Louise Nevelson

Essences 6

1977

A set of three monumental etchings by Italian contemporary artist, Mimmo Paladino. Each nicely framed in black. Artist: Mimmo Paladino Title: Si...

Artist: Mark Tobey, American (1890 - 1976) Title: Psaltery, 1st Form Year: 1974 Medium: Etching on BFK Rives, signed and numbered in pencil Edition: EA 22 Paper Size: 25.5 x 19.5 in....

Artist: Howard Hodgkin, British (1932 - ) Title: Late Afternoon in the Museum of Art Year: 1979 Medium: Etching, signed and numbered in red pencil Edition: 20/100 Size: 29.75 x 39 in...

A print by James Rosenquist from 1978. This print is multi-layered with different mediums including etching with aquatint, pochoir and paint. Artist: James Rosenquist, American (19...

A print from John Chamberlain's portfolio "Ten Coconuts". Although known widely for his sculptural work, John Chamberlain was a prolific printmaker. The etching is hand-signed and n...

A print from John Chamberlain's portfolio "Ten Coconuts". Although known widely for his sculptural work, John Chamberlain was a prolific printmaker. The etching is hand-signed and n...

Title: Portrait of a Painter Etching and soft-ground etching, in colors, 2017. Edtion of 30 printed on 100% cotton paper. Signed, titled and numbered in pencil. In excellent condit...

Title: SIEMPRE SOMBRA - Always Shadow Etching and soft-ground etching on hand-made paper, in four colors, 2017. Edtion of 5 printed on 100% cotton paper. Signed, titled and numbere...

José Manuel Broto - IRIS 4 Date of creation: 2006 Medium: Etching on Paper Edition: 50 Size: 100 x 70 cm Condition: In perfect conditions and never framed Observations: Etching on pa...

José Manuel Broto - Iris 6 Date of creation: 2006 Medium: Etching on Paper Edition: 50 Size: 100 x 70 cm Condition: In perfect conditions and never framed Observations: Etching on pa...

Artist: Robert Motherwell (American, 1915-1991) Title: "Signs on Copper" *Signed and numbered by Motherwell in pencil lower right Year: 1981 Medium: Original Lift-Ground Etching with Aquatint on German Etching paper Limited edition: 45/53, (there were also 10 artist's proofs) Printer: Catherine Mosley in the artist's studio, Greenwich, CT Publisher: The artist Motherwell himself, Greenwich, CT Reference: "Catalogue Raisonné 1943-1990 - The Prints of Robert Motherwell" - Belknap No. 252, page 249; Engberg No. 286 Framing: Not framed, but matted with a custom hand-wrapped 8 ply linen mat Matted size: 28.25" x 33.75" Sheet size: 27" x 31.75" Image size: 17.75" x 23.5" Condition: Light mat stain in margins and a light water stain to lower right corner in margin. It is otherwise a strong impression in very good condition with rich colors; the printed image is pristine Very rare Notes: Provenance: private collection - Palm Beach, FL. Released by Petersburg Press, London, UK and New York, NY. Artist's chop mark/blind stamp lower right. Printed in 2 colors in 3 runs from 2 zinc plates and 1 copper plate: 1. burnt sienna - zinc plate (aquatint); 2. burnt sienna - copper plate (aquatint); 3. black - zinc plate (lift-ground etching and aquatint). Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...

A very good impression of this color aquatint on Richard de Bas cream wove paper. Signed and numbered 23/96 in pencil by Tobey. Published by Edition de Beauclair, Frankfurt am Main.