Aquatint Abstract Prints

ALAN SHIELDS Peace of the Rock, 1974 Mixed Media Aquatint & Silkscreen Signed and numbered 14/20 in graphite pencil recto Frame included: held in original vintage frame Measurements...

Etching and aquatint, 1972 Handsigned by the artist in pencil and numbered 42/50 Publisher : Pierre Belfond, Paris Printer : Atelier Bellini, Paris Catalog : [Agerup 225] 48.50 cm. x...

Medium: Etching and aquatint Year: 2005 Image Size: 9 x 36 inches Sheet Size: 48 x 16 inches A strong abstract image using a mix of intaglio techniques, 4 feet in height. This is a ...

This artwork titled "Kimi Fuji" c.1975 in an original color aquatint by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed in pencil by the artist. The image (plat...

Signed, titled and numbered in pencil, edition of 15. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite p...

Aquatint, 1955 Handsigned by the artist in pencil and annotated HC Printer : Crommelynck (Paris) 50.50 cm. x 66.00 cm. 19.88 in. x 25.98 in. (paper) 48.00 cm. x 29.00 cm. 18.9 in. ...

Joseph SIMA Abstract Window Original etching and aquatint On Johannot vellum 37.5 x 28 cm (c. 15 x 11 inch) From the illustrated book PAROLES PEINTES III (PAINTED WORDS III) Publish...

Mixed media print on paper by young Polish artist Berenika Korecka-Sowinska who graduated in 2009 from Academy of Fine Arts in Warsaw

An original etching by Takesada Matsutani, a Japanese contemporary mixed-media artist who was a member of the Gutai group from 1963 to the dissolution of the group in 1972. The print...

Artist: Bertrand Dorny, French (1931- ) Title: Untitled - 357 Year: 1979 Medium: Aquatint Etching, Signed in Pencil Image Size: 21 x 17 inches Paper Size: 30 x 22 inches

105.4 x 74 cms (41 1/2 x 29 1/8 ins) Edition of 100 Paper: Arches Cover Signature: Signed "Motherwell" in pencil lower right Inscriptions: Numbered in pencil lower right; artist's c...

Julius BALTAZAR (1949 -) Dreamy Landscape Etching with aquatint on Japon paper Signed on the right bottom and marked Bon à tirer (BAT = "Ready for press") on the left Size : 32 x 2...

Claudio Juarez (Peruvian, 1938 - 2001), "El Condor Pasa" 32/50, Abstract Etching with Aquatint signed and numbered in Pencil, 26.50 x 19.38 (Image: 19....

Artist: James Rosenquist, American (1933 - ) Title: Hot Lake (2nd State) Year: 1978 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 78 Size: 23 in. x 40 in. (58.42 c...

United Europe - France 2 is a color etching and aquatint on paper, realized in 1994 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pen...

Oval is a color etching and aquatint on paper, realized in 1987 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pencil " Piero Dorazio ...

Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...

Original etching, aquaforte, aquatint engraving. Hand pencil signed and numbered. Published by Editions Denise René, Paris. Number: 10 from the folio edition of 120 which were on ...

Jorge PEREZ-ROMAN The Lawyer Original etching and aquatint On Johannot vellum 37.5 x 28 cm (c. 15 x 11 inch) From the illustrated book PAROLES PEINTES III...

Etching and aquatint, 1972 Handsigned by the artist in pencil and numbered 101/150 Publisher : Magaglio, Paris 66.00 cm. x 50.50 cm. 25.98 in. x 19.88 in. (paper) 40.00 cm. x 30.00 ...

