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Michael G JacksonNear the Church - abstract black and white landscape depicted in the Luminogram2016
2016
$3,258.13
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£2,400
£3,00020% Off
€2,813.55
€3,516.9320% Off
CA$4,486.47
CA$5,608.0920% Off
A$5,021.19
A$6,276.4820% Off
CHF 2,628.41
CHF 3,285.5220% Off
MX$60,998.32
MX$76,247.9020% Off
NOK 33,374.15
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SEK 31,494.22
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DKK 20,994
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About the Item
NEAR THE CHURCH, 2016
Unique Luminogram Silver Gelatin Print, Framed; Framing options available, also can be shipped unframed if preferable
Framed; museum mount board, white metal frame with antireflective art glass
40.6 x 50.8 cm/ 16 x 20 in
Unique
Series: The Self Representation of Light
Signed and dated in pen on verso
“I find it sad that some people think there is no room to create unique images any more. Of course, there is – the same as there is room for painters to create new unique paintings. The art comes from the artist – and every artist is unique – and if they delve deep enough inside of themselves, then that uniqueness will show in their work.
The problem isn’t that there are no more possibilities out there – the problem is artists resigning themselves to working within limits.” – Michael Jackson
About the Artist:
Michael G Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner.
His work has been exhibited internationally and is part of various private and museum collections including The National Art Gallery in Washington, USA.
“Far from being an exercise in nostalgia, this analogue technique offers Jackson, as it does other artists at the cutting edge of this art movement, a path to the future.” – The Financial Times, 2017
LUMINOGRAMS
Michael Jackson's Luminograms are a very special piece of photographic art. Not a photograph in itself but a creative medium of its own. Each one is meticulously crafted by Michael in his darkroom. There are many structured stages to go through before the photographic paper can be hand developed and permanently fixed. Once Michael is happy with a finished Luminogram print it's then toned in Selenium, which not only intensifies the prints tonality, but also increases the prints archival quality. Traditional photographic darkroom printing techniques have an unquestionable pedigree when it comes to the life expectancy of a photograph.
Each Luminogram is unique and only one silver gelatin print is produced of each image.
The images reveal themselves with a 3D quality; viewed in the flesh the abstracted surreal forms within the paper come alive to the viewer.
Michael Jackson's Luminograms were exhibited for the first time at MMX Gallery in 2016; The Self Representation of Light exhibition and the following year at Photo London 2017.
Recently, the luminogram work was paired with theologian Edwin A. Abbott in a book published by 21st Editions, titled after the author's famous work 'FLATLAND' and premiered in November at the Grand Palais in Paris, for Paris Photo 2017.
- Creator:Michael G Jackson (1966, British)
- Creation Year:2016
- Dimensions:Height: 15.95 in (40.5 cm)Width: 11.82 in (30 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU1967214177612
Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner. His work has been exhibited internationally and is part of various private and museum collections including The National Art Gallery in Washington, USA. ***
"A true avant-garde of photography, he is on his way to becoming one of the most renowned contemporary fine art photographers" - Lomography Magazine *
"Far from being an exercise in nostalgia, this analogue technique offers Jackson, as it does other artists at the cutting edge of this art movement, a path to the future." - The Financial Times
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View AllThe Self Representation of Light #412, 2 x Luminograms as one work
Located in London, GB
It's really majestic piece. It's grand in size and its got a very beautiful and impressive contrast in shades.
This piece is something very special... two Luminograms in one work of...
Category
2010s Abstract Expressionist Abstract Photography
Materials
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Flowers, The Self Representation of Light, Unique Luminogram, Drawn by Light
Located in London, GB
#473 FLOWERS, 2016
Luminogram, Silver Gelatin Print
Print size: 30.5 x 40.6 cm
Framed: 49 x 58 cm
Frame with the classic museum style mount board and black frame/ Print can be shipped unframed - options available with more shipping prices available - please message us for more info/
This is a Unique piece
Series: The Self Representation of Light
Signed and dated in pen on verso, Certificate of Authenticity provided
The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting.
"I don't really see photography and pottery or painting or music to really be different to each other. Some are more immediate, some are more subtle. Music seems to be able to control emotions, photography seems to create a satisfying pleasure from just a tonal flat surface. Same with painting. One of the biggest mysteries for me is why all these things manage to control us in some way." - Michael G Jackson...
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#396, The Self Representation of Light, Unique Luminogram, Drawn by Light
Located in London, GB
#396, 2016
Silver Gelatin Luminogram Print, Framed (classic museum style white book mount board and black frame)
Image size: 40.6 x 30.5 cm
Framed: 58 x 49 cm
Unique
Series: The Self Representation of Light
Signed and dated in pen on verso
© Michael Jackson
The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting.
After moving to Wales in 2007, Michael Jackson spent the next eight years creating an extensive study of a single local beach - Poppit Sands. After years of examining the beach, he realised that in effect he was studying himself and his reaction to the beach - rather than the physical landscape. He then started looking at the beach as simply a way of dividing up the camera frame - the lines and curves and focal points. It was during the long period of producing Poppit Sands prints in the darkroom that he discovered how to start making luminograms.
"I feel strongly that the luminograms represent a form of moulded light. You use your process to direct and mould the light and the paper receives it in its own magical way and translates that into a form that seems fantastical but also it has one foot in reality. The piece itself so often seems like a photograph of a sculpture, when it fact it is neither. I imagine that I am taking something that you cannot feel and I am making it appear in a seemingly three dimensional form that is balanced and controlled. Just like sculpting clay." Michael G Jackson...
Category
2010s Abstract Black and White Photography
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ATO>MIC #15, Unique Silver Luminogram Print, Warm toned black and white abstract
Located in London, GB
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Unique Gelatin Silver Print/ Luminogram and Photogram technique, Hand Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/
18 x 23 cm
40.5 x 36 cm (Framed)
Unique
Series: ATO>MIC
Signed and dated in pencil on verso
Provided with the Certificate of Authenticity
Instead of using carving...
Category
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Abstract Black and White Luminogram Print of Central Park in New York City
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Central Park is part of a group of prints based on a visit to New York City, Because I live and work in quiet isolation and often don't meet anyone apa...
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ATO>MIC #3, Unique Silver Luminogram Print, Warm toned black and white abstract
Located in London, GB
ATO>MIC #3, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/
23 x 18 cm (image print)
40.5 x 36 cm (Framed)
Unique
Series: ATO>MIC
Signed and dated in pencil on verso
Provided with the Certificate of Authenticity
“The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions.
That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson
The images (from the ATO>MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.”
The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down.
Or maybe the thin line is just the horizon, where the enormous atomic blast took place…?
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G Jackson...
Category
2010s Abstract Abstract Prints
Materials
Glass, Wood, Archival Paper, Black and White, Bromoil, Silver Gelatin, T...
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