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Jesús Rafael SotoUntitled (From the Sotomagie Portfolio), 19671967
1967
About the Item
Untitled (From the Sotomagie Portfolio), 1967
Denise Rene Editeur, Paris
(Based on Soto's Work Progression, 1952, Oil on Plywood)
Silkscreen
23 7/8 x 23 7/8 in (60.5 x 60.5 cm)
Editioned lower left and signed lower right
Edition of 100
Jesús Rafael Soto was born on June 5, 1923, in Ciudad Bolívar, Venezuela. He studied at the Escuela de Artes Plásticas in Caracas from 1942 to 1947 and then served as director of the Escuela de Bellas Artes in Maracaibo, Venezuela, until 1950, at which time he moved to Paris. There he associated with Yaacov Agam, Jean Tinguely, and Victor Vasarely, as well as artists connected to Galerie Denise René and the Nouveau Réalistes (New Realists). Having started out as an illusionistic painter, in 1955 Soto participated in Le mouvement (The Movement) at Galerie Denise René, the exhibition that effectively launched Kinetic art. Around this time, and for many years subsequently, Soto’s art oscillated between geometric and organic forms. His work is often associated with Venezuelan Op art because the serial geometric forms of his paintings of the 1950s bear an affinity to works from that later movement. By 1957 Soto had moved toward a more gestural abstraction, but by 1965 he had returned definitively to a geometric idiom. During the same decade, he began making linear, kinetic constructions using industrial and synthetic materials such as nylon, Perspex, steel, and industrial paint.
In 1969 UNESCO commissioned Soto to create two murals for their buildings in Paris. Over the next few decades, several more commissions followed, including two in his native Venezuela: one in the Chacaíto metro station in Caracas, and the other on the ceiling of the Teatro Teresa Carreño, also in Caracas. In 1973 the Museo de arte moderno Jesús Soto, which houses works by Soto along with works by international avant-garde artists he admired, including Jean Arp, Kazimir Malevich, and Man Ray, opened in his birth city of Ciudad Bolívar.
Soto died in Paris in 2005 and is buried in the Cimetière de Montparnasse.
- Creator:Jesús Rafael Soto (1923 - 2005)
- Creation Year:1967
- Dimensions:Height: 23.625 in (60.01 cm)Width: 23.625 in (60.01 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU2519212983772
Jesús Rafael Soto
Venezuelan Op and kinetic painter and sculptor Jesús Rafael Soto (1923–2007) is perhaps best known for his immersive installations, which respond to their environments and physically absorb the viewer in a dynamic sensory experience.
The exploration of space is central to Soto’s work. This is evident in his early paintings, of the 1950s, which create the illusion of movement through simple compositions and a limited palette. During the same period, he integrated industrial materials like nylon and steel into linear constructions that were part painting, part sculpture.
But Rafael Soto’s grandest and most enigmatic creations are his “Pénétrables.” Made up of thousands of long clear or colored plastic strands suspended from the ceiling or from free-standing steel or PVC frames, these geometric sculptures play with the perception of space, inviting viewers to act as participants by moving within and through them.
The strips of some of the installations were partly painted, forming shapes when seen from a distance. The Houston Penetrable (2014), at the Museum of Fine Arts, Houston, for instance, appears to hold a floating yellow ellipse.
Rafael Soto created 25 “Pénétrables” over the course of his career. Each further blurred the line between reality and illusion and established viewers as not just spectators but as integral parts of the artwork itself.
Shop Jesús Rafael Soto's art now at 1stDibs.
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