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Claes OldenburgStars (Cat. Raisonne Ref: 29, Axsom & Platzker, 1997)1963
1963
About the Item
Claes Oldenburg
Stars (Cat. Raisonne Ref: 29, Axsom & Platzker, 1997), 1963
Letterpress in 1 colour over stock offset lithograph "rainbow roll" in 3 colours on wood board
28 × 22 inches
Published by Washington Gallery of Modern Art; Printed by Globe Poster, Baltimore
An extremely rare and important piece of Pop Art history - and a must have for collectors of Oldenburg's work. This historic poster was published on the occasion of the performance "Stars: A Farce for Objects" at the Washington Gallery of Modern Art, Washington, D.C., April 24 and 25, 1963. It was one of the earliest "Happenings" - done by Claes Oldenburg. D.C. might have seemed an unlikely venue, but it was during the idealistic and arts friendly Kennedy era - seven full months before the President's shocking assassination. Oldenburg was invited by Alice Denney, the assistant director of the fledgling Washington Gallery of Modern Art, for The Pop Art Festival she was organizing alongside her pioneering show of Pop Art, “The Popular Image Exhibition,” which opened in April 1963. It included a lecture/tape recorder performance by John Cage and a multi-ring dance event organized by Billy Kluver and featuring Yvonne Rainer and the Judson Church crew. Stars was originally called Cleaners, as it was first scheduled to be held at a rug cleaners on Dupon circle (foreshadowing today's political Happening at the Four Seasons Total Landscaping.) Oldenburg selected Aristo Rug Cleaners, located on P Street around the corner from the WGMA. His notes mention the activity of the site, and how...
“the interaction of white shirts and brown and black (employees)” embodied the city itself...After a visit to Washington for the purpose of using the place [the cleaners], I did form the title STARS, already more specific than the first stage. This came from seeing very clear stars in the sky on the last moment of my visit and seemed to concentrate certain physical properties of the place, f. ex. the patriotic motif. The radiated way the streets are built. But the title was still abstract in that it was achieved part from a particular place in Wash. where the piece might be done..."
Catalogue Raisonne Reference: Number 29 in "Printed Stuff : Prints, Posters and Ephemera by Claes Oldenburg : A Catalogue Raisonné‚ 1958-1996" by Claes Oldenburg, Richard H. Axsom, David Platzker. New York / Madison, NY / WI : Hudson Hills Press / Madison Art Center, 1997, pp. 92.
- Creator:Claes Oldenburg (1929, American, Swedish)
- Creation Year:1963
- Dimensions:Height: 28 in (71.12 cm)Width: 22 in (55.88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good vintage condition with age wear see photos. Work is permanently affixed to wood board, with hanging wire and is ready to hang as is.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745210817452
Claes Oldenburg
One of the original Pop artists, Claes Oldenburg was born in Stockholm. The son of a Swedish diplomat, he spent his early years in Stockholm and Oslo until the family moved to Chicago in 1937.
Oldenburg attended Yale University, then returned to Chicago, where he worked for a newspaper and also attended drawing classes at the Art Institute. He moved to New York in 1956.
Oldenburg’s early art in New York were works of urban realism in cardboard and paper that were influenced by the work of Dubuffet and the New Realists, and were seen as a brutal response to society. In 1961 Oldenburg rented a storefront on the Lower East Side and sold brightly painted plaster objects as well as three-dimensional and wall reliefs based on hamburgers, pastries, men's and women's clothing, and other commodities. The signature soft sculptures followed, objects of commonplace household objects made of vinyl or canvas stuffed with kapok. These pieces transformed the medium — the soft sculptures are intended to be sensual experiences and commentary on our material world of objects and our relationship to them.
In 1965, still working in vinyl, plaster and cardboard, Oldenburg began making large works termed “Colossal Monuments,” which are large public sculptures with public and private meanings. In the 1970s, Oldenburg was fabricating large-scale works in durable materials such as steel, and working with Coosje van Bruggen, he had received many such public commissions in the United States and Europe.
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(Biography provided by Art Commerce)
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