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  • Design Credit: Samantha Todhunter Design Ltd., Photo Credit: Oliver Clarke. Dimensions: H 22.05 in. x W 17.72 in.
  • Design Credit: Lucy Harris Studio, Photo Credit: Francesco Bertocci. Dimensions: H 22.05 in. x W 17.72 in.
  • Design Credit: Timothy Godbold, Photo Credit: Karl Simone. Dimensions: H 22.05 in. x W 17.72 in.
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Joan Miró
Woman on Brown Background - Lithograph (Maeght 1965)

1965

$215.34
$269.1820% Off

About

Joan MIRO Woman on Brown Background Lithograph (printed in Maeght / Arte workshop) Printed signature in the plate On light vellum 55 x 46 cm (c. 22 x 18 in) Authenticated by the blind stamp of the editor in the lower left corner REFERENCES : From the portfolio Femme edited by Maeght in 1965 Excellent condition

Details

  • Creator
    Joan Miró (1893 - 1983, Catalan)
  • Creation Year
    1965
  • Dimensions
    Height: 22.05 in. (56 cm)Width: 17.72 in. (45 cm)
  • Medium
  • Movement & Style
  • Period
  • Condition
  • Gallery Location
    Paris, FR
  • Reference Number
    1stDibs: LU46439125112

Shipping & Returns

  • Shipping
    Estimated Customs Duties & Taxes to the Continental US: $0.
    Ships From: Paris, France
  • Return Policy

    A return for this item may be initiated within 7 days of delivery.

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About the Artist

Joan Miró

With his wide-ranging oeuvre, comprising strikingly original paintings, prints, ceramics, sculptures, metal engravings and murals, Catalan modernist Joan Miró (1893–1983) was a critical force in moving 20th-century art toward complete abstraction. Although often considered an early Surrealist because of his nonobjective imagery and evocation of the subconscious, he defies neat categorization.

Miró’s identity is largely rooted in the city of his birth: Barcelona. To this day, a number of his public artworks can be found there, including the 72-foot-tall statue Dona i Ocell (Woman and Bird), 1983. Female and avian forms, along with bright colors and the theme of Catalan pride, are recurring elements in his work.

The radical visual world Miró created with his expressive lines, signature symbols and biomorphic shapes influenced such American Abstract Expressionists as Jackson Pollock and Color Field painters like Mark Rothko and Barnett Newman.

Mirò continued to work and experiment until his death at the age of 90 in 1983. Five years before that, he was quoted saying, “I painted these paintings in a frenzy, with real violence so that people will know that I am alive, that I’m breathing, that I still have a few more places to go. I’m heading in new directions.”

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About the Seller
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Located in Paris, France
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