Screen Abstract Prints

Artist: Roy Ahlgren, American (1927 - 2011) Title: Tutankhamen Year: 1983 Edition: 150 Medium: Serigraph, signed and numbered in pencil Image Size: 25.5 x 18 inches Size: 30 x 22.5 ...

Artist: Robert Indiana (1928-2018) Title: Indiana in Lewiston Year: 1991 Medium: Silkscreen on wove paper Edition: 150, plus proofs Size: 46.5 x 26.75 inches Condition: Excellent Ins...

Artist: Titina Maselli, Italian (1924 - 2005) Title: Untitled Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 100 Size: 25.5 in. x 18.5 in. (64.77 cm x 46.99 cm)

Rita Simon's (aka Atirnomis) prints typically relate to visions and dreamlike states. In this print, a ball of yarn tattered at the edges is held aloft in the sky while a rectangular...

Op art screenprint In a mesmerizing pattern of soft greens and mauves by Argentine artist Hugo Demarco. Title: Relations Couleur III Medium: Screenprint...

Rita Simon's (aka Atirnomis) prints typically relate to visions and dreamlike states. The silkscreen is hand-signed and numbered in pencil. Arrow Rita Simon (aka Atirnomis), America...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Parrot Tulip III Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 200 Im...

Artist: Nicholas Krushenick, American (1929 - 1999) Title: Deep Down (Orange) Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200; AP 30 Image Size: 30 x 23.5...

Artist: Jean-Marie Haessle, American (1939 - ) Title: Bermuda Triangle Medium: Screenprint, signed and numbered in pencil Edition: 295 Paper Size: 23 ...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Allegro Year: 1986 Medium: Serigraph, signed and numbered in pencil Edition: 23/100 Image Size: 18 x 25.5 inches Size: 22.5 x 30 in...

Space Race Silkscreen on Acrylic hand signed and dated 1970, MOON WALK, color screenprint on Plexiglas depicting the moon landing, from the numbered edition of 150, size 30 x 30” L...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

A geometric abstract print by Japanese artist Takaaki Matsumoto. Computer Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 198 Size: 24 x 24 in. (60.96 x 60.96 cm)

A geometric abstract print by Japanese artist Takaaki Matsumoto. Flat Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 55 Size: 24 x 24 in. (60.96 x 60.96 cm)

Artist: Jurgen Peters, German (1936 - ) Title: Spur Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 250, AP Image Size: 20 x 31.5 inches Size: 24 in. x ...

Sister Mary Corita Kent Quaint Moonmarks (INV# NP3242) screenprint 30 x 40" edition 95 1963 signed

Chris Keegan Red Drift Limited Edition Silkscreen Print Edition of 50 Size: H 40cm x W 40cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indication of how a...

Artist: Moshe Kupferman, Israeli (1926 - 2003) Title: Untitled II Year: 1997 Medium: Screenprint, signed and numbered in pencil Edition: 40 Image Size: 30 x 45 inches Size: 32 x 47....

Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio II, Image 11 Year: circa 1978 Medium: Serigraph, signed and numbered in pencil Edition: 150 Size: 40 in. x 30.5 in. ...

