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Medium: Etching
Not Everybody does have Flies in his Head
Located in Slovak Republic, SK
Etching on fine art paper, E.A. 1/1 from the cycle " Botanical Dream Nr. 11", recently presented in the Danubiana Meulenstein Art Museum in Bratislava.
Category

21st Century and Contemporary Abstract Etching Abstract Prints

Materials

Etching

"Just for You" by John Douglas Modern Print
By John Douglas
Located in West Palm Beach, FL
Signed Original print with a vintage feel by artist John Douglas on heavy paper with deckled edges
Category

Early 2000s Abstract Etching Abstract Prints

Materials

Etching

James Rosenquist 'Star Proctor' Signed, Limited Edition Print
Located in San Rafael, CA
James Rosenquist (1933-2017) Star Proctor, 1978 Etching and aquatint in colors with embossment and hand embellishment on Pescia Italia paper Edition 11/78 Signed, numbered, dated, and titled in pencil along lower edge Published by Multiples Inc., New York Printed by Flatstone Studio, Tampa, Florida Framed Dimensions 31in H X 48in L LITERATURE: Glenn, 130 Rosenquist's work is included in major public and private institutions, and has been featured in solo exhibitions at the Solomon R. Guggenheim Museum, Museum of Modern Art, Walker Art Center, Whitney Museum of American Art, Guggenheim Museum Bilbao, The Menil Collection...
Category

1970s Abstract Etching Abstract Prints

Materials

Etching, Lithograph

Paul Klee, Garten Der Leidenschaft (Garden of Passion)
Located in New York, NY
Kornfeld 56. 50 published with the book Expressionismus Die Kunstwende, 1918, in addition to 54 earlier impressions. Signed and titled in pencil in bottom margin under image.
Category

1910s Modern Etching Abstract Prints

Materials

Etching

Abstract Aquatint Etching Ross Bleckner Zig Zag lines New York Artist D Loop
Located in Surfside, FL
ROSS BLECKNER (American, b. 1949) "D Loop," 2002 Limited Edition Print : Color Aquatint With Spit Bite Aquatint And Gampi Chine-Collé on Somerset Paper Approximate dimensions - Frame 29.5 X 28,.5 inches, sheet 27 x 26 inches. Edition lower left: 2/20, Hand signed lower right. Publishers blind stamp lower right margin: Paulson Press. Ross Bleckner draws inspiration from science, psychology, and his own personal experience. The title of this print, D Loop, refers to molecular biology and DNA repair abstracted in vivid blue and yellow. Ross Bleckner (born May 12, 1949) is an American artist. He currently lives and works in New York City. His artistic focus is on painting, and he held his first solo exhibition in 1975. Bleckner grew up in Brooklyn, New York and he grew up Jewish. In an interview, Bleckner commented that he was fortunate to have supportive parents. In 1961, Bleckner and his family moved to a more affluent town in Hewlett Harbor, New York, where he attended George W. Hewlett High School. In 1965, Bleckner saw his first art exhibition, The Responsive Eye, at the Museum of Modern Art, which went on to have a huge impact on his artwork. Eventually, this was a time when he realized that he wanted to become an artist. Bleckner went on to study at New York University, where he studied alongside fellow artist Sol LeWitt and Chuck Close. During college, Bleckner worked in an art supply store and drove a taxi. He received his Bachelor of Fine Arts (B.F.A) from New York University (1971), and later received his Master of Fine Arts (M.F.A) at California Institute of the Arts. In 1974, when Bleckner moved back to New York, he moved into a Tribeca loft building. Three of the floors were rented to the painter Julian Schnabel and from 1977 to 1983 the Mudd Club, a nightclub frequented by musicians and artists, was in the same building. In 2004 Bleckner sold the building. He held his first solo exhibition in 1975 at Cunningham Ward Gallery in New York. Then In 1979 he began what was to become a long association with Mary Boone Gallery in New York. In 1981 Bleckner met Thomas Ammann, who was an influential Swiss art dealer who went on to collect Bleckner's work. Early 1990s, Bleckner did his first abstract painting called Cell painting which showed an example of human body cell diseases. Since either the 1980s or 1990s as an openly gay artist, his art has been largely an investigation of change, loss, and memory, often addressing the subject of AIDS. Bleckner uses symbolic modernist imagery rather than direct representation, and his work is visually elusive, with forms that constantly change focus. While much of Bleckner's work can be divided into distinct groups or series with motifs repeated from painting to painting, he is also in the habit of redeploying and combining old motifs. Bleckner has posited that a painting is never finished, provided it is still in his studio, because it can always be improved. In 2009, Bleckner published a book of his theoretical art statements entitled Examined Life: Writings, 1972-2007 that was published by Edgewise Press. In 1995, the Solomon R. Guggenheim Museum had a major retrospective exhibition of his works from the last two decades of exhibitions at acclaimed institutions such as San Francisco Museum of Modern Art, Moderna Museet in Stockholm, and the Carnegie Museum of Art. He was one of the youngest artists to be featured at the Guggenheim. Bleckner's works are held in collections around the world including Museum of Modern Art, New York, (he was included in the show Contemporary Works from the Collection, MoMA along with Carl Andre, Richard Artschwager, Marcel Broodthaers, Jim Dine, Howard Hodgkin, Jasper Johns, Donald Judd, Anish Kapoor, Ellsworth Kelly, Robert Mangold...
Category

