Maurice de Vlaminck, Landscape of Ile-de-France, 1959 (after)
1959

$1,436

$1,79520% Off

£1,098.65

£1,373.3220% Off

€1,256.48

€1,570.6020% Off

CA$2,044.74

CA$2,555.9220% Off

A$2,214.70

A$2,768.3720% Off

CHF 1,173

CHF 1,466.2520% Off

MX$26,794.53

MX$33,493.1620% Off

NOK 14,746.45

NOK 18,433.0620% Off

SEK 13,746.83

SEK 17,183.5320% Off

DKK 9,383.97

DKK 11,729.9620% Off

About the Item

This exquisite lithograph and pochoir after Maurice de Vlaminck (1876–1958), titled Paysage d'Ile-de-France (Landscape of Ile-de-France), from the album Douze Contemporains (Twelve Contemporaries), originates from the 1959 edition published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston, rendered by Daniel Jacomet, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, December 1959. The work captures Vlaminck's instinctive expressionism and vivid emotional force, distilling landscape, movement, and chromatic tension into a composition that reflects the raw dynamism of early modernism. Executed as a lithograph and pochoir on velin paper, this work measures 13.25 x 18.25 inches (33.7 x 46.4 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Atelier Daniel Jacomet et Cie, Paris. Artwork Details: Artist: After Maurice de Vlaminck (1876–1958) Title: Paysage d'Ile-de-France (Landscape of Ile-de-France), from the album Douze Contemporains (Twelve Contemporaries) Medium: Lithograph and pochoir on velin paper Dimensions: 13.25 x 18.25 inches (33.7 x 46.4 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1959 Publisher: Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston Printer: Atelier Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Douze Contemporains (Twelve Contemporaries), published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 1959 Notes: Excerpted from the folio (translated from French), This album finished printing in December 1959 drawn to CMLXX examples numbered from I to CMLXX and XXX non-commerce examples numbered from I to XXX, was directed by Daniel Jacomet. Typography of L'Imprimerie Union in Paris. About the Publication: Douze Contemporains (Twelve Contemporaries), published in 1959 by Editions d'art du lion in collaboration with Boston Book and Art Shop, Inc., is a landmark example of mid-century French printmaking, bringing together leading modern artists in a unified portfolio of lithographs and pochoirs. The album exemplifies Jacomet's meticulous approach to color separation and hand-stenciled execution, preserving the tonal richness and structural clarity of each composition. Issued in a substantial edition of numbered and non-commerce impressions, the publication reflects the vitality of postwar Parisian art and the technical excellence of Daniel Jacomet, whose workshop played a central role in the preservation and dissemination of twentieth-century modernist imagery. About the Artist: Maurice de Vlaminck (1876–1958) was a revolutionary French painter and writer whose fearless use of color, movement, and emotion helped define Fauvism and shape the course of modern art. A self-taught visionary, Vlaminck co-founded the Fauvist movement alongside Henri Matisse and Andre Derain, introducing a radical style marked by explosive color, expressive brushwork, and a decisive break from academic tradition. Deeply influenced by Vincent van Gogh's impassioned technique and Paul Cezanne's structural discipline, he fused raw energy with compositional rigor to create landscapes and still lifes that vibrate with emotional power. His early works—painted in the "Cradle of Fauvism" at Chatou—ignited the Parisian avant-garde, earning him a reputation as one of the most instinctive and daring artists of his generation. Unlike contemporaries Pablo Picasso, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, Alexander Calder, Alberto Giacometti, and Man Ray, who explored abstraction, surrealism, and conceptual experimentation, Vlaminck remained devoted to direct, visceral expression, using paint as a vehicle for pure emotion. His art evolved from the blazing chromatic intensity of Fauvism to a more somber, structured lyricism that bridged Expressionism and modern realism. Vlaminck's bold gestural style and instinctive approach influenced generations of artists—from Jean Dubuffet, Nicolas de Stael, and Karel Appel to Jackson Pollock, Willem de Kooning, and Anselm Kiefer—who drew inspiration from his authenticity and defiance of convention. His landscapes and village scenes, rendered with thick impasto, turbulent skies, and luminous contrasts, capture the enduring vitality of rural France and the tension between chaos and serenity. Vlaminck's work is represented in major museums worldwide, including the Centre Pompidou, Musee d'Orsay, Metropolitan Museum of Art, and Tate, where it continues to resonate for its emotional immediacy and masterful handling of color and form. Standing alongside innovators such as Picasso, Calder, Giacometti, Dali, Miro, Kandinsky, Duchamp, and Man Ray, Vlaminck remains one of the defining forces of 20th-century modernism. The highest auction record for Maurice de Vlaminck was achieved by Paysage de banlieue (circa 1905), which sold for 22,482,500 USD at Christie's New York on May 8, 2011, reaffirming his legacy as one of the most influential and collectible painters in modern art history. Maurice de Vlaminck print, Vlaminck Paysage d'Ile-de-France, Vlaminck pochoir, Douze Contemporains, Daniel Jacomet, Fauvism, French modernist print, early modern landscape, collectible Vlaminck lithograph.

Creation Year:
1959
Dimensions:
Height: 13.25 in (33.66 cm)Width: 18.25 in (46.36 cm)
Medium:
Lithograph,Stencil
Movement & Style:
Modern
After:
Maurice de Vlaminck (1876-1958, French)
Period:
1950-1959
Condition:
Gallery Location:
Southampton, NY
Reference Number:
1stDibs: LU1465214365782