This exquisite lithograph by Pablo Picasso (1881–1973), titled Femme couchee et texte manuscrit (Reclining Woman and Handwritten Text), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this work represents Picasso’s intimate and expressive tribute to his lifelong friend and collaborator Georges Braque. In Femme couchee et texte manuscrit, Picasso combines his spontaneous linear draftsmanship with poetic inscription, “Braque, you once told me, long ago,
when we met in Provence on a radiant day of classical beauty, a sunny August day —
“In love, you are not yet at the edge of dawn.”
I was very moved — I love what you said”, uniting word and image in a gesture of affection and creative dialogue. The composition reveals his effortless synthesis of sensuality and intellect—hallmarks of his late-period graphic art.
Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Unsigned and unnumbered, as issued. The edition reflects Picasso’s mastery of both line and gesture, transforming a simple contour into a deeply expressive statement of form and emotion.
Artwork Details:
Artist: Pablo Picasso (1881–1973)
Title: Femme couchee et texte manuscrit (Reclining Woman and Handwritten Text), from Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque), 1964
Medium: Lithograph on velin paper
Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued
Inscription: Unsigned and unnumbered, as issued
Date: 1964
Publisher: Maeght Editeur, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the 1964 folio Derriere le Miroir, Nos. 144–145–146, published by Maeght Editeur, Paris
Notes:
Excerpted from the folio (translated from French): Taken from this special issue of “Behind the Mirror,” CCCL examples on velin de Rives were numbered, constituting the original edition of L’Hommage a Georges Braque. These deluxe examples also included an etching based on Trois oiseaux sur fond violet. The lithographs for this issue were printed in the ateliers of Maeght Editeur, Levallois. The text was printed by Fequet et Baudier, typographers. Finished printing May 13, 1964.
About the Publication:
Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing.
About the Artist:
Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose unparalleled innovation and creative range reshaped the course of modern art. Over a prolific seven-decade career, Picasso pioneered Cubism alongside Georges Braque, redefined perspective, and explored styles from the Blue and Rose periods to Surrealism and abstraction. His constant reinvention placed him at the heart of 20th-century art, in dialogue with other great masters including Henri Matisse, Alexander Calder, Georges Braque, Marc Chagall, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Picasso, revolutionized the language of visual expression. Equally accomplished across painting, sculpture, ceramics, and printmaking, Picasso’s work remains central to the history of art and continues to inspire generations of artists worldwide. His masterpieces are held in major museums including MoMA, the Guggenheim, the Tate, and the Centre Pompidou. The highest price ever paid for a Pablo Picasso artwork is approximately $179.4 million USD, achieved in 2015 at Christie’s New York for Les Femmes d’Alger (Version O) (1955).
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