Early 2000s Etching Abstract Prints

Materials

Etching, Aquatint

Warangal
Located in Paris, FR
Etching and aquatint, 1970 Handsigned by the artist in pencil and numbered 13/65 Publisher : L'Œuvre Gravée (Paris) 89.50 cm. x 63.00 cm. 35.24 in. x 24.8 in. (paper) 76.00 cm. x 56...
Category

1970s Abstract Etching Abstract Prints

Materials

Etching, Aquatint

Henry Moore, "Fantasy", original etching
Located in Chatsworth, CA
This piece is an original etching created by Henry Moore in 1967. This piece is hand signed in pencil and numbered from the edition of 50 on Japon paper. There are also two proofs on...
Category

1960s Surrealist Etching Abstract Prints

Materials

Etching

Mexican Japanese woman artist 1998 signed original engraving art proof 21x25in
Located in Miami, FL
Namiko Prado Arai (Mexico, 1963) 'Untitled 3 (Buril)', 1998 etching, aquatint on paper Deponte 400g. 20.9 x 24.5 in. (53 x 62 cm.) Unframed ID: PRA-305 Hand-signed by author
Category

1990s Contemporary Etching Abstract Prints

Materials

Ink, Etching

Three Abstract Figures Carborundum Large Etching 10/30
Located in Lake Worth Beach, FL
Carborundum Etching, artist signed edition 10/30, 60"h x 40" framed under plexiglass. Pierre Marie Brisson French b. 1955 - one of the most talented contemporary artists. Brisson...
Category

1990s Contemporary Etching Abstract Prints

Materials

Etching

Johnny Friedlaender Abstract Artist's Proof Signed Limited Edition Print
Located in San Rafael, CA
Johnny Gotthard Friedlaender (German, 1912-1992) 'Cadran Solair' (Sun Dial) Titled verso Aquatint etching in colors on wove paper Pencil signed lower right, edition EA (épreuve d'ar...
Category

1960s Abstract Etching Abstract Prints

Materials

Etching, Aquatint

fractal-ssi-1c
Located in Palm Springs, CA
Medium: Carborundum, intaglio Year: 2018 Image Size: 12 x 12 inches Paper size: 24 x 22 inches Edition Size: 25 Signed and numbered by the artist. Tachibana’s prints take their ins...
Category

2010s Contemporary Etching Abstract Prints

Materials

Etching, Aquatint

Journal D'Un Graveur - Vol. 2 Plate 5 - Etching by J. Mirò - 1975
Located in Roma, IT
This is an original etching and drypoint realized by Joan Miró in 1975. Hand signed in pencil on the lower right and numbered on the lower left. Edition of 75 prints. It represents ...
Category

1970s Surrealist Etching Abstract Prints

Materials

Drypoint, Etching

Untitled (Two Birds) - Etching by Max Ernst - 1972
Located in Roma, IT
Etching and aquatint on Japan paper, realized in 1972 and published by Georges Visat, Paris. Edition of 100. Hand signed and numbered in pencil. Sheet a little browned, except for...
Category

1970s Surrealist Etching Abstract Prints

Materials

Etching

Billiard - Aquatint and Etching by Fifo Stricker - 1982
Located in Roma, IT
Billiard is a contemporary artwork realized by the artist Fifo Stricker in 1982. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower right margin....
Category

1980s Contemporary Etching Abstract Prints

Materials

Etching

Vicente Rojo, ¨Suite Nubes de fuego IV¨, 2006, Silkscreen, 18.9x26.8 in
Located in Miami, FL
Vicente Rojo (Mexico, 1932-2021) 'Suite Nubes de fuego IV', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 18.9 x 26.8 in. (48 x 68 cm.) Edition of 50 ID: ROJ-121 Unframed
Category

