Screen Abstract Prints

Abstract Composition is an Original screen print realized by Plinio Mesciulam in 1973. Very good condition on a black cardboard. Hand-signed and numbered by the artist on the lower...

Recently graduated from Pasadena’s legendary Art Center College of Design, Tom Baldwin created the series of inkjet prints Japanese Gardens in 1996 on his computer, using then-nascent graphics technology to "paint" his images on the computer screen. Baldwin embraced this technology and its accompanying printing process not just for the speed and ease of their use, but because the artist could achieve the absolute flatness that the principles of modernism preached but ultimately--because of the limitations of their tools--never reached. These colorful, semi-abstracted views of Japanese temple landscapes subtly, but radically redefine picture space. Baldwin shifts fore and backgrounds, giving equal weight to skies and hillsides. Endowing a lowly bush with a vibrant purple or orange might cause it to pop out of proportion, but ultimately lends balance and stability to the work itself, in short, returning the composition to its original, harmonious whole in keeping with the subject matter. these original prints employ a color scheme that seems more reminiscent of 1980s Japanese pop art beer advertisements...

A very good impression of this color giclée print with screenprinted varnish on white wove paper. Signed, dated and numbered 23/50 in pencil.

A colorful OP Art silkscreen by Poland-born American OP Artist, Julian Stanczak. Artist: Julian Stanczak, American (1928 - 2017) Title: Trespass Year: 1981 Medium: Screenprint, si...

Abstract composition is a colored screen print on paper, realized in the 1970s by the Italian artist Wladimiro Tulli. Hand-signed on the lower right. Artist's proof. Good condition...

Colors Vibration is an screen print realized by Umberto Maria Casotti in 1971. Hand-signed and dated on the lower right. Numbered on the lower left. Edition of 27/80 prints The st...

Modern Cubist Abstract in Primary Colors, A/P by Juan Quevedo "Linias Emocionales", a bold and bright cubist abstract artist proof screen print by Juan...

Ushio Shinohara (born 1932, Tokyo), nicknamed “Gyu-chan”, is a Japanese Neo-Dadaist artist. His bright, large work has been exhibited internationally at institutions including the Hara Museum of Contemporary Art, Centre Georges Pompidou, the Guggenheim Museum SoHo, National Museum of Modern Art, Tokyo, Leo Castelli Gallery, New York, Museum of Contemporary Art, Los Angeles and The Metropolitan Museum of Art, Seoul and others. Shinohara and his wife, Noriko, are the subjects of a documentary film by Zachary Heinzerling called Cutie and the Boxer (2013). Shinohara's parents instilled in him a love for painters such as Paul Cézanne, Vincent Van Gogh and Paul Gauguin. His father was a tanka poet who was taught by Wakayama Bokusui. Shinohara’s mother was a painter who went to the Woman’s Art University (Joshibijutsu Daigaku) in Tokyo. In 1952 Shinohara entered the Tokyo Art University (later renamed to Tokyo University of the Arts), majoring in oil painting, however he left before graduation in 1957. In 1960 Shinohara participated in a group called "Neo-Dada Organizers". (Masunobu Yoshimura, Genpei Akasegawa, Shusaku Arakawa, Ushio Shinohara, Sho Kazakura, Tomio Miki, Tetsumi Kudo, Natsuyuki Nakanishi) This group of artists showed their works of art in an exhibition in the 1960s called the Yomiuri Independent Exhibition. This exhibition was sponsored by a newspaper, was open to the public, and was not judged by anyone. This type of exhibition was a form of an anti-salon and was a stepping stone for Shinohara’s sculptures of found objects which acquired the label of “junk art...

Abstract composition is a colored screen print on paper, realized in the 1970s by the Italian artist Wladimiro Tulli. Hand-signed on the lower right. Numbered. Edition, 54/100. A b...

Enrico Baj (1924 - 2003) - Mixed Media with Applications on Screenprint, 1986 Additional Information: Title: Ninon de Lenclos and Eleonora of Navarre surprised by the Duke of Enghie...

