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Medium: Stencil
Léger, Composition, Contrastes (after)
Located in Auburn Hills, MI
Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...
Category

1950s Modern Stencil Abstract Prints

Materials

Lithograph, Stencil

Léger, Composition, Contrastes (after)
Located in Auburn Hills, MI
Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...
Category

1950s Modern Stencil Abstract Prints

Materials

Lithograph, Stencil

Derain, Paysage de l'Arbre Bleu, Douze Contemporains (after)
Located in Auburn Hills, MI
Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...
Category

1950s Modern Stencil Abstract Prints

Materials

Lithograph, Stencil

Un général (Cramer 115), Diurnes
Located in Auburn Hills, MI
Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...
Category

1960s Cubist Stencil Abstract Prints

Materials

Lithograph, Stencil

Picasso, Nature morte, Douze Contemporains (after)
Located in Auburn Hills, MI
Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...
Category

1950s Modern Stencil Abstract Prints

Materials

Lithograph, Stencil

Delaunay, Planche No. 4, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or matted. Reference: Delaunay, Sonia. Sonia Delaunay Patterns and Designs in Full Color. Dover Publications, Inc., 1989, page 1. Callu, Florence, et al. Sonia et Robert Delaunay: BibliothèQue Nationale, [Paris, 15 déCembre 1977-29 Janvier 1978]. Bibliothèque nationale, 1977, illustration number 456. Notes: From the folio, Compositions, couleurs, idées: Sonia Delaunay, 1930. Compositions conceived and created 1926-28 and issued as an album of separate loose sheets. Published and printed by Éditions d'Art, Charles Moreau, Éditeur, Paris, 1930. Excerpted from the volume, Sonia Delaunay Patterns and Designs in Full Color, Sonia Delaunay: Ses Peintures, Ses Objets, Ses Tissus Simultanés, Ses Modes (pp. 1-20), was published by Librairie des Arts Décoratifs, Paris [1925]). In addition to the plates by Delaunay, it contained poems by Joseph Delteil, Blaise Cendrars, Tristan Tzara and Philippe Soupault. In a preface, the painter and writer Andre Lhote makes the point that, with a few exceptions, the designs use no florals or other identifiable motif, the representation of nature being replaced by an interplay of abstract elements in a pure state, Forms are organized according to an casily perceived thythm. (The Delaunays frequently thought of their art in musical terms.) In this treatment, according to Lhote, everyday objects offer the artist the greatest challenge. In fact, Sonia Delaunay devoted her talents to all sorts of designs, from furniture and pottery to bookbindings and clothing. Her fashions were much in demand, not so much for originality of silhouette or construction as for inventive-ness of patterning and use of fabric. Lhote says of these designs: "In an epoch when fashion sometimes so indiscrectly unveils the form, it is necessary that the bit of fabric used to cover it be decorated in the most abstract manner, so that the eye is for an instant attracted by the figures different from those born in intimacy." (Translation by H. C. Perleberg:) Compositions, Couleurs, Idées (pp. 21-60) was published by Editions d'Art Charles Moreau, Paris [1930]. The plates reveal Sonia Delaunay's further explorations with abstraction, playing color against color and form against form. SONIA DELAUNAY (1885-1979) was a French artist born to Jewish parents, who spent most of her working life in Paris. She was born in the Russian Empire, now Ukraine, and was formally trained in Russia and Germany, before moving to France...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Composition with dominos
Located in Paris, FR
Stencil, 1947 Handsigned by the artist in pencil Edition : 23/30 H.C. + 300 Publisher : Guy Spitzer, Paris Printer : Guy Spitzer, Paris Catalog : [Saphire n°E20 p.290-291] 88.00 cm....
Category

1940s Abstract Stencil Abstract Prints

Materials

Stencil

Léger, Composition, Contrastes (after)
Located in Auburn Hills, MI
Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...
Category

1950s Modern Stencil Abstract Prints

Materials

Lithograph, Stencil

Delaunay, Planche No. 20, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Delaunay, Planche No. 17, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Composition with Blue Vase - Lithograph and stencil, 1958
Located in Paris, IDF
Max ERNST Composition with Blue Vase, 1958 Lithograph and stencil (Jacomet workshop) after a painting On wove paper 31 x 24 cm (c. 12 x 10 in) Edited by San Lazarro, 1958 Excellent...
Category