Early 2000s Contemporary Etching Abstract Prints

Materials

Paper, Etching, Aquatint, Screen

Dispersion, by Rosalyn Richards
Located in Palm Springs, CA
Signed, titled and numbered in pencil, #2 from the edition of 10. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics,...
Category

Early 2000s Contemporary Etching Abstract Prints

Materials

Etching, Aquatint

Fantastic Zoology I.
Located in Slovak Republic, SK
Lovely etching, framed, with fine art glass. Signed, E/A.
Category

20th Century Abstract Etching Abstract Prints

Materials

Etching

fern-butterfly effect b-5
Located in Palm Springs, CA
Medium: intaglio Year: 2015 Signed Artist Proof from the edition of 25 Image Size: 7.5 x 6 inches Paper Size: 15 x 11 inches Signed and numbered by the artist. Seiko Tachibana's...
Category

2010s Abstract Geometric Etching Abstract Prints

Materials

Etching, Aquatint

Untitled (S. 116)
Located in Calabasas, CA
Artist: Donald Judd Title: Untitled (S. 116) Year: 1977-78 Medium: Etching on wove paper Sheet: 30 x 35 in. (76.2 x 88.9 cm.) Edition: 75 plus proofs; signed, numbered and dated in p...
Category

1970s Contemporary Etching Abstract Prints

Materials

Etching

Richard Serra 'Videy Afangar #6' Limited Edition, Signed Etching Print
Located in San Rafael, CA
Richard Serra (born 1939) Videy Afangar #6, from Videy Afangar Series, 1991 Etching on Hahnemühle paper Signed and dated in pencil lower right Edition 73/75 (there were also 20 artis...
Category

1990s Abstract Etching Abstract Prints

Materials

Etching

Dors mon amour
Located in New York, NY
A superb impression of this color aquatint. From an unnumbered edition of 280. Printed by Lacouriere, Paris. Published by Vollard, Paris. From "Cirque de l'Étoile Filante." Catalogu...
Category

1930s Fauvist Etching Abstract Prints

Materials

Color, Aquatint

Le Dandy
Located in Paris, FR
Aquatint and carborundum, 1969 Handsigned by the artist in pencil Edition : 52/75 Publisher : Maeght, Paris Catalog : [Dupin 492] 74.00 cm. x 59.00 cm. 29.13 in. x 23.23 in. (paper...
Category

1960s Abstract Etching Abstract Prints

Materials

Aquatint

Summer Joy, Abstract Expressionist Color Aquatint by Mark Tobey
Located in Long Island City, NY
Mark Tobey, American (1890 - 1976) - Summer Joy, Year: 1971, Medium: Color Aquatint, signed, numbered and dated in pencil, Edition: 10/96, Image Size: 10.75 x 8.75 inches, Frame Si...
Category

1970s Abstract Expressionist Etching Abstract Prints

Materials

Aquatint

Spanish Artist signed limited edition original art print etching, aquatint
Located in Miami, FL
Eduardo Chillida (Spain, 1924-2002) 'Munich', 1994 etching, aquatint on paper gray Eskulan 31.5 x 23.9 in. (80 x 60.5 cm.) Edition of 119 (of which 98 correspond to the Arabic numbered edition). P/A: XX (20) Unframed ID: CHI1038-009 Hand-signed by author It appears reviewed in the catalog raisonné “Eduardo Chillida – Opus P.III. 1986-1996”, Chorus – Verlag. Page 278, cat. 94015. ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...
Category

1990s Abstract Etching Abstract Prints

Materials

Paper, Etching, Aquatint

"H2O"
Located in Slovak Republic, SK
Etching on fine art paper, E.A. 1/1 from the cycle " Botanical Dream Nr. 11", recently presented in the Danubiana Meulenstein Art Museum in Bratislava.
Category

21st Century and Contemporary Modern Etching Abstract Prints

Materials

Etching

Dispersion, by Rosalyn Richards
Located in Palm Springs, CA
Signed, titled and numbered in pencil, #2 from the edition of 10. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics,...
Category

Early 2000s Contemporary Etching Abstract Prints

Materials

Etching, Aquatint

L'Oiseau Bleu - Etching by Johnny Friedlaender - 1970s
Located in Roma, IT
L'oiseau bleu is a print realized by Johnny Friedlaender (Plonia, 1912 - Paris, 1992). Etching on paper. Hand-Signed lower right, edition lower left. Numbered, edition of 5/20 prin...
Category