This artwork titled "Landscape XI' c.2000 is an original color etching with aquatint by Hungarian/American artist Theodora Varnay Jones, b.1942. It is hand signed, titled and numbered 18/50 in pencil by the artist. The image (plate mark) size is 14.75 x 17.65 inches, framed size is 28.25 x 30 inches. Custom framed in a silver and brown patina frame, with white matting. It is in excellent condition. About the artist: Theodora Varnay Jones, printmaker, sculptor, installation and digital artist, lecturer, and teacher, was born in Budapest, Hungary on 26 February 1942. She graduated from the Hámán Kató Leány Gimnázium before beginning her studies at the Academy of Fine Arts, Budapest where she earned her B.F.A. and, in 1971, her M.F.A. She moved to the United States in the early 1970s and married Monty Jones on 9 September 1972 in Reno. On 27 September 1984 she became a naturalized citizen of the United States. Her creativity seems unlimited and her work has been featured in exhibitions too numerous to enumerate. She is a member of the KALA Art Gallery in Berkeley, California and teaches classes there. SOLO EXHIBITIONS 2018 "Dialectics:angles of cognition, in the orbit of photography" Don Soker Gallery, San Francisco, CA 2016 "Fugue" Don Soker Gallery, San Francisco, CA 2015 "Resonances" Stanford Art Spaces, Stanford University, CA "Appearances" Lena & Roselli Galeria, Budapest, Hungary 2011 "Theodora Varnay Jones: Prints & Drawings: Selected Archival Work” Baczek Gallery, Berkeley, CA 09/10 "Manifold", (survey) ICA, San Jose, CA 2009 "Reflections", (survey) Don Soker Gallery, San Francisco, CA 2008 "Translucent Phenomena", Fresno Art Museum, Fresno, CA 2007 "Structures" Don Soker Gallery, San Francisco, CA 2005 "Theodora Varnay Jones", Galerie Reinfeld, Bremen, G e r m a n y "Undercurrents", Don Soker Gallery, San Francisco, CA 2003 "Theodora Varnay Jones", Gallery Hirawata, Fujisawa, Kanagawa, J a p a n "Theodora Varnay Jones", Gallery Naufu, Gifu City, J a p a n "Dialectica", Don Soker Gallery, San Francisco, CA 2001 "Transparentia", Don Soker Gallery, San Francisco, CA " Theodora Varnay Jones", Galerie Reinfeld, Bremen, G e r m a n y "Mixed Media Works", Shasta College Art Gallery, Redding, CA SFMOMA Artists Gallery, San Francisco, CA 2000 " Microcosmos" invited to represent the US, Schleswig-Holstein Music Festival, Bad Segeberg, G e r m a n y "Microcosmos" Kieler Kloster, Kiel, G e r m a n y 1999 Don Soker Gallery, San Francisco, CA 1998 Don Soker Gallery, San Francisco, CA 1997 Plaza Gallery, Tokyo, J a p a n 1996 "Theodora Varnay Jones" (survey), Vasarely Museum, Budapest, H u n g a r y 1995 Don Soker Gallery, San Francisco, CA "Theodora Varnay Jones", Shirakawa Gallery, Kyoto, J a p a n 1994 Collectors Gallery, The Oakland Museum, CA 1993 Don Soker Gallery, San Francisco, CA 1992 "Theodora Varnay Jones", Concourse Gallery, Bank of America World Headquarters, San Francisco, CA "Theodora Varnay Jones", Shirakawa Gallery, Kyoto, J a p a n "Theodora Varnay Jones", Chicashige Gallery, Okayama, J a p a n 1991 Collectors Gallery, The Oakland Museum, CA 1990 Don Soker Gallery, San Francisco, CA "Theodora Varnay Jones", Art Forum Yanaka, Tokyo, J a p a n Tamura Gallery, Tokyo, J a p a n Gallery 88, Sendai, J a p a n Heian Gallery, Kyoto, J a p a n 1989 Richard Hanson Fine Arts, Fresno, CA 1988 Don Soker Gallery, San Francisco, CA 1985 "Theodora Varnay Jones", Taller Galleria Fort, Cadaques, S p a i n 1984 Rorick Gallery, San Francisco, CA 1978 "Theodora Varnay Jones", Richmond Art Center, Richmond, CA TWO AND THRE PERSON EXHIBITIONS 2010 "Interdepencia/Interdependence; Theodora Varnay Jones, Francesca Pastine and Marta Sanchez-Vasquez" Consulate General of Mexico, San Francisco, CA 2007 "Theodora Varnay Jones and Tom Bills", Pacifica Center for the Arts, CA 2004 "Between"; Theodora Varnay Jones and Dee Hibbert-Jones Memorial Union Art Gallery, UC Davis 2002 "Theodora Varnay Jones and Lee Imonen", Campbell Hall Gallery, Western Oregon University 2001 "Traces" ; Theodora Varnay Jones, Christel Dillbohner and Mary Ijichi, Palo Alto Art Center, CA 2000 "Theodora Varnay Jones and Hoh Yin Ping", Kassenarztliche Vereinigung, Bremen, G e r m a n y 1988 "Theodora Varnay Jones and Kazuko Watanabe", Hastings College of the Law, San Francisco, CA 1985 "From a Different Perspective"; Theodora Varnay Jones and Peter Baczek, The Art Corridor, Menlo Park, CA 1981 "Theodora Varnay Jones and Vicki Ann Scuri", Rorick Gallery, San Francisco, CA SELECTED GROUP EXHIBITIONS 2021 "50th Anniversary Survey Exhibition" Don Soker Gallery at Carriage House Annex, San Francisco, CA "Art in the Time of Corona" NUMU New Museum Los Gatos, CA 2020 "Echoes of Bauhaus Photography Cast Long Shadows" curated by Hanna Regev, Ruth's Table Gallery, San Francisco, CA 2019 "Hardly Strictly Mini" Bolinas Art Museum, CA "The Artists' Annual" Kala Art Institute Gallery, Berkeley, CA "Annual Members Exhibition" Berkeley Art Center, CA 2018 "Surprise: New Acquisitions" The Janet Turner...

