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Hilliard Dean
'#9' — Modernist Abstraction — African American Artist

1970

$2,200
£1,686.03
€1,937.80
CA$3,090.01
A$3,458.29
CHF 1,810.29
MX$42,011.94
NOK 22,986.09
SEK 21,691.31
DKK 14,459.39

About the Item

Hilliard Dean, '#9', color lithograph, 1970, edition 7. Signed, titled, and annotated 'Ed 7' in pencil. A fine impression, with fresh colors, on Arches, heavy, cream wove paper; the full sheet with margins (3 1/2 to 4 1/2 inches); minor foxing in the outside left and right margins, well away from the image, otherwise in very good condition. Printed by the artist. Archivally matted to museum standards, unframed. Image size 13 3/4 x 18 1/2 inches (349 x 445 mm); sheet size 22 3/4 x 24 5/8 inches (578 x 625 mm). ABOUT THE ARTIST Hillard R. Dean (b. 1933) is a painter and printmaker of figurative and abstract works active in the Washington DC area. His work is referenced in 'Afro-American Artists, A Bibliographical Directory,' edited by Theresa Dickason Cederholm, Boston Public Library, 1973, and in 'Free Within Ourselves: African-American Artists in the Collection of the National Museum of American Art,' 1992. Dean’s graphic works are represented in the collection of the Smithsonian American Art Museum.
  • Creator:
    Hilliard Dean (1933, American)
  • Creation Year:
    1970
  • Dimensions:
    Height: 13.75 in (34.93 cm)Width: 18.5 in (46.99 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Myrtle Beach, SC
  • Reference Number:
    Seller: 1038521stDibs: LU532310224482

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'Composition # 4' — Mid-Century Modernism
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Located in Myrtle Beach, SC
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Edward Landon, 'Salient in February', color serigraph, 1945, edition 25, Ryan 166. Signed in pencil. Titled, dated, and annotated 'ED. 40' in pencil. A fine impression, with fresh colors, on cream, wove paper; with full margins (1 3/4 to 2 5/8 inches, top sheet edge deckle); in excellent condition. Image size 9 x 11 inches; sheet size 12 3/4 x 16 inches. Matted to museum standards, unframed. ABOUT THE ARTIST Born in Hartford, Connecticut, Edward Landon dropped out of high school to study art at the Hartford Art School. In 1930 and 1931, he was a student of Jean Charlot at the Art Students League in New York, after which he traveled to Mexico to study privately for a year with Carlos Merida. In 1933 he settled near Springfield, Massachusetts, painted murals in the local trade school, and exhibited with the Springfield Art League. His painting 'Memorial Day' won first prize at the fifteenth annual exhibition of the League at the Springfield Museum of Fine Arts. Landon became an active member of the Artists Union of Western Massachusetts, serving as president from 1934-1938. Landon acquired Anthony Velonis’s instructional pamphlet on the technique of serigraphy in the late 1930s. With colleagues Phillip Hicken, Donald Reichert, and Pauline Stiriss, he began experimenting with screen printing techniques. The artists' groundbreaking work in screen printing as a fine art medium was the subject of the group’s landmark exhibition at the Springfield Museum of Fine Arts in 1940. Landon became one of the founding members of the National Serigraph Society and served as editor of its publication, 'Serigraph Quarterly,' in the late 1940s and as its president in 1952 and 1953. The Norlyst Gallery in Manhattan held a one-person show of his prints in 1945. Awarded a Fulbright Fellowship in 1950, Landon traveled to Norway, where he researched the history of local artistic traditions and produced the book 'Scandinavian Design: Picture and Rune Stones...
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