1970s Surrealist Etching Abstract Prints

Materials

Etching

Double Level I
Located in Saint Louis, MO
Richard Serra Double Level I, 2009 Etching 67 1/2 x 65 inches (171.5 x 165.1 cm) Edition of 12/22 Signed
Category

Early 2000s Contemporary Etching Abstract Prints

Materials

Etching

Fritz William Scholder American artist 1982 original signed engraving mask
Located in Miami, FL
Fritz Scholder (American, 1937-2005) 'Mask of the artist', 1982 Engraving, aquatint and resin 30 x 22.1 in. (76 x 56 cm.) ID: SCH1341-005 Unframed
Category

1980s Contemporary Etching Abstract Prints

Materials

Paper, Ink, Engraving, Etching, Aquatint

"Dans le Royaume des Perles" Colored Etching by Shoichi Hasegawa # 19/110
Located in Pasadena, CA
Shoichi Hasegawa, is a world-renowned Japanese engraver and painter born in Yaizu in 1929. He moved to Paris in 1961 to hone his etching technique. He quickly gained recognition by ...
Category

Late 20th Century Etching Abstract Prints

Materials

Etching

Johnny Friedlaender Abstract Artist's Proof Signed Limited Edition Print
Located in San Rafael, CA
Johnny Gotthard Friedlaender (German, 1912-1992) 'Cadran Solair' (Sun Dial) Titled verso Aquatint etching in colors on wove paper Pencil signed lower right, edition EA (épreuve d'ar...
Category

1960s Abstract Etching Abstract Prints

Materials

Etching, Aquatint

Richard Serra 'Videy Afangar #6' Limited Edition, Signed Etching Print
Located in San Rafael, CA
Richard Serra (born 1939) Videy Afangar #6, from Videy Afangar Series, 1991 Etching on Hahnemühle paper Signed and dated in pencil lower right Edition 73/75 (there were also 20 artis...
Category

1990s Abstract Etching Abstract Prints

Materials

Etching

Oiseau Entre deux Astres, Framed Etching by Joan Miro 1967
Located in Long Island City, NY
Joan Miro was a Catalan painter who combined abstract art with surrealist fantasy, using his signature biomorphic forms and geometric shapes to form a unique identity. This etching’s...
Category

1960s Modern Etching Abstract Prints

Materials

Etching, Aquatint

Untitled
Located in Summit, NJ
Gorgeous aquatint in reds and oranges by Piero Dorazio (Italian 1927-2005). This aquatint is on heavy "Umbria" Fabriano paper. It is signed and dated 1964 in the lower margin in penc...
Category

1960s Abstract Etching Abstract Prints

Materials

Aquatint

La Femme Visible
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: La Femme Visible MEDIUM: original Heliogravure - Etching in the book titled "La Femme Visible" SIGNED: Hand Signed by Salvador Dali on the frontispie...
Category

1930s Surrealist Etching Abstract Prints

Materials

Etching

Oval - Etching by Piero Dorazio - 1987
Located in Roma, IT
Oval is a color etching and aquatint on paper, realized in 1987 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pencil " Piero Dorazio ...
Category

1980s Abstract Etching Abstract Prints

Materials

Etching, Aquatint

Etching for Stephen Spender “Fraternity”
Located in New York, NY
Wassily Kandinsky (1866-1944), Etching for Stephen Spender “Fraternity”, etching and drypoint, 1939, signed in pencil lower right. Reference: Roethel 2...
Category

1930s Abstract Geometric Etching Abstract Prints

Materials

Drypoint, Etching

Conquest of Cosmos The Last Comer of The Last Planet
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Conquest of Cosmos The Last Comer of The Last Planet MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 27.5" x 39.5" YEAR: 1974...
Category

1970s Surrealist Etching Abstract Prints

Materials

Etching

Balance - Original handsigned etching
Located in Paris, IDF
Luis FEITO (1929-) Balance Original etching and aquatint Handsigned in pencil Numbered / 75 On BFK Rives vellum 91.5 x 62.5 cm (c. 36.5 x 25 inch) Very good condition, light defect...
Category

Late 20th Century Abstract Etching Abstract Prints

Materials

Etching, Aquatint

Univers - Etching by Nina Mauli - Late 20th century
Located in Roma, IT
Univers is an original etching print on paper realized by Nina Mauli in the late 20th century. Hand-signed on the lower right in pencil. Numbered, edition of 78/99 prints. Very go...
Category

