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Ed Ruscha
Angel

2006

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  • Composition IV, from: The Pine Tree of Formentor
    By Joan Miró
    Located in London, GB
    This original etching and aquatint in colours is hand signed in pencil by the artist “Miró” in the lower right margin. It is also hand numbered in pencil from the edition of 50, in t...
    Category

    1970s Surrealist Abstract Prints

    Materials

    Etching, Aquatint

  • Composition I, from: The Pine Tree of Formentor
    By Joan Miró
    Located in London, GB
    This original aquatint is hand signed in pencil by the artist “Miró” in the lower right margin. It is also hand numbered in pencil from the edition of 50, in the lower left margin. ...
    Category

    1970s Surrealist Abstract Prints

    Materials

    Aquatint

  • Composition III, from: The Pine Tree of Formentor
    By Joan Miró
    Located in London, GB
    This original etching and aquatint in colours is hand signed in pencil by the artist “Miró” in the lower right margin. It is also hand numbered in pencil from the edition of 50, in t...
    Category

    1970s Surrealist Abstract Prints

    Materials

    Etching, Aquatint

  • They’ve Come Back II
    By Mark Tobey
    Located in London, GB
    MARK TOBEY 1890-1976 Centerville 1890 - 1976 Basel (American) Title: They’ve Come Back II, 1971/75 Technique: Original Hand Signed Etching and Aquatint in Colours on Thick Laid Pa...
    Category

    1970s Abstract Abstract Prints

    Materials

    Etching, Aquatint

  • Composite Figure I - 1949 - French Spanish Female Portrait Cubist
    By Pablo Picasso
    Located in London, GB
    PABLO PICASSO 1881-1973 Málaga 1881-1973 Mougins (Spanish) Title: Composite Figure I Figure composée I, 1949 Technique: Original Hand Signed and Numbered Lithograph on Arches Wove...
    Category

    1940s Cubist Abstract Prints

    Materials

    Lithograph

  • Composition VI, from: The Pine Tree of Formentor
    By Joan Miró
    Located in London, GB
    This original etching and aquatint in colours is hand signed in pencil by the artist “Miró” in the lower right margin. It is also hand numbered in pencil from the edition of 50, in t...
    Category

    1970s Surrealist Abstract Prints

    Materials

    Etching, Aquatint

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  • American Signs portfolio
    By Robert Cottingham
    Located in New York, NY
    ROBERT COTTINGHAM American Signs portfolio, 2009 The complete set of twelve screenprints in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) all signed, dated `2009' and numbered edition of 100 in pencil, published by Exhibit A Fine Art and Editions and American Images Atelier, New York, all in excellent condition, contained in original gray silk-covered box with artist and title embossed with gold foil. Robert Cottingham B. 1935, BROOKLYN, NEW YORK Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler. Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising. In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California. In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...
    Category

    Early 2000s American Realist Still-life Prints

    Materials

    Screen

  • The Burning Tower, American Modernist Abstract Landscape Etching
    By Robert A. Birmelin
    Located in Surfside, FL
    Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...
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    20th Century American Realist Landscape Prints

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    Etching

  • 4 Animals, American Modernist Abstract Etching
    By Robert A. Birmelin
    Located in Surfside, FL
    Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...
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    20th Century American Realist Landscape Prints

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    Etching

  • Pink Lace Kimono Collotype
    By Patricia A. Pearce
    Located in Soquel, CA
    Highly detailed rendering of a kimono by Patricia A. Pearce (American, b. 1948). The ribbons in this piece have a metallic quality to them. Signed "Patricia A Pearce" in the bottom r...
    Category

    1980s American Realist Abstract Prints

    Materials

    Lithograph, Acrylic, Paper, Pencil, Ink

  • Beautiful Bird (Artist Proof)
    By Shelly Fink
    Located in New York, NY
    Shelly (Sheldon) Fink (American, 1925-2002), "Beautiful Bird" Artist Proof, Animal Lithograph signed on Paper, 14 x 17, Late 20th Century, 1963 Color: Black and White Sheldon Fink was born in 1925 in Brooklyn, NY. He attended the High School of Music and Art in Manhattan, and won Tiffany Foundation grants in 1957 and 1963. Shelly's work has appeared at the Albany Art Institute, the Berkshire Art...
    Category

    1960s American Realist Abstract Prints

    Materials

    Lithograph

  • "NAVAJO LATE CLASSIC CHIEF BLANKET C.1900" JACK SILVERMAN SIGNED SERIGRAPH 1977
    Located in Soquel, CA
    JACK SILVERMAN SIGNED SERIGRAPH, "NAVAJO LATE CLASSIC CHIEF BLANKET C.1900" Historical image of an Navajo Chiefs blanket by Jack Silverman (American, 1940-2017) Screen print on Arches 140 pound watercolor cold press paper. Edition of 89/100 Paper on a mat board on canvas and on stretcher. Image 39.5"H x 41.5"W Stretcher, 40"H x 42"W x 1"D Some slight age wear to edges and a few minor rubs to paper Jack was born in Chicago, Illinois, on March 5, 1940. Jack’s family moved to Palm Springs, California, in 1950. Jack graduated from the Northwestern Military and Naval Academy in Lake Geneva, Wisconsin, in 1958. After graduation, Jack joined the Army Security Agency and spent the next few years in Sinop, Turkey, where he monitored Russian Submarines from P2V aircraft. Jack returned to the United States when his Mother died in 1960. He attended College and was reactivated by the military during the “Berlin Crisis” and spent a year at Ft. Devens, Massachusetts. Jack continued his education, ultimately ending up at the University of Southern California. He left college deciding to pursue the family movie theater business in Chicago. Jack was a natural showman and promoter, and loved marketing and selling the movies. He left Chicago and the family business in the late 1960s after his father’s death. Jack moved to Zihuatanejo, Mexico, and lived on a boat for a few years. In 1971 he moved to Aspen where he would begin his passion and pursuit of Native American culture and art of the Southwest. Jack traveled extensively throughout the Southwest, studying and buying art from the Pueblo Indians, ultimately putting together one of the world’s great collections of Native American weaving and pottery. He depicted his collection in a series of serigraphs, art cards and other print work that he sold around the country and online. Jack developed the Silverman Museum as a vehicle to share his love for the Indian culture. He published; “Pueblo Treasure” and “Pueblo Indian Pottery...
    Category

    1960s American Realist Interior Prints

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