Handmade Paper Abstract Prints

Tracey Emin I Love You/I Love Your Soul/I Love Your Smile, ca. 2010 100% Cotton Beach Towel 60 × 70 inches (folded it's 25 x 30 inches) Signed in plate, authorized printed...

"Insignia #2" Abstract Mixed Media on Handmade Paper Tactile Abstract on handmade paper by David Dodsworth (English, b. 1952) - David’s work is typifi...

Criss-Cross, 2019 by a.muse is on the subject of missed connections and chance meetings. The one of a kind chine-colle monotype was hand-pulled on an etching press by the artist. An ...

Love Me Tender, 2019 by a.muse is about unspoken desire in relationships. A 13.5" x 11" chine-colle monotype, dated, titled, and signed (front and back) by the artist. Love Me Tende...

With Nine Pointed Stars, the most complex of the “Pointed Star” series executed in 1996, Lewitt employs his trademark systematic use of grids, geometric shapes, and precise mathemati...

Title: Guide 32 color screenprint on 100% rag handmade, shaped deckle edged paper. with applied glitter. hand signed in pencil, stamped and numbered from edition of 33. Sandy Kinnee is known for paper making, printmaking and collage. Sandy Kinnee lives and works in Colorado Springs, CO. Kinnee was born on March, 30, 1947 in Port Huron, MI. He received his BFA from the University of Michigan in 1969 and MFA from Wayne State University in 1976. Kinnee has taught at Colorado College, the University of Colorado, Colorado Springs and the Colorado Springs Fine Art Center. Sandy Kinnee was awarded a Pollack-Krasner Foundation grant. His work bears some surface similarities to Sam Francis and Alan Shields works. This has the feel of the Pattern and Decoration art movement. His print works are represented in numerous public and private collections including The Metropolitan Museum of Art, New York, NY, Brooklyn Museum, Brooklyn, NY, Princeton University Art Museum, Princeton, NJ, University of Michigan Museum of Art, Ann Arbor, MI, New Britain Museum of American Art, New Britain, CT, Swissair, Zurich, CH Suchard Chocolate, Walt Disney World (Michael Graves designed Hotel, at), Westinghouse Art Collection, General Mills Art Collection. Select Solo Exhibitions 2019 Buell Theatre, Denver, CO 2019 McNichol’s Building, Denver, CO 2019 William Havu Gallery, Denver, CO 2017 Special Collections, Tutt Library, Colorado Springs, CO 2002 Visual Arts Gallery, Central Arizona College, Coolidge, AZ 1999 Art Selection, Zurich, Switzerland Select Group Exhibitions 2015 “Director’s Favorites: 1999–2015”, New Britain Museum of American Art, CT. 2008 “The Imbedded Image – Current Work In Hand Papermaking”, St. Louis, MO. 1999 Art Multiple, Dusseldorf, Germany 1999 SAGA/FICA Edition, Paris, France 1996 Kunstmessig, Olso, Norway 1994 Dresden Art Fair, Dresden, Germany 1993 Dusseldorf, Germany 1992 “Four Americans” Art Selection, Zurich, Switzerland 1990 Alumni Exhibition, University of Michigan, Ann Arbor, MI 1989 Virginia Miller Galleries, Coral Gables, FL 1984 “Watercolors”, Cunningham Memorial Art Gallery, Bakersfield, CA 1984 “Paper Transformed: A National Exhibition of Paper Art”, Terre Haute, IN 1984 “Paperworks”, Academy of Art College Gallery, San Francisco, CA 1983 “Fan and Kimono”, Kauffman Galleries, Houston, TX 1980 “In Celebration of Prints”, The Philadelphia Art Alliance, PA 1980 “Selected Prints”, Educational Testing Services, Princeton, NJ 1980 “Ten Western Printmakers”, a Traveling Exhibition, organized by WSAF 1980 “Its Pure Paper”, Lake Placid School of Art, Lake Placid, NY 1980 “Fire and Water”, Rockland Center for the Arts, West Nyack, NY 1979 “Fans”, Philadelphia Museum of Art, Philadelphia, PA 1978 “Paper as Medium”, traveling exhibition, organized by the Smithsonian Institution 1977 “Works on Handmade Paper”, National Collection of Fine Arts, Washington, DC 1977 “Paper Art”, Land Gallery, Scripps College, Claremont, CA 1976 “Works...

Alan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 by Alan Shields on the front Unique variant This very unique and imaginative mixed media paper collage with stitching and fabric is floated and framed in a museum quality white wood frame with UV plexiglass. It is hand signed, dated, titled and numbered from the limited edition of 13 - but each is a unique variant. Frame included: Measurements: Frame: 27.75 x 22.5 x 2 inches Artwork: 23.5 x 18 inches Catalogue Raisonne: K. Tyler Tyler Graphics: Catalogue Raisonné, 1974-1985, New York: Abbeville Press, 1987. p. 289. Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. About Alan Shields: Alan Shields (b. 1944, Herington, KS; d. 2005, Shelter Island, NY) created unique, imaginative, and theatrical structures using unconventional materials and vibrant color. His three-dimensional paintings convey a playful, deconstructive impulse through the incorporation of un-stretched hand-dyed canvas, rope, yarn, beads, and wood. Shields moved to New York City in 1968, where he showed with Paula Cooper...

Title: Steal 32 color screenprint on 100% rag handmade, shaped deckle edged paper. hand signed in pencil, stamped and numbered from edition of 20. The piece below is one of a series...

Tell Me, 2019 by a.muse is a 13.5" x 10.25" chine-colle monotype dated, titled, and signed (front and back). The print, hand-pulled on an etching press by the artist, is in an editio...

This piece titled "the same mysterious animacy" is an original piece by Cassie Normandy White and is made from collaged monoprints, microscopic scans, ...

This piece titled "learning to see" is an original piece by Cassie Normandy White and is made from collaged monoprints, microscopic scans, watercolor. ...

This piece titled "the sacredness unfolds" is an original piece by Cassie Normandy White and is made from collaged monoprints, microscopic scans, water...