1950s Abstract Stencil Abstract Prints

Materials

Lithograph, Stencil

Picasso, Table before Window, Picasso: Fifteen Drawings (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon Books, Inc., New York; rendered and printed by Albert Carman, City Island...
Category

1940s Modern Stencil Abstract Prints

Materials

Lithograph, Stencil

Picasso, Saltimbanque, Picasso: Fifteen Drawings (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon Books, Inc., ...
Category

1940s Modern Stencil Abstract Prints

Materials

Lithograph, Stencil

Torbi (Cramer 115), Diurnes
Located in Auburn Hills, MI
Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...
Category

1960s Cubist Stencil Abstract Prints

Materials

Lithograph, Stencil

L'esprit critique d'art (Cramer 115), Diurnes
Located in Auburn Hills, MI
Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...
Category

1960s Cubist Stencil Abstract Prints

Materials

Lithograph, Stencil

American Dream (EAT / DIE / HUG / ERR) (Sheehan 136) Love Food Life
Located in New York, NY
Robert Indiana American Dream (EAT / DIE / HUG / ERR) (Sheehan, 136), 1986 Hard and soft-ground etching, aquatint, drypoint and stencil on white Arches paper 37 inches × 21 inches ...
Category

1980s Pop Art Stencil Abstract Prints

Materials

Drypoint, Etching, Aquatint, Stencil

Picasso, Minotaur, Picasso: Fifteen Drawings (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon Books, Inc., ...
Category

1940s Modern Stencil Abstract Prints

Materials

Lithograph, Stencil

Léger, Composition, Contrastes (after)
Located in Auburn Hills, MI
Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...
Category

1950s Modern Stencil Abstract Prints

Materials

Lithograph, Stencil

Delaunay, Planche No. 9, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

L'homme à l'oiseau (Cramer 115), Diurnes
Located in Auburn Hills, MI
Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...
Category

1960s Cubist Stencil Abstract Prints

Materials

Lithograph, Stencil

Delaunay, Planche No. 28, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

How to Make a Rainbow
Located in New York, NY
A very good impression of this color screenprint with varnish and stencil. Artist's proof, aside from the edition of 125. Signed and inscribed "A.P." in pencil. Printed by Styria Stu...
Category

1970s Surrealist Stencil Abstract Prints

Materials

Varnish, Color, Screen, Stencil

Delaunay, Planche No. 24, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or matted. Reference: Delaunay, Sonia. Sonia Delaunay Patterns and Designs in Full Color. Dover Publications, Inc., 1989, page 1. Callu, Florence, et al. Sonia et Robert Delaunay: BibliothèQue Nationale, [Paris, 15 déCembre 1977-29 Janvier 1978]. Bibliothèque nationale, 1977, illustration number 456. Notes: From the folio, Compositions, couleurs, idées: Sonia Delaunay, 1930. Compositions conceived and created 1926-28 and issued as an album of separate loose sheets. Published and printed by Éditions d'Art, Charles Moreau, Éditeur, Paris, 1930. Excerpted from the volume, Sonia Delaunay Patterns and Designs in Full Color, Sonia Delaunay: Ses Peintures, Ses Objets, Ses Tissus Simultanés, Ses Modes (pp. 1-20), was published by Librairie des Arts Décoratifs, Paris [1925]). In addition to the plates by Delaunay, it contained poems by Joseph Delteil, Blaise Cendrars, Tristan Tzara and Philippe Soupault. In a preface, the painter and writer Andre Lhote makes the point that, with a few exceptions, the designs use no florals or other identifiable motif, the representation of nature being replaced by an interplay of abstract elements in a pure state, Forms are organized according to an casily perceived thythm. (The Delaunays frequently thought of their art in musical terms.) In this treatment, according to Lhote, everyday objects offer the artist the greatest challenge. In fact, Sonia Delaunay devoted her talents to all sorts of designs, from furniture and pottery to bookbindings and clothing. Her fashions were much in demand, not so much for originality of silhouette or construction as for inventive-ness of patterning and use of fabric. Lhote says of these designs: "In an epoch when fashion sometimes so indiscrectly unveils the form, it is necessary that the bit of fabric used to cover it be decorated in the most abstract manner, so that the eye is for an instant attracted by the figures different from those born in intimacy." (Translation by H. C. Perleberg:) Compositions, Couleurs, Idées (pp. 21-60) was published by Editions d'Art Charles Moreau, Paris [1930]. The plates reveal Sonia Delaunay's further explorations with abstraction, playing color against color and form against form. SONIA DELAUNAY (1885-1979) was a French artist born to Jewish parents, who spent most of her working life in Paris. She was born in the Russian Empire, now Ukraine, and was formally trained in Russia and Germany, before moving to France...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Delaunay, Planche No. 5, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Metal Shoes 4
Located in Houston, TX
Richard Tuttle Metal Shoes 4, 2010 Aquatint, hand stencling, copper plate embossment 11 3/4 x 12 ed. 30 Framed
Category