Signed, titled and numbered in pencil by the artist. Edition of 15. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physic...

A very good impression of this color aquatint and lift-ground etching and aquatint on Arches Cover paper. Signed and numbered 15/100 by Motherwell. There are 20 artist proofs, number...

Etching and aquatint, 1972 Handsigned by the artist in pencil and Annotated "HC" Edition : 70 Publisher : XXe Siècle (Paris) Printer : Morsang (Paris) Catalog : Dupin 564 66.00 cm. x 50.00 cm. 25.98 in. x 19.69 in. (paper) 40.00 cm. x 45.00 cm. 15.75 in. x 17.72 in. (image) Arches paper A few...

Joel Shapiro's post-minimalist work often references the human body, in a variety of poses, represented by geometric forms. In Untitled, 1992, a rust-red rectangle supports three black rectangles piled at varying angles. The forms have light, sketchy lines around them, reminiscent of Futurist dynamism markings or perhaps a draftsman's study of dimensions. A gelatinous blue form intersects the balanced rectangles, while further blue forms tumble out of a fanned series of black triangles. Shapiro has assembled mechanism, geometry, balance, fluid, solid and motion into this dynamic etching, which was published by Pace Prints...

Color aquatint and etching. One of 35 impressions from the deluxe edition of 50 on Vélin de Richard de Bas paper, aside from the edition of 150. Signed and numbered 32/50 in pencil, ...

Artist: Antoni Tapies – Spanish (1923- 2012) Title: Untitled, from Paroles Peintes IV, published by O. Lazar-Vernet, Paris Date: 1970 Medium: Etching and aquatint in colors on BFK Ri...

Francesco Clemente (Italian, b. 1952), "Yellow, Red, or Blue", Aquatint in Colors on Fabriano Paper, 1999, published by Solomon R. Guggenheim Museum, signed in pencil lower right, nu...

Pink Composition is an original artwork realized by Mark Tobey in 1972. Mixed colored aquatint and etching on paper paper. Hand signed and dated on the Lower right. Numbered on th...

Abstract Composition is an etching print realized in 1980 by Jean Bertholle (1909-1996). Hand-signed on the lower and date. Numbered. Edition, 16/200. Good Conditions. The artwor...

Mary Anne Watson, American - Net, Year: 1967, Medium: Etching and Aquatint, signed, titled, numbered and dated, Edition: 3/25, Image Size: 12 x 12 inches, Size: 18.5 x 18 in. (46.9...