Late 20th Century Modern Etching Abstract Prints

Materials

Etching

Large Aquatint Etching A Red Color MInimalist Abstract Etching Robert Mangold
Located in Surfside, FL
A Red, from Three Aquatints, 1979 Aquatint on six copper plates printed on Rives BFK paper Paper Size: 40 3/4 x 40 3/4 inches (103.5 x 103.5 cm); Image Size: 33 x 33 inches (83.8 x 83.8 cm) Signed and titled lower left front Edition of 50, 10 AP, 3 TP Published by Parasol Press, New York Printed by Hidekatsu Takada, assisted by David Kelso, Crown Point Press, Oakland, California Robert Mangold (born October 12, 1937) is an American minimalist artist. He is also father of film director and screenwriter James Mangold. Mangold first trained at the Cleveland Institute of Art from 1956-59, and then at Yale University, New Haven, (BFA, 1961; MFA, 1963). In 1961 he married Sylvia Plimack, and they moved to New York. In the summer of 1962 Mangold was hired as guard at the Museum of Modern Art. Mangold's work challenges the typical connotations of what a painting is or could be, and his works often appear as objects rather than images. Elements refer often to architectural elements or have the feeling architecture to them. He almost always works in extensive series, often carried through both paintings and lithograph works on paper. Mangold’s early work consisted largely of monochromatic free-standing constructions. In 1968 he began employing acrylic instead of oil painting, rolling rather than spraying it on Masonite or plywood grounds. Within the year, he moved from these more industrially oriented supports to canvas. In 1970 he began working with shaped canvases and within the year began brushing rather than spraying paint onto canvas. Mangold made his first prints in 1972 at Crown Point Press and has made prints throughout his career, working with Pace Editions and Brooke Alexander Editions. In 1965, the Jewish Museum in New York held the first major exhibition of what was called Minimal art (Minimalism) and included Robert Mangold. In 1967, he won a National Endowment for the Arts grant and in 1969, a Guggenheim Fellowship. In 1971, he had his first solo museum exhibition at the Guggenheim Museum. Major museum exhibitions of his work have since been held the Museum of Contemporary Art, San Diego (1974), the Stedelijk Museum in Amsterdam (1982), Hallen für Neue Kunst in Schaffhausen (1993), and Musée d’Orsay in Paris (2006). He has been featured in the Whitney Biennial four times, in 1979, 1983, 1985, and 2004. His work is related to Geometric Abstraction. Select Exhibitions Robert Mangold, Bruce Nauman, Richard Serra: Extended Drawing, Bonnefantenmuseum Accrochage: Donald Judd, Louise Lawler, Sol LeWitt, and Robert Mangold, Galerie Greta Meert, Carl Andre, Dan Flavin, Donald Judd, Robert Mangold, Robert Ryman, Andrea Rosen Gallery, NY Tara Donovan, Sol LeWitt, Robert Mangold, James Siena: Minimalist Prints, Augen Gallery, Portland Modulated Abstraction: Josef Albers, Carl Andre, Donald Judd, Ellsworth Kelly, Sol LeWitt, Robert Mangold, Fred Sandback, Richard Tuttle, Brooke Alexander Editions, New York, NY Drawings from the 1970’s, Mel Bochner, Robert Mangold, Robert Moskowitz, Fred Sandback, Richard Tuttle, Lawrence Markey, New York, NY Systematic: Anne Appleby...
Category

1970s Minimalist Etching Abstract Prints

Materials

Etching, Aquatint

Celadon Muse
Located in New York, NY
Brice Marden Celadon Muse 2003 Two color etching / one color lithograph 22 x 30 inches; 56 x 76 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available...
Category

Early 2000s Contemporary Etching Abstract Prints

Materials

Etching, Lithograph

Sarajevo 1984 Winter Olympics - by Cy Twombly - 1984
Located in Roma, IT
Sarajevo Winter Olympics is a vintage poster realized by the artist Cy Twombly, in occasion of the XIV Winter Olympics games in Sarajevo, in 1984. Very good conditions. Cy Twombly...
Category

1980s Contemporary Etching Abstract Prints

Materials

Etching, Aquatint, Lithograph

Abstract Composition - Etching by Eugenio Carmi - 1987
Located in Roma, IT
Abstract Composition is an original etching realized by Eugenio Carmi in 1987. Good conditions Numbered. Edition, VIII/XXXV. The artwork is depicted in a well-balanced composition.
Category

1980s Abstract Etching Abstract Prints

Materials

Etching

Round Dance - Etching by Marino Marini - 1963
Located in Roma, IT
Round Dance is an original etching contemporary artwork realized by Marino Marini in the 1960s. Good conditions, not signed as issued. Edition of 100 copies. The artwork is depict...
Category