21st Century and Contemporary Abstract Geometric Stencil Abstract Prints

Materials

Aquatint, Stencil

Delaunay, Planche No. 11, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Delaunay, Planche No. 26, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Composition, Lettres de Nicolas de Staël à Pierre Lecuire (after)
By Nicolas de Staël
Located in Auburn Hills, MI
Lithograph and stencil on grand vélin de Mandeure paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Lettres de Nicolas de Staël à Pierre ...
Category

1960s Modern Stencil Abstract Prints

Materials

Lithograph, Stencil

Delaunay, Planche No. 22, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Delaunay, Planche No. 35, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

La femme au cheval (Cramer 115), Diurnes
Located in Auburn Hills, MI
Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...
Category

1960s Cubist Stencil Abstract Prints

Materials

Lithograph, Stencil

Picasso, Two Nudes, Picasso: Fifteen Drawings (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon Books, Inc., New York; rendered and printed by Albert Carman, City Island...
Category

1940s Modern Stencil Abstract Prints

Materials

Lithograph, Stencil

Jacqueline aux arbres (Cramer 115), Diurnes
Located in Auburn Hills, MI
Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...
Category

1960s Cubist Stencil Abstract Prints

Materials

Lithograph, Stencil

Delaunay, Planche No. 29, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Delaunay, Planche No. 2, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Delaunay, Planche No. 18, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Delaunay, Planche No. 8, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Utrillo, Montmartre, Douze Contemporains (after)
Located in Auburn Hills, MI
Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...
Category

1950s Modern Stencil Abstract Prints

Materials

Lithograph, Stencil

Vlaminck, Paysage d'Ile-de-France, Douze Contemporains (after)
Located in Auburn Hills, MI
Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...
Category

1950s Modern Stencil Abstract Prints

Materials

Lithograph, Stencil

Midas (Cramer 115), Diurnes
Located in Auburn Hills, MI
Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...
Category

1960s Cubist Stencil Abstract Prints

Materials

Lithograph, Stencil

Le Water Polo
Located in Paonia, CO
Milivoj Uzelac (1897-1977) title Le Water Polo medium original Pochoir from Les Joies du Sport published by Maurice and Jacques Goddet 1932 paper size 16.50 x 12.13 image size 12 x 9 condition very good 'Le Water Polo' shows four figures swimming in a circle under water with balls in their outstretched arms and the water god Poseidon in the middle of the circle. The god is presented completely in blue. Le Water Polo is from Les Joies du Sport” a collection of 45 original pochoir illustrations by Milivoj Uzelac a Croatian artist ( 1897 – 1977) born in Mostar now Bosnia Hercegovina. Published in Paris as a limited edition of 750 for a book by Maurice and Jacque Goddet for the 1932 Olympics...
Category