Artist: Tom Marioni – American (1937- ) Title: Process Landscape 1998 Year: 1998 Medium: Color spit bite aquatint Image size: 15.75 x 10 inches. Paper size: 20 x 16 inches Framed size: 21.75 x 17.75 inches Signature: Signed, dated lower right Edition: 50. This one: 24/50. Published by: Crown Point Press Printed by: Paul Mullowney Condition: Excellent Frame: Framed in maple frame and plexiglas. Frame in fair to good condition with some small scratches. Tom Marioni was born in 1937 in Cincinnati, Ohio, attended the Cincinnati Art Academy, and in 1959 moved to San Francisco, where he still lives. His first sound work, One Second Sculpture, 1969, was celebrated in the 2005 Lyon Biennial as presaging the work of many artists today who use sound and duration as subjects. His first museum show was in 1970 at the Oakland Museum of California. Titled “The Act of Drinking Beer with Friends is the Highest Form of Art,” it was an early example of social art as a sculpture action. Over the years, Marioni was invited to repeat the work in various contexts around the world. In 1970 Marioni founded the Museum of Conceptual Art (MOCA), which he described at the time as “a large-scale social work of art.” Until the museum closed in 1984, he organized many groundbreaking shows, including “Sound Sculpture As” in 1970. MOCA has entered history as one of the first alternative art spaces. Marioni had one-person shows in several significant venues for early conceptual art, among them the Richard Demarco Gallery in Edinburgh in 1972 and Gallery Foksal in Warsaw in 1975. In 1977 he had a solo show, “The Sound of Flight,” at the de Young Museum in San Francisco. He has done installation/performance works at the Whitechapel Gallery in London (1972), the Institute of Contemporary Art in London (1973), the Centre Georges Pompidou in Paris (1980), and the Folkwang Museum in Essen, Germany (1982), among other museums. He has produced sound works for radio stations KPFA in Berkeley and WDR in Cologne, Germany. In 1996 he organized The Art Orchestra and the group performed at the Legion of Honor Museum in San Francisco. Marioni was included in “For Eyes and Ears” (1980) at the Academy of Fine Arts in Berlin, “Live to Air” (1982) at the Tate Gallery in London, and “From Sound to Image” (1985) at the Stuttgart Staatsgalerie in Germany. His work was shown in “Out of Actions: Between Performance and the Object” (1998) at the Museum of Contemporary Art in Los Angeles, and “The Third Mind: American Artists Contemplate Asia,” (2009) at the Guggenheim Museum in New York City. Drawing is central to Marioni’s art, and in 1999 he had a drawing retrospective, with a catalog, at the Mills College Art Museum in Oakland. In 2006 the Contemporary Art Center in Cincinnati presented a survey of his work and published a catalog. Marioni is the author of Beer, Art and Philosophy, 2003, a memoir, also Writings on Art 1969-1999, and Fabliaux Tom Marioni Fairy Tales. He was editor/designer of VISION magazine published by Crown Point Press, 1975-1981. Issues were titled “California,” “Eastern Europe,” “New York City,” “Word Of Mouth,” (phonograph records) and “Artist’s Photographs,” and published prints, since 1974. Tom Marioni received a Guggenheim Fellowship in 1981 and three grants from the National Endowment for the Arts during the 1970s. His work is in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and other museums. He is represented by the Anglim Gilbert Gallery...

Medium: intaglio Year: 2015 Signed Artist Proof from the edition of 25 Image Size: 7.5 x 6 inches Paper Size: 15 x 11 inches Signed and numbered by the artist. Seiko Tachibana's...

Butterfly Pool is an original print realized in the 1970s by Luigi Gheno. Original aquatint and etching. Hand-signed on the lower right in pencil, and nu...

A very good impression of this color aquatint on Arches. Signed and numbered 3/48 in pencil by Chamberlain. Published by Novak Graphics, Toronto, with the black ink stamp, verso, and...

Artist: Barry Nelson, British/American (1937 - ) Title: Paralax XIX Year: 1981 Medium: Etching with Aquatint, Signed and numbered in pencil Edition: 25 Size: 30 x 22 in. (76.2 x 55.8...

United Europe - France 2 is an original print realized by Piero Dorazio in 1994. Mixed colored etching and aquatint on paper. Hand-signed and dated in pencil on the lower margin. ...

