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Maurice Estève
Maurice Esteve, Arizovert, from XXe Siecle, 1972

1972

$716
$89520% Off
£557.45
£696.8220% Off
€633.99
€792.4820% Off
CA$1,030.15
CA$1,287.6920% Off
A$1,131.58
A$1,414.4720% Off
CHF 591.37
CHF 739.2120% Off
MX$13,495
MX$16,868.7520% Off
NOK 7,488.34
NOK 9,360.4220% Off
SEK 6,976.02
SEK 8,720.0220% Off
DKK 4,737.44
DKK 5,921.8020% Off

About the Item

This exquisite lithograph by Maurice Esteve (1904–2001), titled Arizovert, from the album XXe Siecle, Nouvelle serie, XXXIVe Annee, No. 39, Decembre 1972, originates from the 1972 edition published by Societe Internationale d'Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1972. Arizovert reflects Esteve’s masterful command of color, harmony, and abstract form. Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Maurice Esteve (1904–2001) Title: Arizovert Medium: Lithograph on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1972 Publisher: Societe Internationale d'Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Prudhomme-Esteve, Monique, et al. Maurice Esteve : L’oeuvre Grave, Catalogue Raisonne. Cordelia, 1986, illustration 62. Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie, XXXIVe Annee, No. 39, Decembre 1972, published by Societe Internationale d'Art XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1972 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. Through its publication history, XXe Siecle helped shape the global reception of modern art and remains an essential record of 20th century artistic innovation, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Maurice Esteve (1904–2001) was a French painter, draftsman, and lithographer whose lifelong devotion to color, form, and harmony established him as one of the great masters of postwar abstraction and a central figure of 20th century French modernism. Born in Culan, France, Esteve was largely self taught, moving to Paris in the 1920s where he immersed himself in the avant garde circles of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, artists whose innovations in abstraction, surrealism, and modern form profoundly shaped his artistic vision. Drawing from the Cubist structure of Picasso and Braque, the lyrical freedom of Miro and Kandinsky, and the humanist warmth of Bonnard and Matisse, Esteve forged a uniquely personal visual language that merged geometric precision with emotional resonance. His mature works, composed of radiant interlocking forms and glowing chromatic harmonies, embody a sense of balance and rhythm that feels both musical and architectural, transforming color into an expressive force of light, energy, and emotion. A leading figure of the Ecole de Paris, alongside Jean Bazaine, Alfred Manessier, and Serge Poliakoff, Esteve helped define the lyrical abstraction movement that bridged the gap between European modernism and American color field painting. His art, celebrated for its refined craftsmanship and spiritual intensity, rejects rigid formalism in favor of a meditative balance between intellect and intuition, order and improvisation. Over his six decade career, Esteve’s paintings and lithographs were exhibited worldwide, including at the Venice Biennale, the Musee National d’Art Moderne, and the Fondation Maeght, and his work is represented in major collections such as the Centre Pompidou in Paris, the Tate Modern in London, and the Museum of Modern Art in New York. His influence extends to later generations of lyrical abstractionists, color field painters, and contemporary designers who continue to draw inspiration from his synthesis of color and emotion. Collectors prize his work for its timeless elegance, chromatic vitality, and spiritual depth, qualities that link him to the great innovators of his century, including Picasso, Miro, Dali, Kandinsky, Calder, Duchamp, Giacometti, and Man Ray. His highest auction record was achieved by Composition 1955, which sold for 1.6 million USD at Sotheby’s Paris on June 6, 2018, confirming Maurice Esteve’s enduring legacy as one of the most poetic, harmonious, and collectible abstract painters of the modern era. Maurice Esteve XXe Siecle 1972, Esteve Mourlot lithograph, Esteve velin paper, Esteve abstract print.
  • Creator:
    Maurice Estève (1904 - 2001, French)
  • Creation Year:
    1972
  • Dimensions:
    Height: 12.4 in (31.5 cm)Width: 9.65 in (24.52 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU1465216527132

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