Eleni Zerva

Green Cosmos - Yellow - Lithograph by Eleni Zerva - 1971

1971

Green Cosmos - Orange is a lithograph realized by  Eleni Zerva  in 1971. Hand-signed and numbered on the back.  Edition of 120 prints.   Very good condition.

Green Cosmos - Orange is a lithograph realized by  Eleni Zerva  in 1971. Hand-signed and numbered on the back.  Edition of 120 prints.   Very good condition.

Green Cosmos - Orange is a lithograph realized by Eleni Zerva  in 1971. Hand-signed and numbered on the back.  Edition of 120 prints.   Very good condition.

Green Cosmos - Orange is a lithograph realized by  Eleni Zerva  in 1971. Hand-signed and numbered on the back.  Edition of 120 prints.   Very good condition.

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Vincent Longo, American (1923 - 2017) - Yellow, Blue and Green Composition, Year: 1979, Medium: Screenprint, signed, dated and numbered in pencil, Edition: II 24/25, Image Size: 15.7...

Gabor Peterdi (Hungarian/American, 1915-2001), Abstract Composition in Yellow, Etching in Colors on Paper, label to verso, silver-tone frame. Image: 25.25" H x 19.5" W; frame: 33.25"...

Intervals (Yellow), Silkscreen Painting by Kim Lim 1936-1997, 1972 Additional information: Medium: Silkscreen on plastic, framed in a perspex box 45 x 45 cm 17 3/4 x 17 3/4 in Signed, dated and numbered Provenance Private Collection, UK Exhibitions London, Pace Gallery, 'Creating Abstraction', Feb 3 - Mar 12 2022 (another ed.) Wakefield, Hepworth, 'Kim Lim', 2023 (another ed.) Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making. On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...