Etching and aquatint with carborundum and hand-colouring in tempera on wove paper. Signed and dated in pencil, numbered from the edition of 100. Printed by Jack Shirreff at 107 Work...

Original etching, aquaforte, aquatint engraving. poetry text by Robert Pinget on facing fold of sheet. The individual sheet is unsigned. The justification page is hand signed by th...

Oval is a color etching and aquatint on paper, realized in 1987 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pencil " Piero Dorazio ...

Initialled and dated in pencil, numbered from the edition of 75 (there were also 25 artist's proofs). Printed by Jack Shirreff at the 107 Workshop, Wiltshire. Commissioned and publi...

Artist: Barry Nelson Title: Untitled - Blur Grid Year: 1977 Medium: Etching with Aquatint, signed and dated in pencil, verso Edition: AP Size: 41 in. x 29.5 in. (104.14 cm x 74.93 cm)

Untitled (SFE-072) is an original contemporary artwork realized by Sam Francis in 1989. Etching and Aquatint Monotype with color variant on Rives BFK. Editor The Litho Shop santa Monica Jacob...

Etching and aquatint, 1963 Handsigned by the artist in pencil and annotated "Epreuve artiste" Artist proof Edition : 95 + 10 EA Publisher : Atelier Lacourière et Frélaut, Paris Print...

20J1G-2020 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Edition of 30. Image size: 35.2 x 124.5 cm / 13.8 x 49 in Paper size: 46 x 135 cm / 18.1 x 53.1 in Clément's wo...

Original etching, aquaforte, aquatint engraving. Hand pencil signed and numbered. Published by Editions Denise René, Paris. Number: 10 from the folio edition of 120 which were on ...

Signed, titled and numbered from the edition of 50. Medium: Drypoint and aquatint Edition: 50 Image Size: 8.5 in. x W 10.63 in. Year: 2016 Bozon's prints are often a balance betwee...

Signed, titled and numbered, edition of 15. Image size: 9.75 x 10.75 Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite photography, biotechnology, radiology, geological survey maps, have all served as influences on Richards' work. Her paintings, prints, and drawings relate to the human need to construct our experiences in nature using systems of design and technology. The maps become metaphors for inner journeys, and are also meant to suggest playful and whimsical approaches to the usually serious function of diagrams. She has had solo shows throughout the United States, and her work is represented in museum collections such as: MUSEUM COLLECTIONS: Chicago Art Institute Mineapolis Institute of the Arts University of Minnesota Yale University Art Gallery Grunwald Center...

Image dimensions: 16.7 x 19.9 cm. Mechanismen is a beautiful color etching and aquatint on paper, realized in 1967 by the German artist Helmut Stephan Diedrich. Signed and dated i...

Aquatint, 1987 Edition : XV/XXV 49.50 cm. x 70.00 cm. 19.49 in. x 27.56 in. (paper) 28.00 cm. x 39.00 cm. 11.02 in. x 15.35 in. (image) Handsigned by the artist in pencil Ref : LCD...

Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...

This artwork titled "Number I" 1969 is an original colors etching and aquatint on CP paper by noted British artist Avis Newman, born 1946. It is hand signed, titled and numbered 29/5...

Jean Miotte - Rare Original Signed Lithograph Title: Abstract Composition Dimensions: 76 x 56 cm Edition: 98/150 Signed and Numbered in pencil Jean Miotte, 1926 - 2016 Miotte came ...

One of seven images from the Origin-Beginning series. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe University, Japan. Her distinctive work b...

Mixed media print on paper by young Polish artist Berenika Korecka-Sowinska who graduated in 2009 from Academy of Fine Arts in Warsaw

Etching and aquatint, 1975 Edition : 62/75 Publisher : O. Lazar-Vernet, Paris Printer : Georges Leblanc et Morsang, Paris Catalog : Dupin 827 38.00 cm. x 27.70 cm. 14.96 in. x 10.91...

One of seven images from the Origin-Beginning series. Signed, titled and numbered by the artist. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe...

Image dimensions: 7 x 10 cm. Abstract Blue Composition is a color etching, drypoint and burin on paper by an artist who signs "Benic". Signed and numbered in Arabic numerals and i...