Screen Abstract Prints

Circus is an original Contemporary artwork realized in 1994 by the italian artist Leo Guida (1992 - 2017). Original Screen Print. Frame is included (72.5 x 3 x 52.5 cm). Hand-sign...

Abstract Composition is a beautiful colored screen print realized by Mario Padovan in 1977. Hand-signed in pencil on the lower right. Numbered on the lower left, Edition of 22/50 pr...

Artist: Karel Appel (1921-2006) Title: Big Head Coming Down Year: 1980 Medium: Silkscreen on Arches paper Edition: 15/175, plus proofs Size: 21.75 x 29.75 inches Condition: Good Insc...

Kenny Scharf 2004: A rare mixed media piece by the legendary Los Angeles based artist. Hand-signed, dated and numbered by Scharf. Medium: mixed media mono-print. Dimensions: 22½ ...

Artist: Victor Vasarely, Hungarian (1908 - 1997) Title: Carden Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP Size: 36.5 x 28 in. (92.71 x 71.12 cm)

Green, Red, Silver and Black and White. Large Pop Art Silkscreen. Nicholas Krushenick (May 31, 1929 – February 5, 1999) was an American abstract painter whose artistic style straddle...

Roy Ahlgren Allegro, 1986 Serigraph Signed, title and edition in pencil in lower margin Edition 5/100 Sheet: 22 1/4in H x 29 3/4in L (unframed) Ahlgren came to art relatively late ...

Composition in Blue is a colored screen print on paper, realized in the 1970s by the Italian artist Wladimiro Tulli. Hand-signed on the lower right and numbered in pencil on the lowe...

Abstract Composition is a colored screen print realized by the contemporary artist Giulio Turcato. Hand-signed in pencil on the lower right. Numbered on the lower left margin, edit...

Abstact Composition is a beautiful colored screen print realized by Mario Padovan in 1977. Hand-signed in pencil on the lower right. Numbered, on the lower left, the edition of 100...

Beautiful and enigmatic print: Amber was made by Bruno Di Bello in 1980. This serigraph is hand-signed on the lower center. Edition of 100 prints. Original title: Ambra.

The original studies from the 'Africa Suite' were a group of ten works selected from a series of ink-on-paper drawings from the same year. The large autom...

Enterieur (Outside) Screen print, 1973 Signed lower right in pencil (see photo) Edition: A.P., annotated lower left corner Published by Edition Ltd., Indianapolis Image size: 21 3/4 ...

Artist: Richard Smith, CBE (1931-2016) British Title: Untitled Abstract Grid Date: 1972 Medium: Serigraph (screenprint) Sheet size: 29.5 in x 22 in Framed size: 36.75 x 28.25 inches ...