"Indianapolis Museum of Art Inaugural Exhibitions", 25 October 1970, is an eye popping large bold colorful geometric abstract silk screen. It is signed on the lower right. Robert Indiana, one of the preeminent figures in American art since the 1960s, played a central role in the development of assemblage art, hard-edge painting, Pop art, Neo-Dada, American Modernism and Modern Art. A self-proclaimed “American painter of signs,” Indiana created a highly original body of work that explores American identity, personal history, and the power of abstraction and language, establishing an important legacy that resonates in the work of many contemporary artists such as Andy Warhol, Keith Haring, Roy Lectenstein, David Hockney, Romero Britto, Richard Hamilton and Robert Rauschenberg who make the written word a central element of their oeuvre. Robert Indiana was born Robert Clark in New Castle, Indiana on September 13, 1928. Adopted as an infant, he spent his childhood moving frequently throughout his namesake state. At 14 he moved to Indianapolis in order to attend Arsenal Technical High School, known for its strong arts curriculum. After graduating he spent three years in the U.S. Air Force and then studied at the Art Institute of Chicago, the Skowhegan School of Sculpture and Painting in Maine, and the Edinburgh College of Art in Scotland. In 1956, two years after moving to New York, Indiana met Ellsworth Kelly, and upon his recommendation took up residence in Coenties Slip, where a community of artists that would come to include Kelly, Agnes Martin, James Rosenquist, and Jack Youngerman had studios. Indiana, like some of his fellow artists, scavenged the area’s abandoned warehouses for materials, creating sculptural assemblages from old wooden beams, rusted metal wheels, and other remnants of the shipping trade that had thrived in Coenties Slip. The discovery of 19th century brass stencils led to the incorporation of brightly colored numbers and short emotionally charged words onto these sculptures as well as canvases, and became the basis of his new painterly vocabulary. Although acknowledged as a leader of Pop, Indiana distinguished himself from his Pop peers by addressing important social and political issues and incorporating profound historical and literary references into his works. In 1964 Indiana accepted Philip Johnson’s invitation to design a new work for the New York State Pavilion at the New York World’s Fair, creating a 20-foot EAT sign...

Artist: Thomas W. Benton, American (1930 - 2007) Title: Yellow Dunes Year: 1981 Medium: Silkscreen, Signed and numbered in pencil Edition: 250, HC 3 Image Size: 32 x 32 inches ...

Artist: Kyohei Inukai, American (1913 - 1985) Title: Egg (Black) Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 25 Image Size: 26.5 x 20 inches Size: 35 ...

Night Fall is a color screen print on paper, realized in 1990 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pencil "Piero Dorazio 199...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

Screen print in colors on wove paper. Hand signed, dated and numbered by KAWS. 93 from the edition of 100 (there were also 15 artist's proofs). Published by KAWSONE, Brooklyn. Fra...

Victor Vasarely born in 1906 was a Hungarian-French artist, who is widely accepted as a "grandfather" and leader of the Op Art movement. Op Art is a form of abstract art that gives the illusion of movement by the precise use of pattern and color, or in which conflicting patterns emerge and overlap. Victor Vasarely and Brigit Riley are its most famous exponents. In its visual balancing act of color and movement from a flat plane to developed continuous flow “Untitled” is a complex arrangement of squares and colors that visually expand and contract. It is one of Vasarely’s most successful Op Art abstract works. The piece is signed on the lower right and number 20/150 on the lower left. The print is behind glass and matted. Vasarely was born in Pecs and grew up in Slovakia and Budapest, where in 1925, he took up medical studies. Abandoning medicine he turned to traditional academic painting at the private Podolini-Volkmann Academy. In 1928/1929, he enrolled at Sandor Bortnyik’s private art school widely recognized as Budapest's centre of Bauhaus studies. His studies concentrated on applied graphic art and typographical design. In 1929, he painted his Blue Study and Green Study. In 1930, he married his fellow student Claire Spinner (1908–1990). Together they had two sons, Andre and Jean-Pierre. Vasarely became a graphic designer and a poster artist during the 1930s combining patterns and organic images with each other. Vasarely utilized geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard...