Allan D'Arcangelo (American/New York, 1930-1998), "Aspen Center of Contemporary Art", 1967 silkscreen, hand signed in pencil, dated, numbered "45/200" and blind stamped "Chiron Press, New York, NY" 32 in. x 24 in. Allan D'Arcangelo (1930-1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism, Abstract illusionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59, driving there over 12 days in an old bakery truck retrofitted as a camper. However, he returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. D'Arcangelo first achieved recognition in 1962, when he was invited to contribute an etching to The International Anthology of Contemporary Engraving: America Discovered; his first solo exhibition came the next year, at the Thiebaud Gallery in New York City. In 1965 he contributed three screenprints to Original Edition's 11 Pop Artists portfolio. By the 1970s, D'Arcangelo had received significant recognition in the art world. He was well known for his paintings of quintessentially American highways and infrastructure, and in 1971 was commissioned by the Department of the Interior to paint the Grand Coulee Dam in Washington state. However, his sense of morality always trumped his interest in art world fame. In 1975, he decided to quit the gallery that had been representing him for years, Marlborough Gallery, because of the way they handled Mark Rothko legacy. D'Arcangelo rejected Abstract Expressionism, though his early work has a painterly and somewhat expressive feel. He quickly turned to a style of art that seemed to border on Pop Art and Minimalism, Precisionism and Hard-Edge painting. Evidently, he didn't fit neatly in the category of Pop Art, though he shared subjects (women, signs, Superman) and techniques (stencil, assemblage) with these artists.He turned to expansive, if detached scenes of the American highway. These paintings are reminiscent of Giorgio de Chirico-though perhaps not as interested in isolation-and Salvador Dali-though there is a stronger interest in the present and disinterest in the past. These paintings also have a sharp quality that is reminiscent of the precisionist style, or more specifically, Charles Sheeler. 1950s, Before D'Arcangelo returned to New York, his style was roughly figurative and reminiscent of folk art. During the early 1960s, Allan D'Arcangelo was linked with Pop Art. "Marilyn" (1962) depicts an illustrative head and shoulders on which the facial features are marked by lettered slits to be "fitted" with the eyebrows, eyes, nose and mouth which appear off to the right in the composition. In "Madonna and Child," (1963) the featureless faces of Jackie Kennedy and Caroline are ringed with haloes, enough to make their status as contemporary icons perfectly clear. Select Exhibitions: Fischbach Gallery, New York, Ileana Sonnabend Gallery, Paris, Gallery Müller, Stuttgart, Germany Hans Neuendorf Gallery, Hamburg, Germany Dwan Gallery...

Artist: Allan D'Arcangelo (American, 1930-1998) Title: Squared Star Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition: 175, AP 30 Size: 30.5 in. x 26 in. (77.47 cm...

Bernhard Leitner, (Austrian, 1938) From a portfolio "Sound : Space" "Ton : Raum" Self published by artist in 1975/1976, Limited edition of 50 Hand signed in pencil by artist. Acc...

Artist: Bob Cato, American (1923 - 1999) Title: Nude in Profile (Black/Silver/Orange) Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edit...

Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio II, Image 3 Year: circa 1978 Medium: Screenprint, signed and numbered in pencil Edition: 150 Size: 40 in. x 30.5 in....

Artist: Arthur Boden, American Title: Seasons 4 Year: 1974 Medium: Serigraph, signed and numbered in pencil Edition: 75 Size: 25 in. x 24 in. (63.5 cm x 60.96 cm)

Kenny Scharf 2004: A rare mixed media piece by the legendary Los Angeles based artist. Hand-signed, dated and numbered by Scharf. Medium: mixed media mono-print. Dimensions: 22½ ...

Artist: Larry Zox Title: Crow Slab II Year: 1979 Medium: Serigraph, Signed and numbered in Pencil Edition: 160 Size: 42 x 30 in. (106.68 x 76.2 cm)

Artist: Cris Cristofaro, American Title: Untitled - Orange Rectangles Year: 1978 Medium: Screenprint on Arches Paper, signed and numbered in pencil Edition: 50 Size: 22 x 30 in. (55....

This abstract composition by William Schwedler includes several geometric forms and shapes that are placed alongside straight, angled lines. First Things First Artist: William Schw...

Along with several other of his abstract geometric prints, William Schwedler's fusion of tropical, bright background colors with the simulation of animal print along one of the major...

Artist: Clayton Pond, American (1941 - ) Title: Column Study 2 from Capital Ideas Portfolio Year: 1974 Medium: Screenprint on Museum Board, signed and numbered in pencil Edition: 150...

Artist: Tony Bechara, Puerto Rican (1942 - ) Title: Cuernavaca Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition: 250 Paper Size: 30 x 22 inches

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist's most important color and shape theories. A copy of the colophon bearing Albers’ hand signature...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist's most important color and shape theories. A copy of the colophon bearing Albers’ hand signature...

This angular print by William Schwedler is indicative of his geometric, abstract manner of composing forms and shapes in his compositions. Bridge the Gap Art...

This abstract composition by William Schwedler includes several geometric forms and shapes that are placed alongside straight, angled lines. Hold the Line Artist: William Schwedler...

Artist: Joe Tilson, British (1928 - ) Title: Ziggurat 6 Year: 1966 Medium: Screenprint, signed and numbered in pencil Edition: 70 Paper Size: 27 x 40 inches

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Artist: William Schwedler, American (1942 - 1982) Title: Fall For It II Year: 1979 Medium: Screenprint, Signed and numbered in pencil Edition: AP 50 Size: 39 x 26 in. (99.06 ...