1960s Abstract Etching Abstract Prints

Materials

Etching

Abstract Composition - Etching by Martine Goeyens - Late 20th century
Located in Roma, IT
Abstract Composition is an etching realized by Martine Goeyens in the late 20th century. Hand-signed. Numbered 3/50 prints. Good conditions. The artwork is created through expres...
Category

Late 20th Century Contemporary Etching Abstract Prints

Materials

Etching

"Haarlem" Aquatint Etching on Paper
Located in Soquel, CA
Bold abstract aquatint by Johnny Friedlaender (Polish-French, 1912-1992). Comprised of two main sections, this piece is full of detail and texture. The upper layer is a reddish tan, whereas the bottom layer is a rich brown. Geometrical shapes are arranged such that they almost form mirror images of each other, but vary enough to create interest and a sense of movement. Signed in the lower right corner. Numbered 56/350 in the lower left corner. Includes original certificate of authenticity. Presented in a new cream mat with foamcore backing. Mat size: 42"H x 32"W Paper size: 33.75"H x 24.5"W Johnny Friedlaender was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain, Rene Carcan...
Category

1970s Abstract Geometric Etching Abstract Prints

Materials

Paper, Etching, Aquatint

San Marco #2
Located in Palm Springs, CA
Signed and numbered by the artist, unique etching with hand coloring. This is based on one section of the larger work, the artist book/wall hanging "endless". "This print is ded...
Category

Early 2000s Contemporary Etching Abstract Prints

Materials

Etching

fern-butterfly effect f-1
Located in Palm Springs, CA
Medium: intaglio Year: 2015 Signed Artist Proof from the edition of 25 Image Size: 7.5 x 6 inches Paper Size: 15 x 11 inches Signed and numbered by the artist. Seiko Tachibana's...
Category

2010s Abstract Geometric Etching Abstract Prints

Materials

Etching, Aquatint

Fire Bird by Makoto Ouchi, Japanese etching, kabuki contemporary red gold black
Located in Santa Fe, NM
Fire Bird by Makoto Ouchi, Japanese etching, kabuki contemporary red gold black Ouchi Makoto (大内マコト) was born in Kawasaki, Kanagawa Prefecture, and enter...
Category

1980s Contemporary Etching Abstract Prints

Materials

Etching

Baby, Baby
Located in Fairlawn, OH
Baby, Baby Etching & aquatint printed in colors, 1991 Signed, dated, titled & numbered in pencil (see photos) Edition: 35 (4/35) plus 10 AP Condition: Excellent, colors fresh Image/...
Category

1990s Abstract Expressionist Etching Abstract Prints

Materials

Aquatint

Two Figures - Etching by Luciano Minguzzi - Late 20th Century
Located in Roma, IT
Image 29.5 x 24 cm. Two Figures is an original etching on paper, realized by the Italian artist Luciano Minguzzi, the artwork is hand-signed, numbered by the artist in pencil on the...
Category

1970s Abstract Etching Abstract Prints

Materials

Etching

Ross Bleckner "Pathways" Etching and Aquatint
Located in Astoria, NY
Ross Bleckner (American, b. 1949), "Pathways", Etching and Aquatint in Colors on Paper, 2002, marked "TPD" lower left, signed in pencil and dated lower right, part of a limited editi...
Category

Early 2000s Contemporary Etching Abstract Prints

Materials

Etching, Aquatint

Tall Abstract Etching by Arnaldo Pomodoro
Located in Long Island City, NY
Artist: Arnaldo Pomodoro Title: Untitled - I Year: 1970 Medium: Etching, signed and numbered in pencil Edition: 68/90 Size: 62 in. x 19.5 in. (157.48 cm x 49.53 cm) Frame Size: 69 x ...
Category

1970s Abstract Etching Abstract Prints

Materials

Etching

Joan Miro, Le Matador, original etching, hand signed
Located in Chatsworth, CA
This piece is an original etching, aquatint, dry-point and carborundum by Joan Miro, done in 1969. It is hand signed and numbered 54/75 from the edition of 75 copies on Arches, plus ...
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1960s Abstract Etching Abstract Prints

Materials

Drypoint, Etching, Aquatint

For Alberti, For Spain! - Etching by Joan Mirò - 1975
Located in Roma, IT
For Alberti, For Spain!  is a contemporary artwork realized by Joan Mirò in 1975. Mixed colored etching. Hand signed and numbered on the lower margin. Edition of XXVIII/LX. There ...
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1970s Surrealist Etching Abstract Prints