Vintage Mona Lisa, 2020 Signed and numbered Silkscreen 22.5 x 30 inches Edition 15 of 35

The Red and Yellow Structures is an original colored screen print realized by Renato Barisani in 1983. Hand-signed and dated in pencil on the lower right. Numbered in pencil on the ...

Carnivalesque Composition is a colored screen print on paper, realized in 1973 by the Italian artist Wladimiro Tulli. Hand-signed on the lower right. Numbered, edition of 76/100. ...

Screen print in colors on wove paper. Hand signed, dated and numbered by KAWS. Edition 61/100 (there were also 15 artist's proofs). Published by KAWSONE, Brooklyn. Frame size ap...

Negative-Positive is an original screen print realized by Bruno Munari in 1991. Hand-signed and numbered with pencil by the artist on the lower margin. Good condition. Bruno Muna...

Hand Signed. Edition of 90 pieces plus some Artist's Proofs. Excellent conditions.

Frozen Sky 1999 A screen print on Somerset Satin 410 gsm paper Paper image size: 70.0 x 66.0 cm Edition 45 with 11 artist’s proofs Proofed editioned at Advanced Graphics, London Published by Alan Cristea Gallery Langlands & Bell are two artists who work collaboratively. Ben Langlands (born London 1955) and Nikki Bell (born London 1959), began collaborating in 1978, while studying Fine Art at Middlesex Polytechnic in North London, from 1977 to 1980. Their artistic practice ranges from sculpture, film and video, to innovative digital media projects, and full-scale architecture. Their work focuses on the complex web of relationships linking people with architecture and the built environment, and on a wider global level, the coded systems of mass-communications and exchange we use to negotiate an increasingly fast-changing technological world. In the mid-1980s, they became known for making monochromatic sculptures and reliefs, often in the form of furniture or architectural models, which employed an analytical and almost archeological approach to architecture and design typologies to explore human social interaction in terms ranging from the personal, to the socio-aesthetic, and socio-political. Langlands & Bell have exhibited internationally throughout their career including in exhibitions at Tate Britain and Tate Modern, the Imperial War Museum, the Serpentine Gallery, and the Whitechapel Art Gallery in London, at IMMA, Dublin, Kunsthalle Bielefeld, Germany, MoMA, New York, the Central House of the Artist, Moscow, Venice Biennale, Seoul Biennale, and CCA Kitakyushu and TN Probe, Tokyo in Japan. Their work was first purchased by Charles Saatchi in 1990 and 1991 from exhibitions at Maureen Paley Interim Art, London. It was subsequently exhibited in the first of the Young British Artists exhibitions at the Saatchi Collection, Boundary Road in 1992, and again in the 1997 Sensation exhibition at the Royal Academy in London. Sensation toured to the Hamburger Bahnhof, Berlin and the Brooklyn Museum, New York in 1998/99. In 1996-1997, a major survey exhibition Langlands & Bell Works 1986–1996 co-curated by the Serpentine Gallery, London, and Kunsthalle Bielefeld, Germany also toured to Cantieri Culturali alla Zisa, Palermo, Italy, and Koldo Mitxelena, San Sebastián, Spain. In 2002, Langlands & Bell were commissioned by the Art Commissions Committee of the Department of Art at the Imperial War Museum, London, to travel to Afghanistan to research "The Aftermath of September 11 and the War in Afghanistan". In 2004, they won the BAFTA Award (British Academy of Film & Television Arts) for Interactive Arts Installation for The House of Osama bin Laden, the trilogy of art works resulting from their visit. In 2004 Langlands & Bell were also short-listed for the Turner Prize for the same work. Artworks by Langlands & Bell are in the permanent collections of many prominent international art museums including the British Museum, Imperial War Museum, (Focusing on contemporary images of conflict, violence, war and peace, ‘Caught in the Crossfire’ drew from the permanent collection of the Herbert Art Gallery, including works by Banksy, Graham Sutherland, Langlands & Bell, Ori Gersht and Terry Atkinson...