This is not signed or numbered. it is from a folio of prints. Laura Fiume was born in Urbino, central Italy in 1953. Her education took place in Milan at the Liceo Artistico and at the Polytechnic School of Design. In 1976 she moved to Canzo, near Como where she learned serigraphy, ceramics, and painting from the well known artist Salvatore Fiume, her father. At the beginning the main subject of her works was that of fishes. She then extended her interest to the wider world of animals, interpreted through a deliberately naïve style and very bright colours. In 1983 Laura’s works were exhibited both at the Basel Art Fair and at Artexpo in New York. The latter marked the beginning of a collaboration with the Work’s II Gallery In Southampton (NY) which would continue until 1988. Her major exhibitions of those years were in Milan at the Palazzo dell’Arengario, now home of the Museo del Novecento in Piazza Duomo, (1985), and in Venice at the Assicurazioni Generali headquarters in Piazza San Marco (1987). In 1983 Laura began her ceramic production in her father’s workshop of Canzo located in a former silk mill. Between 1990 and 1992 thanks to an exclusive agreement with a Japanese company her paintings and graphic works were distributed throughout Japan. The 1990 exhibition at the Artesanterasmo Gallery of Milan on the theme of mirrors was the only occasion in which she exhibited her paintings with her father. Her collaboration with that gallery has been steady since 1988. In 1992, following a suggestion from the well known architect Pepe Tanzi, Laura collaborated to the launch of the Pozzi & Verga new collection of tables and chairs by including images of those pieces of furniture in her own paintings. Between 1992 and 2000 she had her own showroom in Milan where her collections of ceramics and her creations for leading companies like Ricchetti (tiles), Fede Cheti (home fabrics), Edilkamin (fireplaces and stoves), Kaigai (textiles for clothings and bathroom towels), Rosenthal (china), and Proserpio Arredamenti (furnishings and frabrics) were on display. In 1995 she was chosen as Designer of the Year by Meyer Mayor, the distinguished Swiss company specialising in kitchen and table linen production. In the 1995 exhibition entitled Walls and Terracottas at the Artesanterasmo Gallery of Milan abstract most of the subjects were painted on dirt-like materials. In the same year she also presented her new Tableaux an Terre at the L’Ile en terre Gallery of Saint Paul de Vence, France. Between 1996 and 2005 she collaborated with the Edizioni San Paolo Publishers illustrating children’s books and stories for kids in the G-baby Magazine. In 1999 she increased her show-room space by creating Atelier Produzioni d’Arte where prints, ceramics, and sculptures by various international artists were presented. In 2000 Laura began her collaboration with Raika of Japan designing their fashion collections which have been on display since 2002 in the Showroom Laura Fiume at the Mitsukoshi Department Store in Tokyo. In 2000 Laura designed a collection of coffee cups called The Jungle Collection for Cellini Deutschland. In April 2003, as part of the events that took place during the Salone del Mobile of Milan, Laura held a large exhibition at the Spazio Exté entitled Other Rooms: A Tribute To Philippe Starck. On that occasion Laura enjoyed the collaboration of Alessi, Driade, and Flos who kindly lent her the pieces from their Philippe Starck production represented in her paintings for an installation in that exhibition. In June 2003 Laura held a one-artist exhibition at the Svetog Krševana Gallery in Šibenik, Croatia as part of the International Children’s Festival of that town where she exhibited her early works dedicated to the world of children. In 2005 she gave her contribution to the restyling of the L’Arenella Hotel on the Isola del Giglio, Tuscany, by providing a number of enlarged images of her works which became the characterizing element of the hotel’s interiors. In the summer of the same year she held a retrospective at the Vartai Gallery in Vilnius, Lithuania. In 2005 she also presented an installation within the project Ten Arm-chairs for Ten Artists, an initiative by Molteni & C, a leading company in the furniture field, where Laura was asked to decorate a Molteni arm-chair from the Reversi collection and to carry out a number of paintings using the same fabrics covering their couches and arm-chairs. In 2006 there were as many as three exhibitions of Laura’s. The first one, called Visual Amplifications was held in Fiesole, near Florence, in the museum within the St. Alexander Basilica building. The second one, entitled Private Stories, took place in Sansepolcro, Tuscany at the Piero della Francesca City Museum. The third exhibition, entitled Trame d’interni (Plots in Interiors) was hosted in Milan by the Artesanterasmo Gallery where Laura presented her new paintings on fabrics provided by well known fabric producer Enzo degli Angiuoni. In 2007 she exhibited her works in Rome at the Galleria Margutta 3 and then at the trendy TAD Conceptstore showroom of Via del Babuino. Both exhibitions were strictly connected through the idea of displaying works in harmony with TAD’s furnishings. In 2007 Laura was also invited to take part in Milan’s Cow Parade...

Vincent Longo, American (1923 - 2017) - Yellow, Blue and Green Composition, Year: 1979, Medium: Screenprint, signed, dated and numbered in pencil, Edition: II 24/25, Image Size: 15.7...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Seven Deadly Sins Suite ((pride, greed, wrath, envy, lust, gluttony, and sloth) Year: 1991 Medium: Image print: 4-color silkscreen, 1-color woodblock...

Circles is a beautiful colored screen print realized by Mario Padovan in 1977. Hand-signed in pencil on the lower right. Artist proof. Good conditions, except for some minor stains...

The King's Nightingale (Original Title: L’usignolo del Re) is an original Contemporary artwork realized in 1995 by the italian artist Leo Guida (1992 - 2017). Original Screen Print....

A very good impression of this color screenprint with varnish and stencil. Artist's proof, aside from the edition of 125. Signed and inscribed "A.P." in pencil. Printed by Styria Stu...