Materials

Etching

Joan Miró, "Le Permissionnaire", etching and aquatint
Located in Chatsworth, CA
Joan Miró "Le Permissionnaire", 1974 Original etching and aquatint From the edition of 50 on arches paper, hand signed and numbered 3/50. Image measures: 45 x 29 inches Sheet measure...
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1970s Abstract Etching Abstract Prints

Materials

Etching, Aquatint

Red to Green Portal
Located in Fairlawn, OH
Red to Green Portal Aquatint, 1979 Signed and dated in pencil lower right (see photo) Edition: 95 (84/95), see photo Provenance: U.S. Representative James A. Leach, retired Condition...
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1970s Op Art Etching Abstract Prints

Materials

Aquatint

Strange Alchemy, by Rosalyn Richards
Located in Palm Springs, CA
Signed, titled and numbered from the edition of only 10 prints. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, s...
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Early 2000s Contemporary Etching Abstract Prints

Materials

Etching, Aquatint

"Salome" 2003 last Mexican Muralist artist original first print proof engraving
Located in Miami, FL
Raul Anguiano (Mexico, 1915-2006) 'Salomé', 2003 Engraving, sugarlift on Deponte handmade heavy-weight paper of 650 g. 19.3 x 15 in. (49 x 38 cm.) ID: ANG-108 Hand-signed by author
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Early 2000s Contemporary Etching Abstract Prints

Materials

Ink, Etching, Aquatint

Eau Forte XXV, 1974, Etching, Limited Edition of 100 by Pierre Soulages -BNF27
Located in Hong Kong, HK
Pierre Soulages Eau Forte XXV 1974 Edition number: 82/100 Etching in colors, signed in pencil by the artist on Velin d'Arches paper Printed and published by Lacouriere-Frelaut, Paris...
Category

1970s Abstract Etching Abstract Prints

Materials

Etching

Red Sun by Makoto Ouchi, Japanese etching 1/60, red, yellow Kabuki contemporary
Located in Santa Fe, NM
Red Sun by Makoto Ouchi, Japanese etching 1/60, red, yellow Kabuki contemporary some rippling on paper. Imagery is in tact and vibrant. Ouchi Makoto (大内...
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1980s Contemporary Etching Abstract Prints

Materials

Etching

Kumadori by Makoto Ouchi, Japanese etching 18 of 60 Kabuki contemporary orange
Located in Santa Fe, NM
Kumadori by Makoto Ouchi, Japanese etching 18 of 60 Kabuki contemporary orange wear shows on the paper Ouchi Makoto (大内マコト) was born in Kawasaki, Kanag...
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1980s Contemporary Etching Abstract Prints

Materials

Etching

fern-butterfly effect g-1
Located in Palm Springs, CA
Medium: intaglio Year: 2015 Signed Artist Proof from the edition of 25 Image Size: 7.5 x 6 inches Paper Size: 15 x 11 inches Signed and numbered by the artist. Seiko Tachibana's...
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2010s Abstract Geometric Etching Abstract Prints

Materials

Etching, Aquatint

Genesis 3th Day
Located in San Francisco, CA
This artwork titled "Genesis 3th Day" 1962 is a n original colors etching , with embossing by noted American artist Dennis Ray Beall, b.1929. It is hand signed, titled, dated and num...
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Mid-20th Century American Modern Etching Abstract Prints

Materials

Etching

Etchings (set of 9) by Brian Eno, 2023, Etching on Somerset Velvet 400gsm
Located in Zug, CH
Brian Eno Etchings (Set of 9), including Tao Boötis, Osiris, Elger, Majriti, Saffar, Methuselah, Dimidium, Taphao Thong and Samh. 2023 Etching on Somerset Velvet 400gsm, with deckled...
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2010s Abstract Etching Abstract Prints