TECHNICAL INFORMATION: Victor Vasarely Composition Microcosmos IV 1980 Screenprint 13 x 10 in. Edition of 50 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fin...

Limited edition 'Pinocchio' screen print by Pop Art icon, Jim Dine (b. 1935) Published by Lincoln Center for the Performing Arts 41 x 29.5 inches in black frame Seven color screen ...

Jean Dubuffet Banque de L'Hourloupe Original Card with a title card Original edition of 350 numbered sets with 30 hors commerce Dimensions: 25 x 16 cm Screen printed by Kelpra Studios, London Editions Alecto, London 1967 Jean Dubuffet (1901 - 1985) Jean Dubuffet was born on July 31, 1901, in Le Havre, France. He attended art classes in his youth and in 1918 moved to Paris to study at the Académie Julian, which he left after six months. During this time, Dubuffet met Raoul Dufy, Max Jacob, Fernand Léger, and Suzanne Valadon and became fascinated with Hans Prinzhorn's book on psychopathic art. He traveled to Italy in 1923 and South America in 1924. Then Dubuffet gave up painting for about ten years, working as an industrial draftsman and later in the family wine business. He committed himself to becoming an artist in 1942. Dubuffet's first solo exhibition was held at the Galerie René Drouin, Paris, in 1944; the Pierre Matisse Gallery gave him his first solo show in New York in 1947. During the 1940s, the artist associated with André Breton, Georges Limbour, Jean Paulhan, and Charles Ratton...

Artist: Ray Elman Title: Sox Year: 1979 Medium: Screenprint and Collage, signed and numbered in pencil Edition: 88/160 Image: 27.75 x 24 inches Paper Size: 38 in. x 32 in. (96.52 cm ...

Blue and Red Space Ilk Screen, 1971 Signed and dated lower right (see photo) editioned lower left (see photo) Edition: 75 (75/75) Sheet size: 22 1/8 x 29 7/8" Image: 21-7/8 x 29-5/8"...

Astral Space is an original artwork realized in 1974 by Camilian Demetrescu. Screen print from the portfolio "Gli Spazi" realized in 1974. Origina...

Artist: Thomas W. Benton, American (1930 - 2007) Title: Untitled - Rainbow Mountain Year: 1981 Medium: Silkscreen, Signed and numbered in pencil Edition: 250, XLV Image Size: 3...

Yellow Composition is a contemporary artwork realized by Umberto Mastroianni, in the late 1980s. Mixed colored screen print. Hand-signed by the artist on the lower right in pencil. ...

Negative-Positive is an original screen print realized by Bruno Munari in 1991. Hand-signed and numbered with pencil by the artist on the lower margin. Good condition. Bruno Munar...

Chris Ofili R.I.P. Stephen Lawrence 1974 - 1993, 2013 Lithographic print in 4 colours with silkscreened glow-in-the-dark text 17 7/10 × 14 inches Edition of 100 Accompanied by a numb...

In 1984, Eric Orr and Keith Haring joined forces to create a series of chalk drawings in the NYC subways. As their work evolved, the artists shifted their focus from the subway to the studio and embarked on the production of a suite of drawings. Included in the group was Repeat which had made its first appearance in the 23rd Street IRT uptown station. Little did Orr and Haring know that the reimagined drawing would be auctioned at Christie’s six years later. 2020 heralds a new beginning for Repeat, a truly unique silkscreen print that both illustrates and celebrates a fierce friendship that began in the early 1980s at The Roxy roller rink in NYC, when two young artists decided to trade t-shirts on the dance floor. Repeat, Eric Orr and Keith Haring, 2020 Silkscreen on 320 gram Coventry Rag paper with hand-deckled edges Dimensions: 20 x 28 inches Edition Size: 250 with 25 Artist Proofs and 25 Printer Proofs Signed and numbered in pencil by Eric Orr Plate signed by Eric Orr and Keith Haring Courtesy of Eric Orr and the Keith Haring Foundation Printed and Published by Gary Lichtenstein...

