Untitled (Conoid)
View Similar Items
Herbert BayerUntitled (Conoid)ca . 1970
ca . 1970
About the Item
- Creator:Herbert Bayer (1900-1985, Austrian, American)
- Creation Year:ca . 1970
- Dimensions:Height: 12.25 in (31.12 cm)Width: 12.25 in (31.12 cm)
- More Editions & Sizes:Ed. 22/65Price: $1,450
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Santa Fe, NM
- Reference Number:Seller: PWENG02941stDibs: LU171332402
Herbert Bayer
The Austrian-born Herbert Bayer is widely acknowledged as one of the most influential graphic artists of his time, but his extensive achievements span a spectrum of disciplines. The artistic polymath made his mark as a photographer and master of photomontage, a typography creator, magazine art director, advertising guru, architect and more.
As a student in the early 1920s at the Bauhaus — the revolutionary German art and design school in Weimar that sought to integrate art and design into daily life — Bayer studied under Russian-born Wassily Kandisnsky, who became his mentor, and was greatly influenced by Kandinsky’s book Concerning the Spiritual in Art, heartily embracing its premise that the arts can and should serve society.
Bayer left the Bauhaus in 1923 to tour Italy with a friend, then rejoined two years later, hired to teach advertising, design and typography at the school’s new home, in Dessau. There, he designed catalogues, featuring photography and machine-based printing, that promoted Bauhaus-made “goods for the home,” including handmade furniture, wallpaper and housewares. And he created a new “universal” alphabet: a streamlined sans serif restricted to lower-case letters that became the Bauhaus’s signature font.
Bayer quit teaching at the Bauhaus along with founder Walter Gropius and fellow teachers Marcel Breuer and László Maholy-Nagy when the school’s finances grew strained. He became the art director of German Vogue, moving on, when the magazine closed during the Depression, to the ad agency Dorland International, where he created the advertisements for clothing, textiles, toothpaste and nose drops on view. He also did magazine covers and outdoor billboards and masterminded the design of several important international exhibitions, including the German section of the 1930 Exposition de la Société des artistes décorateurs in Paris.
By 1938, Bayer had become dismayed by the political situation in Germany, and at the invitation of Gropius — who was then chair of the architecture department at Harvard, having fled the Nazi regime in 1934 — he left for the United States. Gropius had been asked to curate an exhibition on the Bauhaus for the Museum of Modern Art, but he didn’t have time and so asked Bayer to help. Bayer ultimately did it all, including gathering material in Germany, creating the exhibition plan and overseeing the catalogue. The show traveled throughout the U.S., and Bayer’s stateside career took off.
In the early 1940s, Bayer served as chief art director at Wanamaker’s and worked in advertising and package design at J. Walter Thompson. In 1945, he began a long stint working full-time at the Container Corporation of America (CCA). He created CCA’s long-running series “Great Ideas of Western Man,” which aimed to enlighten the public through inspiring quotes. Additionally, Bayer designed sculptures, wall murals, furniture, earth art and buildings for the Aspen Institute between 1946 and 1975.
Bayer’s work demonstrates how one man, and one school, changed the evolution of contemporary graphics in America over a 40-year period.
Find original Herbert Bayer prints and paintings on 1stDibs.
- To Be or Not To BeBy Paul BurlinLocated in Santa Fe, NMCasein on board, signed lower right. 22 x 29.5 inches; 33 x 39.5 inches framed. Provenance: Paul Burlin Art Trust Hollis Taggart Galleries, New York, ...Category
1940s Abstract Expressionist Abstract Paintings
MaterialsCasein, Board
- AbstractBy Kenneth CallahanLocated in Santa Fe, NMTempura and ink on heavy paper Signed bottom right, Numbered on verso "No. 18" 8.75 x 19.75 inches; 18.5 x 29.5 inches framed Provenance: Private collection, Denver, ColoradoCategory
1950s Abstract Expressionist Abstract Paintings
MaterialsPaper, Ink, Tempera
- Untitled AbstractBy Carl MorrisLocated in Santa Fe, NMmixed media on paper Signed in blue, lower right 18.25 x 25 inches; 27 x 33.375 framed Provenance: Private Collection, Denver, COCategory
1950s Abstract Abstract Paintings
MaterialsPaper, Mixed Media
- Falling FigureLocated in Santa Fe, NMPrint engraving, soft ground and scouper on paper; ed. 45/50 24 x 20 inches; 26.25 x 23 inches framed Signed and dated lower center, "SW Hayter 47", titled in pencil lower center Pro...Category
1940s Abstract Abstract Paintings
MaterialsPaper, Engraving
- Abstract SketchBy Hugo WeberLocated in Santa Fe, NM20 x 30 inches; 22.125 x 32.0625 inches framed Provenance: Private collection, Denver, CO Exhibition History: Exhibition label on stretcher, "Elmhurst Art Museum, Hugo Weber, Septemb...Category
1950s Abstract Abstract Paintings
MaterialsCanvas, Oil
- Winter GardenLocated in Santa Fe, NMPrint color etching on heavy paper Signed, titled, dated on mat 18 x 11 inches; 20.5 x 17 inches framed Provenance: Private collection, Denver, ColoradoCategory
1950s Abstract Expressionist Abstract Paintings
MaterialsPaper, Color, Etching
- Derriere le Miroir Cover - Vintage Lithograph by Alexander Calder - 1968By Alexander CalderLocated in Roma, ITDerriere le Miroir Cover is an original artwork realized by Alexander Calder in 1968. Original mixed colored lithograph. The artwork was th...Category
1960s Abstract Abstract Prints
MaterialsLithograph
- Woman with Corset and Long HairBy Willem de KooningLocated in New York, NYPrinter: Hollanders Workshop, New York Publisher: Knoedler, New York Edition size: 61, plus proofs Catalogue Raisonné: Graham 17 Signed, dated, and numbered inpencil, lower marginCategory
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph
Price Upon Request - Sand Howard Hodgkin abstract sepia black and white earth tone painting printBy Howard HodgkinLocated in New York, NYAbstract, large scale earth toned red, black, taupe and grey scene with dynamic lines, shapes and hand painted brushstroke texture. This dramatic Howard Hodgkin work is ideal for dis...Category
1980s Abstract Abstract Prints
MaterialsWatercolor, Lithograph
- Black with No Way OutBy Robert MotherwellLocated in London, GB15 x 38 ins (38.1 x 96.5 cms) Edition of 98 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; workshop chop mark lower right; work...Category
1980s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph
- Fluo Composition - Original Lithograph print by Mario Padovan - 1970sBy Mario PadovanLocated in Roma, ITFluo Composition is an original colored lithograph realized by Mario Padovan in the 1970s . Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition ...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Fragile - Lithograph print by Mario Padovan - 1990sBy Mario PadovanLocated in Roma, ITFragile is an colored serigraph realized by Mario Padovan in the 1990s . Hand-signed in pencil on the lower right. Artist proof. Good conditions. This artwork represents a typica...Category
1970s Abstract Abstract Prints
MaterialsLithograph