Joan MiróOuvrage du vent I 1962
1962
About the Item
Joan Miró
With his wide-ranging oeuvre, comprising strikingly original paintings, prints, ceramics, sculptures, metal engravings and murals, Catalan modernist Joan Miró was a critical force in moving 20th-century art toward complete abstraction. Although often considered an early Surrealist because of his nonobjective imagery and evocation of the subconscious, he defies neat categorization.
Miró’s identity is largely rooted in the city of his birth: Barcelona. To this day, a number of his public artworks can be found there, including the 72-foot-tall statue Dona i Ocell (Woman and Bird), 1983. Female and avian forms, along with bright colors and the theme of Catalan pride, are recurring elements in his work.
The radical visual world Miró created with his expressive lines, signature symbols and biomorphic shapes influenced such American Abstract Expressionists as Jackson Pollock and Color Field painters like Mark Rothko and Barnett Newman.
Mirò continued to work and experiment until his death at the age of 90 in 1983. Five years before that, he was quoted saying, “I painted these paintings in a frenzy, with real violence so that people will know that I am alive, that I’m breathing, that I still have a few more places to go. I’m heading in new directions.”
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- Personatge I Estels VBy Joan MiróLocated in Paris, FRAquatint, 1979 Handsigned by the artist in pencil and numbered 38/50 Publisher : Maeght (Barcelone) Printer : Joan Barbarà (Barcelone) Catalog : Dupin 109...Category
1970s Abstract Abstract Prints
MaterialsAquatint
- Portrait de Piero Crommelynck IIBy Pablo PicassoLocated in Paris, FREtching and aquatint, 1966 Handsigned by the artist in pencil and numbered 17/50 Publisher : Galerie Louise Leiris, Paris Printer : Crommelynck, Paris Catalog : Baer 1400 B c 1 73.00...Category
1960s Abstract Abstract Prints
MaterialsEtching, Aquatint
- Oiseaux en périlBy Max ErnstLocated in Paris, FREtching and aquatint, 1975 Handsigned by the artist in pencil and numbered 26/100 Publisher : Éditions Georges Visat (Paris) Printer : Atelier Georges Visat (Paris) 54.50 cm. x 41.50...Category
1970s Abstract Abstract Prints
MaterialsEtching, Aquatint
$3,078 - The water carrier IBy Joan MiróLocated in Paris, FRAquatint, 1962 Handsigned by the artist in pencil et numbered 56/75 Publisher : Maeght (Paris) Printer : Maeght (Levallois-Perret) Catalog : [Dupin 337] 75.00 cm. x 105.50 cm. | 29.5...Category
1960s Abstract Abstract Prints
MaterialsAquatint
- Canto Pisan (Plate 5)By Zao Wou-KiLocated in Paris, FREtching and aquatint, 1972 Handsigned by the artist in pencil and numbered 112/150 Publisher : Pierre Belfond, Paris Printer : Atelier Bellini, Paris Catalog : [Agerup 222] 52.00 cm....Category
1970s Abstract Abstract Prints
MaterialsEtching, Aquatint
- Le compotierBy Fernand LégerLocated in Paris, FREtching and aquatint, 1952 Handsigned by the artist in pencil and numbered 170/300 Publisher : Maeght (Paris) Catalog : [Maeght 1403 Saphire E16] 55.00 cm. x 76.00 cm. | 21.65 in. x ...Category
1950s Abstract Abstract Prints
MaterialsEtching, Aquatint
- CONRAD MARCA-RELLI Limited ed. Etching & Aquatint American Modern, ContemporaryBy Conrad Marca-Relli 1Located in Madrid, MadridConrad Marca Relli - Composition VIII Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions an...Category
1970s Abstract Abstract Prints
MaterialsPaper, Etching, Aquatint
- Stanley Boxer Aquatint Intaglio Etching Elephant Herd Abstract ExpressionistBy Stanley BoxerLocated in Surfside, FLElephants. 1979 edition 2/20 Hand signed and dated Framed 24.5 X 28. Sheet 23 X 26 This is from a series of prints Boxer produced at Tyler Graphics between 1975 and 1979. Over this period, he created several series of intricately rendered figurative works, illustrating whimsical scenes featuring animals, plants and nubile winged figures. Boxer had, however, been making drawings of this nature throughout his career, and he insisted they were closely connected to his abstracts, made with similar gestures and motivation. The Tate Museum received twenty-five of Stanley Boxer’s prints as a gift of Kenneth Tyler from Tyler Graphics, comprising a complete portfolio of Ring of Dust in Bloom, 1976, an incomplete portfolio of Carnival of Animals, 1979, and two individual prints. This work is from Carnival of Animals, a portfolio of fourteen intaglio prints on handmade paper. Tate holds eleven of the prints from this portfolio (Elephants, Swan and Fossils are not in Tate’s collection). Stanley Boxer (1926-May 8, 2000) was an American abstract expressionist artist best known for thickly painted abstract works of art. He was also an accomplished sculptor and printmaker. He received awards from the Guggenheim Fellowship and the National Endowment for the Arts. Boxer was born in New York City, and began his formal education after World War II, when he left the Navy and studied at the Art Students League of New York. He drew, painted, made prints, and sculpted. His work was recognized by art critic Clement Greenberg, who categorized him as a color field painter, A group that included Barnett Newman, Clyfford Still, and