Poster designed Martin Szufter with the approval of Andy Warhol, using an image of a Warhol work from the exhibition The New Gallery, 1971 Silkscreen on paper 24 × 17 1/2 inches Unfr...

The Red and Yellow Structures is an original colored screen print realized by Renato Barisani in 1983. Hand-signed and dated in pencil on the lower right. Numbered in pencil on the...

Victor Vasarely was a French-Hungarian artist credited as the grandfather and leader of the Op Art movement. Utilizing geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. Born Győző Vásárhelyi on April 9, 1906 in Pécs, Hungary, he briefly studied medicine, but after two years he dedicated himself to learn academic painting. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard paintings...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Artist: John Hultberg, American (1922 - 2005) Title: Dancing in the Night Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 ...

Untitled is an original contemporary artwork realized by Gianni Dova in 1960. Mixed colored screen print. Artist's proof, not signed. Includes frame (112.5 x 83 cm). Good conditi...

Agrà Nero su Nero is a colored screen print on paper realized by the Italian artist Sante Monachesi in 1973 and published by Euromuseum Editore, Ancona. Hand-Signed in pencil on th...

Hand Signed. Edition of 90 pieces plus some Artist's Proofs.

Seven seals is an original screenprint on black paper realized by Italian artist Vincenzo Agnetti. Hand-signed on the lower right. Titled on the lower center in Italian Numbered, edition of 14/70...

Screenprint by Antonio Saura "Aquella tarde al verse en el espejo.." from "Diversaurio", 1962 77,5 x 55,2 cm Copy 52 Edition of 85 Antonio Saura (Hue...

Negative-Positive is an original screen print realized by Bruno Munari in 1991. Hand-signed and numbered with pencil by the artist on the lower margin. Good condition. Bruno Muna...

Negative-Positive is an original screen print realized by Bruno Munari in 1991. Hand-signed and numbered with pencil by the artist on the lower margin. Good condition. Bruno Muna...

This artwork titled "Landscape T.L.B." is an original color screen print with embossing by Japanese abstract expressionist artist Manabu Onogi (Onoki) 1924-1976. It is hand signed, t...

Halloween 40th Anniversary Screen Print by Bob Gleason: To celebrate one of our favorite film franchise’s 40th anniversary, a phenomenal looking new film entry, and one of the most ...

This screenprint was created by American artist Josef Levi. Levi is especially known for his interest in the visual similarities that transcend cultures, like the pattern shown here....

Abstract Composition is an original contemporary artwork relized by the artist Jean Dewasne (1921-1999) in the 1970s. Mixed colored on aluminum plate and varnish. Label on the bac...

Our M.C.-2 Screen print, 1970 Signed in pencil lower right Chop stamp: Denise Rene Editeur, on lower left margin From: Album Charities Edition: 300 (35/300) Catalog raisonne states e...

Artist: Louise Nevelson, American (1899 - 1988) Title: Paris Review Medium: Silkscreen, signed and numbered in pencil Edition: 70/100 Image Size: 28.5 x 21 inches Size: 40 x 26 in. (...

IAN HORAK (1944-2002) An American draughtsman, painter and printmaker, and one of the founding artists of the Hyperrealist and Photorealist art movements, Hornak produced Hyperrealis...

One of the most sought after prints by Invader fans as this was his last release with Steve Lazarides. Mr. Lazaride's is a legend in his own right having represented everyone from Banksy, Paul Incest and many others. This is a must have for any Invader Was Here Fan! This print is special to us as it represents our childhood sitting around arcades and playing the famous Arcade Game SPACE INVADERS. Being a product of the 70's/80's please and thank you...

This artwork titled "Fiesta" 1982 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 66/130 in pencil by...

Leda is a beautiful colorful print realized by Shu Takahashi. This is a hand-signed edition of 100 prints. Its technique is chalcography and serigraph. This very simple abstract co...