1930s Stencil Abstract Prints

Materials

Stencil

Delaunay, Planche No. 16, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Delaunay, Planche No. 38, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Delaunay, Planche No. 6, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or matted. Reference: Delaunay, Sonia. Sonia Delaunay Patterns and Designs in Full Color. Dover Publications, Inc., 1989, page 1. Callu, Florence, et al. Sonia et Robert Delaunay: BibliothèQue Nationale, [Paris, 15 déCembre 1977-29 Janvier 1978]. Bibliothèque nationale, 1977, illustration number 456. Notes: From the folio, Compositions, couleurs, idées: Sonia Delaunay, 1930. Compositions conceived and created 1926-28 and issued as an album of separate loose sheets. Published and printed by Éditions d'Art, Charles Moreau, Éditeur, Paris, 1930. Excerpted from the volume, Sonia Delaunay Patterns and Designs in Full Color, Sonia Delaunay: Ses Peintures, Ses Objets, Ses Tissus Simultanés, Ses Modes (pp. 1-20), was published by Librairie des Arts Décoratifs, Paris [1925]). In addition to the plates by Delaunay, it contained poems by Joseph Delteil, Blaise Cendrars, Tristan Tzara and Philippe Soupault. In a preface, the painter and writer Andre Lhote makes the point that, with a few exceptions, the designs use no florals or other identifiable motif, the representation of nature being replaced by an interplay of abstract elements in a pure state, Forms are organized according to an casily perceived thythm. (The Delaunays frequently thought of their art in musical terms.) In this treatment, according to Lhote, everyday objects offer the artist the greatest challenge. In fact, Sonia Delaunay devoted her talents to all sorts of designs, from furniture and pottery to bookbindings and clothing. Her fashions were much in demand, not so much for originality of silhouette or construction as for inventive-ness of patterning and use of fabric. Lhote says of these designs: "In an epoch when fashion sometimes so indiscrectly unveils the form, it is necessary that the bit of fabric used to cover it be decorated in the most abstract manner, so that the eye is for an instant attracted by the figures different from those born in intimacy." (Translation by H. C. Perleberg:) Compositions, Couleurs, Idées (pp. 21-60) was published by Editions d'Art Charles Moreau, Paris [1930]. The plates reveal Sonia Delaunay's further explorations with abstraction, playing color against color and form against form. SONIA DELAUNAY (1885-1979) was a French artist born to Jewish parents, who spent most of her working life in Paris. She was born in the Russian Empire, now Ukraine, and was formally trained in Russia and Germany, before moving to France...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Delaunay, Planche No. 1, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Léger, Composition, Contrastes (after)
Located in Auburn Hills, MI
Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...
Category

1950s Modern Stencil Abstract Prints

Materials

Lithograph, Stencil

"Philly Street III", Abstract Patterns, Geometric Abstraction, Woodcut Monoprint
Located in Philadelphia, PA
This piece titled "Philly Street III" is an original piece by Alexis Nutini and is made from a woodcut and found object stencil monoprint. This piece mea...
Category

21st Century and Contemporary Contemporary Stencil Abstract Prints

Materials

Paper, Found Objects, Monoprint, Woodcut, Stencil

Picasso, Family at Supper, Picasso: Fifteen Drawings (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon Books, Inc., ...
Category

1940s Modern Stencil Abstract Prints

Materials

Lithograph, Stencil

Delaunay, Planche No. 15, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Delaunay, Planche No. 31, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Braque, A Varengeville, Douze Contemporains (after)
Located in Auburn Hills, MI
Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...
Category

1950s Modern Stencil Abstract Prints

Materials

Lithograph, Stencil

Delaunay, Planche No. 40, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Delaunay, Planche No. 19, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Delaunay, Planche No. 23, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Delaunay, Planche No. 37, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Delaunay, Planche No. 7, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Delaunay, Planche No. 21, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Delaunay, Planche No. 12, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category

1930s Modern Stencil Abstract Prints

Materials

Stencil

Jacqueline aux fruits (Cramer 115), Diurnes
Located in Auburn Hills, MI
Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...
Category

1960s Cubist Stencil Abstract Prints

Materials

Lithograph, Stencil

Bohu (Cramer 115), Diurnes
Located in Auburn Hills, MI
Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...
Category

1960s Cubist Stencil Abstract Prints

Materials

Lithograph, Stencil

Stencil abstract prints for sale on 1stDibs.

Find a wide variety of authentic Stencil abstract prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Joan Miró, Sonia Delaunay, Joseph Cornell, and Katherine Sophie Dreier. Frequently made by artists working in the Abstract, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Stencil abstract prints, so small editions measuring 0.02 inches across are also available

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