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Joan MiróJournal d'un Graveur - Vol. 2 Plate 10 - Etching by J. Mirò - 19751975
1975
About the Item
This is an original etching and drypoint realized by Joan Miró in 1975.
Hand signed in pencil on the lower right and numbered on the lower left.
Edition of 75 prints.
It represents an abstract scene. This print is part of the second volume of "Journal d'un Graveur" (total volume of three, each containing 15 prints), published by Maeght, Paris, in 1975.
Very good conditions.
Ref.: Joan Miró. Catalogue raisonné des livres illustrés, Patrick Cramer Editeur, 1989, n. 200.
While Joan Miró (1893-1983) rejected any formal association with movements or groups, including the Surrealists, André Breton recognised him as “the most Surrealist of us all”. His artistic approach encouraged the free play of associations and envisaged “accidents” to provoke reactions that closely connected to subconscious experiences. Miró’s famous motifs consist of freely reshaped fragments cut from catalogues for machinery on canvases to form black silhouettes – solid or in outline, with dramatic accents of white and red.
- Creator:Joan Miró (1893 - 1983, Catalan)
- Creation Year:1975
- Dimensions:Height: 22.45 in (57 cm)Width: 17.92 in (45.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: J-454391stDibs: LU65037330362
Joan Miró
With his wide-ranging oeuvre, comprising strikingly original paintings, prints, ceramics, sculptures, metal engravings and murals, Catalan modernist Joan Miró was a critical force in moving 20th-century art toward complete abstraction. Although often considered an early Surrealist because of his nonobjective imagery and evocation of the subconscious, he defies neat categorization.
Miró’s identity is largely rooted in the city of his birth: Barcelona. To this day, a number of his public artworks can be found there, including the 72-foot-tall statue Dona i Ocell (Woman and Bird), 1983. Female and avian forms, along with bright colors and the theme of Catalan pride, are recurring elements in his work.
The radical visual world Miró created with his expressive lines, signature symbols and biomorphic shapes influenced such American Abstract Expressionists as Jackson Pollock and Color Field painters like Mark Rothko and Barnett Newman.
Mirò continued to work and experiment until his death at the age of 90 in 1983. Five years before that, he was quoted saying, “I painted these paintings in a frenzy, with real violence so that people will know that I am alive, that I’m breathing, that I still have a few more places to go. I’m heading in new directions.”
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