of 50, at t...

Original color etching and aquatint, 2007. Edition of 10 signed and numbered impressions on Arches paper. David Tremlett is an English contemporary scul...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Artist: Roberto Matta Title: The Eld of The World Medium: Color Etching and Carborundum on Handmade Paper Signed: Hand Signed Edition Number: 81/125 Measurements: 47.12" x 40" F...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

This original lithograph in colours is hand signed by the artist in pencil 'Miró' at the lower right margin. It is also hand numbered in pencil from the edition of 100, at the lower ...

Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. Print lead time 2 weeks. A "Certificate of Authenticity" issued by the artist is in...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Laredo Jackson, American, Texas, b. 1987. Abstract Expression #590, 2024. Signed. This Medium Sized print measures 16x20 and is a one-off print, editi...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Laredo Jackson, American, Texas, b. 1987. Abstract Expression #560, 2024. Signed. This Medium Sized print measures 16x20 and is a one-off print, editi...

Laredo Jackson, American, Texas, b. 1987. Abstract Expression #614, 2024. Signed. This Medium Sized print measures 16x20 and is a one-off print, editi...