Materials

Etching

'Feu sous L'eau' (Fire Under Water) —Mid-century Modernism, Atelier 17
Located in Myrtle Beach, SC
Stanley William Hayter, 'Feu sous L'eau (Fire Under Water)', color engraving, soft-ground etching and scorper with yellow silkscreen, 1955, edition 50 plus 10 artist proofs, Black & Moorhead 221. Signed, titled 'Fire Under Water', dated and annotated 'Essai' in pencil. Dedicated in the artist’s hand 'for Adja & Dove WH Bill 17–5–55' in the top margin. A superb, richly inked impression with fresh colors, on heavy, cream wove paper; wide margins (2 1/2 to 3 7/8 inches), in excellent condition. One of 10 artist’s proofs. Image size 10 3/16 x 7 inches; sheet size 18 1/8 x 12 1/4 inches. Matted to museum standards, unframed. ABOUT THIS WORK In 1950 Hayter returned to Paris and reopened Atelier 17. Works such as 'Fire Under Water' reveal newfound influences, such as that of the Ardèche area of southern France, where he acquired a house in 1951 and frequently visited. Hayter took great interest in the flowing Escoutay River, an experience that parallels the artist and co-director of Atelier 17 Krishna Reddy’s interest in depicting water. While some forms in this print evoke the natural world, the palette of contrasting tones of purple, yellow, black, and white reflects Hayter’s belief in using color intuitively to express emotions and evoke feelings. The sharp white relief lines from the paper and the textural effects realized through soft-ground etching operate in tandem with the sweeping curves and bold colors to give the composition a sense of vitality and dynamism. —edited from the Metropolitan Museum of Art Published by 'La Jeune Gravure Contemporaine', Paris. Impressions of this work are in the following collections: British Museum, Metropolitan Museum of Art, National Gallery of Art. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen Phillips...
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1950s Abstract Expressionist Etching Abstract Prints

Materials

Engraving, Etching

"Animated Formation" Abstract Aquatint Etching
Located in Soquel, CA
"Animated Formation" Abstract Aquatint Etching Abstract Aquatint Etching by Katherine "Kay" Metz (b. 1932-2018.)This dynamic print by Kay Metz straddles the line between organic and...
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1950s Post-War Etching Abstract Prints

Materials

Etching, Archival Paper, Aquatint

Meduse, Very scarce mid century modern abstract expressionist Signed/N Framed
Located in New York, NY
Stanley WIlliam (Bill) Hayter Meduse, 1958 High Viscosity Etching & Engraving Pencil signed, titled and numbered from the edition of 50 (10/50) on th...
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Mid-20th Century Abstract Expressionist Etching Abstract Prints

Materials

Mixed Media, Etching, Aquatint

"Insignia #2" Abstract Mixed Media on Handmade Paper
Located in Soquel, CA
"Insignia #2" Abstract Mixed Media on Handmade Paper Tactile Abstract on handmade paper by David Dodsworth (English, b. 1952) - David’s work is typifi...
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1980s Abstract Expressionist Etching Abstract Prints

Materials

Gold Leaf

Alan Shields, Alice in Grayland, Mixed media collage, abstraction signed 1/13
Located in New York, NY
Alan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 by Alan Shields on the front Unique variant This very unique and imaginative mixed media paper collage with stitching and fabric is floated and framed in a museum quality white wood frame with UV plexiglass. It is hand signed, dated, titled and numbered from the limited edition of 13 - but each is a unique variant. Frame included: Measurements: Frame: 27.75 x 22.5 x 2 inches Artwork: 23.5 x 18 inches Catalogue Raisonne: K. Tyler Tyler Graphics: Catalogue Raisonné, 1974-1985, New York: Abbeville Press, 1987. p. 289. Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. About Alan Shields: Alan Shields (b. 1944, Herington, KS; d. 2005, Shelter Island, NY) created unique, imaginative, and theatrical structures using unconventional materials and vibrant color. His three-dimensional paintings convey a playful, deconstructive impulse through the incorporation of un-stretched hand-dyed canvas, rope, yarn, beads, and wood. Shields moved to New York City in 1968, where he showed with Paula Cooper...
Category

1970s Abstract Expressionist Etching Abstract Prints

Materials

Mixed Media, Handmade Paper, Etching, Aquatint, Screen

Tripartite Composition - Original Etching by Cesare Peverelli - 1973
Located in Roma, IT
Image dimensions: 23.5 x 17.5 cm Tripartite composition is an original black and white aquatint, chalcography and etching on paper, realized by the Italian artist Cesare Peverelli (...
Category

1970s Contemporary Etching Abstract Prints

Materials

Etching

"Juggler on a Tightrope" Etching in Ink on Paper
Located in Soquel, CA
"Juggler on a Tightrope" Etching in Ink on Paper Playful etching of a performer by Dick Swift (American, 1918-2010). A juggler is show in a cubist style, w...
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Mid-20th Century Cubist Etching Abstract Prints

Materials

Paper, Ink, Etching

Etching abstract prints for sale on 1stDibs.

Find a wide variety of authentic Etching abstract prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, orange, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Leo Guida, Christian Bozon, Hans Richter, and Sante Monachesi. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching abstract prints, so small editions measuring 0.02 inches across are also available

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