Artist: Arman, French (1929 - 2005) Title: Flamenco Year: Circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 150, HC 10 Size: 41 in. x 29.5 in. (104.14 cm x 7...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Extrinsic Year: 1974 Medium: Screenprint, signed and numbered in pencil Edition: 50 Image Size: 17 x 17 inches Size: 20 x 20 in. (5...

William Turnbull 1922-2012 The Fugue Suite VI, 1971 screenprint 58 x 79 cm 22 7/8 x 31 1/8 in signed, dated and inscribed verso, edition of 75 William Turnbull was born in 1922 in D...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Space Sounds no.3 Evelyn B. Johnson Date: circa 1980 Screenprint, signed, numbered, and titled in pencil Edition of 7/25 Image Size: 28 x 21 inches Size: 30 x 22 in. (76.2 x 55.88 cm)

A very good impression of this scarce color screenprint on Arches with strong colors. Signed and numbered 9/75 in pencil. Printed by Ives-Sillman, New Haven, with the blind stamp low...

Artist: Bob Stanley, American (1932 - 1997) Title: Cracker Jack Year: 1972 Medium: Serigraph, signed and numbered in pencil Edition: 150; AP XII Image Si...

Artist: Arman, French (1929 - 2005) Title: Electric Concerto Year: 1979 Medium: Screenprint on Arches, signed and numbered in pencil Edition: 150, AP 30 Size: 30 in. x 22 in. (...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Artist: Clayton Pond, American (1941 - ) Title: Column Study from Capital Ideas Portfolio Year: 1974 Medium: Serigraph on Museum Board, signed and numbered in pencil Edition: 150 Ima...

Hand printed in four colours including a Gold metallic layer which cretes a blended sunset background effect. Bamboo Kingdom depicts a vibrant impression of nature at its best. Each ...

Artist: Paul Burlin, American (1886 - 1969) Title: untitled from Drawings Portfolio Year: 1968 Medium: Screenprint on Paper, signed and numbered in pencil Edition: 31/50 Paper Size:...

Artist: Jack Brusca, American (1939 - 1993) Title: Progression Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 30 Image Size: 24 x 24 inches Size: 28 i...

Artist: Tony Bechara, Puerto Rican (1942 - ) Title: 151 Colors Year: circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 30 Image Size: 19 x 26.5 in Size: 2...

Artist: Pierre Clerk, Canadian (1928 - ) Title: Morocco Series #8 Year: 1980 Medium: Screenprint on Arches, signed and numbered in pencil Edition: AP 2/45 Image Size: 21 x 35 inches ...

Overall size: H112 x W50 Daisy Field by Chris Keegan [2021] limited_edition Screen print Edition number 50 Image size: H:56 cm x W:25 cm Complete Size of Unframed Work: H:56 cm x W...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 364 Year: circa 1971 Medium: Screenprint, signed and numbered in pencil Edition: 300 Image Size: 25 x 20 inches Size: ...

The print measures 29.5 x 37.8 inches, making it a substantial piece that is sure to make an impact in any room. It features Viegas' signature graffiti-inspired style, with bold, graphic lines and vibrant colors that pop against the white background. The central image is of a figure wearing a shirt mask and a safari hat, creating an intriguing and enigmatic character that captures the viewer's attention. The print is part of a limited edition of just 88, each of which is signed and numbered by the artist, ensuring its authenticity and value. As an unframed print, it offers the flexibility to choose a frame that complements your personal style and décor. Overall, the "Shirt Mask x Safari Hat" print by Nuno Viegas...

Born in Brooklyn in 1928 to Polish immigrants, Al Held claims to have been expelled from high school in the Bronx in 1944. After serving in the U.S. Navy from 1945 to 1947, Held asso...

Koshare Harold E. Larsen, American (1934) Date: 1991 Screenprint, signed and numbered in pencil Edition of 38/300 Size: 39.5 in. x 29.5 in. (100.33 cm x 74.93 cm)

Artist: Edival Ramosa, Brazil (1940 - ) Title: Sin Titulo Year: 1970 Medium: Screenprint, signed in pencil Edition: 100 Size: 30 x 22 inches [76.2 x 55.88 cm]