Mark Rothko and was a form of Abstract Expressionism and later included Helen Frankenthaler, Ad Reinhardt, Kenneth Noland, Gene Davis, Jules Olitski, Raymond Parker and Morris Louis. Boxer himself was adamant in rejecting this stylistic label. Over the years, he remained loyal to the materially dense abstract mode on which his reputation rested.. Art critic Grace Glueck wrote "Never part of a movement or trend, though obviously steeped in the language of Modernism, the abstract painter Stanley Boxer was a superb manipulator of surfaces, intensely bonding texture and color." In 1953 Boxer had his first solo exhibition of paintings in New York City, and showed regularly thereafter until his death. His paintings and sculpture were represented in New York City during the late 1960s through 1974 by the Tibor de Nagy Gallery, then by the André Emmerich Gallery from 1975 until 1993, and finally by Salander-O'Reilly Galleries until its demise in 2007. Richard Waller, director of the University of Richmond's Harnett Museum of Art, describes his evolution as an artist: You can see the shift from working with figurative imagery in the 1940s and early '50s to abstraction in the late '50s. The abstraction in the late '60s and '70s was more derived from color-field issues. In the 1980s, Boxer really hit his stride in larger works with lots of thick paint and splashes of color. He sold a lot, and his success in the art world in the 1980s gave him the freedom to do what he wanted to do most. He was married to painter and artist Joyce Weinstein. The Boca Raton Museum of Art in Florida hosted an exhibition entitled Expanding Boundaries: Lyrical Abstraction Selections from the Permanent Collection. At the time the museum issued a statement that said in part: "Lyrical Abstraction arose in the 1960s and 70s, following the challenge of Minimalism and Conceptual art. Many artists began moving away from geometric, hard-edge, and minimal styles, toward more lyrical, sensuous, romantic abstractions worked in a loose gestural style. These "lyrical abstractionists" sought to expand the boundaries of abstract painting, and to revive and reinvigorate a painterly 'tradition' in American art. "Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy. Works by the following artists associated with Lyrical Abstraction will be included: Natvar Bhavsar, Stanley Boxer, Lamar Briggs, Dan Christensen, David Diao, Friedel Dzubas, Sam Francis, Dorothy Gillespie, Cleve Gray, Paul Jenkins, Ronnie Landfield, Pat Lipsky, Joan Mitchell, Robert Natkin, Jules Olitski, Larry Poons, Garry Rich, John...Category
1970s Abstract Expressionist Animal Prints
MaterialsEtching, Aquatint, Intaglio
- Venetian Views: Venice, Afternoon -- Print, Hand-coloured by Howard HodgkinBy Howard HodgkinLocated in London, GBVenetian Views: Venice, Afternoon, 1995 Howard Hodgkin Lift-ground etching and aquatint with carborundum printed in colours with hand-colouring in cadmium yellow, mars yellow and ph...Category
1990s Abstract Abstract Prints
MaterialsAcrylic, Etching, Aquatint
- Israeli Modern Pop Art Aquatint Etching Cracked Earth Art Kadishman LithographBy Menashe KadishmanLocated in Surfside, FLThis one is a dark burgundy or purple color. Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony...Category
1970s Abstract Geometric Landscape Prints
MaterialsEtching, Aquatint, Lithograph
- Signs on Copper /// Abstract Expressionism Robert Motherwell Brown Black EtchingBy Robert MotherwellLocated in Saint Augustine, FLArtist: Robert Motherwell (American, 1915-1991) Title: "Signs on Copper" *Signed and numbered by Motherwell in pencil lower right Year: 1981 Medium: Original Lift-Ground Etching with Aquatint on German Etching paper Limited edition: 45/53, (there were also 10 artist's proofs) Printer: Catherine Mosley in the artist's studio, Greenwich, CT Publisher: The artist Motherwell himself, Greenwich, CT Reference: "Catalogue Raisonné 1943-1990 - The Prints of Robert Motherwell" - Belknap No. 252, page 249; Engberg No. 286 Framing: Not framed, but matted with a custom hand-wrapped 8 ply linen mat Matted size: 28.25" x 33.75" Sheet size: 27" x 31.75" Image size: 17.75" x 23.5" Condition: Light mat stain in margins and a light water stain to lower right corner in margin. It is otherwise a strong impression in very good condition with rich colors; the printed image is pristine Very rare Notes: Provenance: private collection - Palm Beach, FL. Released by Petersburg Press, London, UK and New York, NY. Artist's chop mark/blind stamp lower right. Printed in 2 colors in 3 runs from 2 zinc plates and 1 copper plate: 1. burnt sienna - zinc plate (aquatint); 2. burnt sienna - copper plate (aquatint); 3. black - zinc plate (lift-ground etching and aquatint). Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...Category
1980s Abstract Expressionist Abstract Prints
MaterialsIntaglio, Etching, Aquatint
- The Blue RiderBy Max PapartLocated in San Francisco, CAMax Papart (1911-1994) "The Blue Rider" Original Etching with Aquatint, circa 1973 This is a rare artist proof. The artist proof is pencil signed and titled by the artist. The regu...Category
Mid-20th Century Abstract Abstract Prints
MaterialsEtching, Aquatint