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James RosenquistOxy, Deluxe Signed edition (85/100) of the 1 Cent Life Portfolio, 1960s Pop Art1964
1964
About the Item
James Rosenquist
Oxy, from the Deluxe Hand signed edition of the One Cent Life Portfolio, 1964
Lithograph splayed across two sheets on wove paper
Hand signed in green by James Rosenquist
Frame included: elegantly floated and framed in a museum quality frame with UV plexiglass
Measurements:
Frame:
20.5 x 27 x 1.25 inches
Print:
16 x 22.5 inches
This iconic 1964 James Rosenquist lithograph, splayed across two separate pages, is from the Deluxe, hand signed edition of only 100 of the legendary 1 Cent Life Portfolio - one of the most important and celebrated artistic collaborations of the 1960s. Provenance is excellent as this was part of the complete portfolio acquired from the estate of Pop Artist Robert Indiana, who also contributed a work to the portfolio.
Chinese American artist and writer Walasse Ting, in collaboration with Sam Francis, assembled a group of the most significant Pop and Abstract Expressionist artists in America, including along with the European COBRA artists to create the definitive artistic portfolio of lithographs with accompanying text by Walasse Ting. Ting contributed the poetry and text that accompanies each of the artworks. The Deluxe edition, which features hand signed prints, was published in a limited edition of only 100. This is one of them. Of the 100, editions numbered 60-100, or 40 portfolios, were reserved exclusively for Artists & Collaborators. This hand signed Rosenquist lithograph called OXY -- is from the portfolio numbered 85 (Artists & Collaborators), which was acquired from the Estate and Collection of Robert Indiana, another one of the artists who contributed to the 1 Cent Life portfolio.
It is elegantly floated and framed in a museum frame with UV plexiglass with Optium museum plexiglass - the highest quality available.
Signed examples of this portfolio with such superb provenance rarely appear on the marketplace. This is a true collectors item, from the most desirable and influential era in Pop Art history.
Published by E.W. Kornfeld, Germany, Written by Walasse Ting, Edited by Sam Francis
Provenance: Acquired from original, complete 1 Cent Life Portfolio, # 85/100 (Artists & Collaborators) from the Estate and Collection of Robert Indiana
More about the Signed (Deluxe) Edition of 1 Cent Life portfolio
In 1962, the Chinese-American artist Walasse Ting shared his dream project with painter Sam Francis: to create an anthology of his poetry illustrated by leading artists of their time. Over the next two years, Ting and Francis recruited leading Abstract Expressionists and Pop artists—Andy Warhol, Joan Mitchell, Robert Rauschenberg, Robert Indiana, James Rosenquist, Mel Ramos, Claes Oldenburg and Roy Lichtenstein, among them, along with the European COBRA artists, like Asger Jorn, Karel Appel and Pierre Alechinsky —to create prints for their collaborative publication, which they playfully titled 1¢ Life. Published in 1964 by E. W. Kornfeld in Switzerland in an edition of 2,000 books, 1¢ Life features 62 color lithographs by a total of 28 iconic artists, including colorful lips by Warhol, abstract splatters by Mitchell, and cartoon girls by Lichtenstein. The accompanying many of these Pop Art prints are the poems of Walasse Ting - racy and avant garde for the early 1960s. The lithography was executed by Maurice Beaudet, of Paris. Complete examples of 1¢ Life can be found in the permanent collections of the Metropolitan Museum of Art, the British Museum and many other public and private institutions around the globe. Today, 1 Cent Life is considered one of the best artist's books ever created- coming out of one of the most influential decades in modern art.
Apart from the familiar regular edition of 2000, only 100 of these lithographic portfolios were hand signed by the artists (the Robert Indiana being stamped with his official stamp), and of those only 40 were reserved for Artists and Collaborators, numbered 60 through 100. (The present work, being # 85/100)
Most lithographs are printed on two separate pages. This famed portfolio was produced and assembled by Chinese-American-European artist Walasse Ting in conjunction with American artist Sam Francis, Swiss publisher E.W. Kornfeld, and French printer Maurice Beaudet - a truly global endeavor. The portfolio, featuring some of the most recognizable lithographs of the era, was the result of an unprecedented, ambitious international collaboration between American Pop Artists of the Sixties and the European COBRA artists.
- Creator:James Rosenquist (1933, American)
- Creation Year:1964
- Dimensions:Height: 20.5 in (52.07 cm)Width: 27 in (68.58 cm)Depth: 1.25 in (3.18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745212815782
James Rosenquist
Although he insisted that he and his fellow Pop artists developed their art-making styles independently, American painter James Rosenquist belonged at the table with Andy Warhol and Roy Lichtenstein.
Known for his distinctive use of visual montage, Rosenquist produced large, vibrantly colored tableaux marked by fragmentation and overlap. He often employed familiar motifs and objects drawn from popular contemporary culture — hot dogs, lipstick tubes, American flags — which he manipulated to form disorienting compositions whose constituent elements are nearly unrecognizable.
Born in North Dakota to Swedish parents, Rosenquist was encouraged to pursue painting by his mother, who was also an artist. He studied painting for two years at the University of Minnesota, but dropped out at the age of 21 to attend the Art Students League in New York on a scholarship. A job as a billboard painter in the late 1950s set him up to pursue his signature style, which borrowed its bold graphics and remixed kitschy aesthetic from the visual vocabulary of advertising. Works like Flamingo Capsule (1983) embody his trademark visual dissonance, drawing cigarette-ad motifs into conversation with stripes from the American flag and aluminum foil wrappers.
In addition to enormous paintings, Rosenquist created drawings, prints and collages. The 2011 lithograph The Memory Continues but the Clock Disappears is a montage of melting clocks and confetti, all submerged in a pool of water. While wryly hinting at the inevitability of decay and deterioration — suggesting that life is a ticking clock — the composition also alludes to Salvador Dalí's signature motif, the defining symbol of Surrealism. Such compositions demonstrate how Rosenquist masterfully combined seemingly incongruous elements into a harmonious and poetic whole.
Find James Rosenquist art today on 1stDibs.
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