Artist: Omar Rayo, Colombian (1928 - 2010) Title: Nitibos Year: 1968 Medium: Screenprint, signed and numbered in pencil Edition: 75 Image Size: 17 x 17 inches Size: 24 x 20 i...

Future Garden is an original Contemporary artwork realized in 1976 by the Italian artist Leo Guida. Original screen Titled on the rear. From edition of 200 prints. With descriptio...

Hand signed and dated. H. C. print proof. Very good conditions.

Variations in the Ether is a splendid lithograph and screen print by Gianni Saccomandi. The state of preservation of the artwork is excellent. Numbered 71 of 75 prints. Hand-signed...

Artist: Cris Cristofaro, American Title: Untitled - Blue and Red Rectangles Year: 1978 Medium: Silkscreen on Arches Paper, signed and numbered in pencil ...

Passo dopo Passo (Step by Step) is a beautiful print suite composed by three original serigraphs realized by Ennio Pouchard and published by Vanni Scheiwiller, in Milan in 1975. With a circulation of 100 pieces. All the black and white plates are Hand-signed in pencil and in capital letters on the lower right margin and numbered in pencil on the lower left margin. Not only black and white images but also writings demonstrate a double sensibility: figurative and technical abilities and poetical skills. It is amazing to read words about the magic world of sex and love...

Study for a Totem is an original artwork realized by Nino Franchina in 1970. Colored screen print on paper. Hand-signed and dated in pencil on the lo...

Whimsical and bright limited edition abstract silkscreen print with fun colors and bold geometric shapes arranged in a lively, dynamic composition by Harvey Daniels (English, 1936-20...

Artist: Richard Mortensen Title: Red, Blue and Yellow Composition Year: 1962 Medium: Screenprint, signed, titled and numbered in pencil Edition: 62/75 Image Size: 19.75 x 12.75 inche...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: Amsterdam Year: 1973 Medium: Silkscreen on BFK Rives, Signed, titled and numbered in pencil Edition: 250, AP 20 Size: 30 in. x 22 i...

Signed and numbered in pencil with studio blindstamp Color screenprint on Arches Cover paper 29.75 x 35.5 inches

Green Shapes is an original colored screen print realized by Renato Barisani in 1983. Hand-signed and dated in pencil on the lower right. Numbered in pencil on the lower left. Editi...

Lyric Composition is beautiful original screen print in linoleum realized by Luoratoll in 1974. Hand-signed and dated on the lower left. In good conditions. The artwork represen...

Abstract Composition is an original colored screen print realized by Antonio Sanfilippo in 1971. Hand-signed and dated in pencil on the lower right. Numbered on the lower right. Ed...

Hand signed and numbered. Edition of 100 prints. On headed paper. Image Dimensions : 40 x 57 cm

Silkscreen Serigraph print hand signed, numbered. Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia....

This artwork titled "Desert Approach" 1993 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand signed, titled, dated and ...

This artwork titled "Red rock" 1994 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand si...

Artist: Josef Albers Portfolio: Formulation: Articulation (Double Portfolio) Title: Portfolio 1, Folder 21, Image 2 Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper ...

This serigraph was created by Austrian-American artist Anne Youkeles. She has said that her work has benefited from the permissiveness that has encouraged artists to follow their cre...

Red Composition is a beautiful original colored serigraph on paper, realized by the Italian artist and pioneer of Abstract art Mario Radice (1898-1987) in 1978. Hand-signed in penc...

Unknown Artist - Quiet Rooms, Medium: Screenprint, signed, titled and numbered in pencil, Edition: AP, Image Size: 20 x 28.5 inches, Size: 23 x 30.5 in. (58.42 x 77.47 cm), Descrip...

Black Hourglass is an original black serigraph realized by Sante Monachesi during the XX century. Hand-signed in pencil by the artist on the lower right. Artist's proof. Very good co...

Lee Adler, American (1926 - 2003) - Steam Engine II, Year: circa 1970, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 12/50, Image Size: 17.5 x 24 inches, Siz...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 16 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 70 Image Size: 31 x 36 inches Size: 32 x 37.5 ...

