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Claes OldenburgParade of Women, from Deluxe, Hand Signed, 85/100 1 Cent Life Portfolio, Framed1964
1964
About the Item
Claes Oldenburg
Parade of Women from the Deluxe hand signed edition of 1 Cent Life Portfolio (Acquired from the Estate of Robert Indiana), 1964
Color lithograph on wove paper
Published by E.W. Kornfeld, Germany, Written by Walasse Ting, Edited by Sam Francis
Hand-signed by Claes Oldenburg on the lower right front; numbered 85/100 on the colophon page a copy of which is affixed to the back of the frame -see photo
Frame included: elegantly floated and framed in hand made museum frame with UV plexiglass, and colophon page with unique edition number affixed to the back. (see photos)
This hand signed work is from the Deluxe hand signed edition of only 100 - not to be confused from the unsigned edition of 2000. (None of the works from the edition of 2000 were ever signed by Oldenburg.) Hand signed editions are rarely if ever seen on the marketplace.
This original lithograph, splayed across two pages, is from the Deluxe edition of the legendary 1 Cent Life Portfolio, one of the most important and celebrated artistic collaborations of the 1960s. Chinese American artist and writer Walasse Ting, in collaboration with Sam Francis, assembled a group of the most significant Pop and Abstract Expressionist artists in America, including Pop Artist Claes Oldenburg, along with the European COBRA artists to create the definitive artistic portfolio, with text by Walasse Ting. The Deluxe edition, which features hand signed prints was published in a limited edition of only 100. This is one of them. Of the 100, editions numbered 60-100, or 40 portfolios, were reserved exclusively for Artists & Collaborators. This hand signed Claes Oldenburg lithograph is from the portfolio numbered 85 (Artists & Collaborators), which was acquired from the Estate and Collection of Robert Indiana, one of the artists who contribute to the 1 Cent Life portfolio.
This work is elegantly floated and framed in a hand made museum frame with UV plexiglass
Signed examples of this portfolio with such superb provenance rarely appear on the marketplace. This is a true collectors item, from the most desirable and influential era in Pop Art history.
Measurements:
Framed
19.5 inches vertical by 26 inches by 2 inches
Lithograph
16 inches vertical by 22.5 inches
More about the Signed (Deluxe) Edition of 1 Cent Life portfolio
In 1962, the Chinese-American artist Walasse Ting shared his dream project with painter Sam Francis: to create an anthology of his poetry illustrated by leading artists of their time. Over the next two years, Ting and Francis recruited leading Abstract Expressionists and Pop artists—Andy Warhol, Joan Mitchell, Robert Rauschenberg, Robert Indiana, James Rosenquist, Mel Ramos, Claes Oldenburg and Roy Lichtenstein, among them, along with the European COBRA artists, like Asger Jorn, Karel Appel and Pierre Alechinsky —to create prints for their collaborative publication, which they playfully titled 1¢ Life. Published in 1964 by E. W. Kornfeld in Switzerland in an edition of 2,000 books, 1¢ Life features 62 color lithographs by a total of 28 iconic artists, including colorful lips by Warhol, abstract splatters by Mitchell, and cartoon girls by Lichtenstein. The accompanying many of these Pop Art prints are the poems of Walasse Ting - racy and avant garde for the early 1960s. The lithography was executed by Maurice Beaudet, of Paris. Complete examples of 1¢ Life can be found in the permanent collections of the Metropolitan Museum of Art, the British Museum and many other public and private institutions around the globe. Today, 1 Cent Life is considered one of the best artist's books ever created- coming out of one of the most influential decades in modern art.
Apart from the familiar regular edition of 2000, only 100 of these lithographic portfolios were hand signed by the artists (the Robert Indiana being stamped with his official stamp), and of those only 40 were reserved for Artists and Collaborators, numbered 60 through 100. (The present work, being # 85/100)
Most lithographs are printed on two separate pages. This famed portfolio was produced and assembled by Chinese-American-European artist Walasse Ting in conjunction with American artist Sam Francis, Swiss publisher E.W. Kornfeld, and French printer Maurice Beaudet - a truly global endeavor. The portfolio, featuring some of the most recognizable lithographs of the era, was the result of an unprecedented, ambitious international collaboration between American Pop Artists of the Sixties and the European COBRA artists.
Claes Oldenburg Biography:
Claes Oldenburg (b. 1929, Stockholm, d. 2022, New York) moved to New York City in 1956, where he established himself as a pivotal figure in American art. Oldenburg’s initial interest in Happenings, performance art, and installation—including such seminal works as The Street (1960) and The Store (1961)—soon evolved into a concentration on single sculptures. Working with ordinary, everyday objects, he went on to develop “soft” sculpture and fantastic proposals for civic monuments. In 1969, Oldenburg took up fabrication on a large scale with Lipstick (Ascending) on Caterpillar Tracks installed on the Yale University campus. From 1976 until 2009 he worked in partnership with his wife, Coosje van Bruggen, executing countless large-scale projects for various public settings around the world. Oldenburg was honored with a one-person exhibition of his work at the Museum of Modern Art, New York, in 1969, and with a retrospective organized by the National Gallery of Art, Washington, D.C., and the Solomon R. Guggenheim Museum, New York, in 1995. His work is represented in collections including the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Los Angeles County Museum of Modern Art; and the Centre Pompidou, Paris.
-Courtesy Paula Cooper Gallery
- Creator:Claes Oldenburg (1929, American, Swedish)
- Creation Year:1964
- Dimensions:Height: 19.5 in (49.53 cm)Width: 26 in (66.04 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Excellent original condition with natural middle fold as issued in the original portfolio. Hand made museum frame with UV plexiglass is included and work ships framed.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745213759582
Claes Oldenburg
One of the original Pop artists, Claes Oldenburg was born in Stockholm. The son of a Swedish diplomat, he spent his early years in Stockholm and Oslo until the family moved to Chicago in 1937.
Oldenburg attended Yale University, then returned to Chicago, where he worked for a newspaper and also attended drawing classes at the Art Institute. He moved to New York in 1956.
Oldenburg’s early art in New York were works of urban realism in cardboard and paper that were influenced by the work of Dubuffet and the New Realists, and were seen as a brutal response to society. In 1961 Oldenburg rented a storefront on the Lower East Side and sold brightly painted plaster objects as well as three-dimensional and wall reliefs based on hamburgers, pastries, men's and women's clothing, and other commodities. The signature soft sculptures followed, objects of commonplace household objects made of vinyl or canvas stuffed with kapok. These pieces transformed the medium — the soft sculptures are intended to be sensual experiences and commentary on our material world of objects and our relationship to them.
In 1965, still working in vinyl, plaster and cardboard, Oldenburg began making large works termed “Colossal Monuments,” which are large public sculptures with public and private meanings. In the 1970s, Oldenburg was fabricating large-scale works in durable materials such as steel, and working with Coosje van Bruggen, he had received many such public commissions in the United States and Europe.
Find authentic Claes Oldenburg sculptures, prints and other art on 1stDibs.
(Biography provided by Art Commerce)
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