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Maurice Estève
Composition, Prints from the Mourlot Press

1964

$716
$89520% Off
£542.53
£678.1620% Off
€621.42
€776.7720% Off
CA$1,014.13
CA$1,267.6720% Off
A$1,106.65
A$1,383.3220% Off
CHF 580.46
CHF 725.5720% Off
MX$13,440.69
MX$16,800.8620% Off
NOK 7,250.25
NOK 9,062.8120% Off
SEK 6,851.85
SEK 8,564.8120% Off
DKK 4,638.04
DKK 5,797.5520% Off

About the Item

Lithograph on vélin d'Arches paper. Paper Size: 10 x 7.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circulated by the Traveling Exhibition Service of the National Collection of Fine Arts, Smithsonian Institution 1964-1965, 1964. Published by Fernand Mourlot, Paris, in collaboration with the Embassy of France, Washington, D.C., and the Smithsonian Institution, Washington D.C.; printed by Mourlot Frères, Paris, October 27, 1964. Excerpted from the album, This exhibition is a manifestation of Franco-American friendship and we would be very happy if it is of interest to all those who visit it. I wish to thank Mrs. Annemarie Pope for proposing and organizing this exhibition of the work of the artists who have used our press. We are honored that Mr. Hervé Alphand, Ambassador of France to the United States, and Mr. Edouard Morot-Sir, Cultural Counsellor at the French Embassy in New York, will sponsor this exhibition. I express to them my thanks and appreciation. As for the artists themselves, who executed the originals contained in this catalogue, I can only say simply, "Thank you." They are all friends. We would have liked to include not just the twenty-four illustrations in this small book, but many more. During the year 1963, we lost three great artists who were faithful friends of our press. Thanks to Mrs. Georges Braque, Mr. Louis Carré, and Mr. Edouard Dermit, who have been able to pay our respects to Georges Braque, Jacques Villon and Jean Cocteau. The great Henri Matisse is also with us, since Mrs. Du-thuit-Matisse and her brothers have allowed us to use an unpublished original lithograph. Thanks to them all for their generosity. —Fernand Mourlot. The lithography at Mourlot printing press by Jean Adhémar, Curator of prints at the Bibliothèque nationale. Acknowledgments, Fernand Mourlot has long been the acknowledged master printer of France in every field, from lithographs to fine books to posters. The unfailing quality of his work commands the respect of museums, collectors, and most important of all, the artists themselves. Every product of his workshop bears the mark of Mourlot's discipline and craft and can truly be called an ideal collaboration between artist and artisan. The result of years of thoughtful planning, this special exhibition presents an accurate portrait of the Mourlot Press. We are greatly indebted to Fernand Mourlot, who made the selection, supervised the production of the catalogue, and gave endless time and energy to the details of preparation. This album was finished in Paris on 27th october 1964. The original lithographs and the reproductions were printed on the presses of Mourlot. The Imprimerie Nationale, Director André Brignole, was responsible for the typography. The edition has been limited to MM examples on Vélin d'Arches and CC on Vélin de Rives, reserved for the artists, the staff and the friends of the Imprimerie Mourlot. MAURICE ESTEVE (1904-2001), was a French painter. Maurice Estève was born in the French town of Culan (Département Cher) on 2 May 1904. In 1913 he moved to Paris with his parents, where he soon began his education as an artist. Estève worked for a year as designer in a textile factory in Barcelona 1923. During his visits to the Louvre in the 1920s, Estève was particularly impressed by the painters Jean Fouquet and Paolo Uccello. Among the modern artists, Paul Cézanne had the greatest influence on Estève. Maurice Estève was largely self-educated, having only attended the free studio of the Académie Colarossi in 1924, where he tried to constructively implement of his motifs according to the model of Georges Braque and Fernand Léger, thus creating a kind of Cubist Fauvism. Estève began to move away from realism in 1928, and was influenced in the following years by Léger, Matisse, Picasso, and Bonnard. His first one-man exhibition was given at the Galerie Yvangot, Paris, 1930. He worked as assistant to Robert Delaunay on huge decorative panels for the 1937 Paris International Exhibition. In the 1940s his stylized figure, still-life and landscape compositions with strong colors gradually became completely abstract, with tight-knit interlocking shapes in rich, bold colors. Has made a number of watercolors and collages, and designed stained glass in 1957 for a church at Berlincourt in the Bernese Jura. Estève's extensive work was not limited to the genre of painting. He was also active in collage, textile design and murals. Estève avoided the extrovert circles of Avant-garde but still belonged to the core of the artists who brought about the breakthrough of École de Paris after 1945. Maurice Estève took part in the Venice Biennale in 1954. His œuvre, just like the works of his art colleagues Riopelle and Bazaine, established a new pictorial language: Lyrical abstractions with the aim of depicting form and color with an almost poetic attitude. Estève's works are represented in many well-known museums and collections around the world. In 2008, Maurice Estève's painting, Faverdines, sold for $587,185 USD at Sothebys, Paris, setting a world record for the artist.
  • Creator:
    Maurice Estève (1904 - 2001, French)
  • Creation Year:
    1964
  • Dimensions:
    Height: 10 in (25.4 cm)Width: 7.5 in (19.05 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU1465216975412

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