Hand signed and numbered. Edition of 100 prints. On headed paper. Image Dimensions : 40 x 60 cm

The beauty of repeated geometric form is a motif that has played a central role in Havens’ work. Dynamic and colorful compositions play with line and shape to suggest larger spaces,...

Expressive vintage silkscreen on black paper by Alice Aycock (American, 20th Century). Hand signed and dated "Alice Aycock 1990" with hand written ...

Image dimensions: 15 x 9.5 cm. Drapery is an original color serigraph on paper, realized around the 1970's by a German artist, whose signature is hard to read. Signed in pencil on ...

Artist: Nicholas Krushenick, American (1929 - 1999) Title: Untitled (Wire Mill Variant) Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition: 200, AP 30 Paper Siz...

This large original color serigraph on Wove paper, 1975 is by Canadian/American artist Howard Bradford, 1919-2008. It is hand signed, titled, dated and...

Lucy Hodgson, American - Villa Seuglir 1 +2, Year: 1967, Medium: Etching and Aquatint on Arches, signed, dated, numbered and titled in pencil, Edition: 1/10, Image Size: 19.75 x 24.5...

Abstract Composition is an original folding leaflet, illiustrated with an original color serigraph on paper, realized by the French artist Jeanne Coppel (1896-1971) in the occasion o...

Image dimensions: 22 x 32 cm. Probedruck is an original color serigraph on paper realized in 1964 by an abstract surrealist artist signs with the name "Jinjer". Signed and dated i...

Artist: Darryl Hughto, American (1943 - ) Title: Loon Date: 1979 Screenprint, signed and numbered in pencil Edition: 160 Size: 30 x 30 in. (76.2 x 76.2 cm)

Gli Occhi is a color silk-screen print on acetates, realized in 1973 by the artist Ennio Pouchard (1928). Signed on plate on lower right. From the porfolio "Diecicomeleditadidueman...

The beauty of repeated geometric form is a motif that has played a central role in Havens’ work. Dynamic and colorful compositions play with line and shape to suggest larger spaces,...

Hand Signed. Edition of 50 pieces. Very good conditions.

"Indianapolis Museum of Art Inaugural Exhibitions", 25 October 1970, is an eye popping large bold colorful geometric abstract silk screen. It is signed on the lower right. Robert Indiana, one of the preeminent figures in American art since the 1960s, played a central role in the development of assemblage art, hard-edge painting, Pop art, Neo-Dada, American Modernism and Modern Art. A self-proclaimed “American painter of signs,” Indiana created a highly original body of work that explores American identity, personal history, and the power of abstraction and language, establishing an important legacy that resonates in the work of many contemporary artists such as Andy Warhol, Keith Haring, Roy Lectenstein, David Hockney, Romero Britto, Richard Hamilton and Robert Rauschenberg who make the written word a central element of their oeuvre. Robert Indiana was born Robert Clark in New Castle, Indiana on September 13, 1928. Adopted as an infant, he spent his childhood moving frequently throughout his namesake state. At 14 he moved to Indianapolis in order to attend Arsenal Technical High School, known for its strong arts curriculum. After graduating he spent three years in the U.S. Air Force and then studied at the Art Institute of Chicago, the Skowhegan School of Sculpture and Painting in Maine, and the Edinburgh College of Art in Scotland. In 1956, two years after moving to New York, Indiana met Ellsworth Kelly, and upon his recommendation took up residence in Coenties Slip, where a community of artists that would come to include Kelly, Agnes Martin, James Rosenquist, and Jack Youngerman had studios. Indiana, like some of his fellow artists, scavenged the area’s abandoned warehouses for materials, creating sculptural assemblages from old wooden beams, rusted metal wheels, and other remnants of the shipping trade that had thrived in Coenties Slip. The discovery of 19th century brass stencils led to the incorporation of brightly colored numbers and short emotionally charged words onto these sculptures as well as canvases, and became the basis of his new painterly vocabulary. Although acknowledged as a leader of Pop, Indiana distinguished himself from his Pop peers by addressing important social and political issues and incorporating profound historical and literary references into his works. In 1964 Indiana accepted Philip Johnson’s invitation to design a new work for the New York State Pavilion at the New York World’s Fair, creating a 20-foot EAT sign...