Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Picasso, Composition (Bloch 1847; Cramer 87), Derrière le miroir (after)

1964

$1,036
$1,29520% Off
£795.60
£994.5020% Off
€911.75
€1,139.6920% Off
CA$1,458.43
CA$1,823.0420% Off
A$1,633.77
A$2,042.2120% Off
CHF 851.34
CHF 1,064.1820% Off
MX$19,928.58
MX$24,910.7220% Off
NOK 10,818.59
NOK 13,523.2420% Off
SEK 10,201.16
SEK 12,751.4520% Off
DKK 6,805.07
DKK 8,506.3320% Off

About the Item

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 144-145-146, 1964. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions Pierre à Feu, Galerie Maeght, Paris. Excerpted from a Christie’s, New York lot essay, The life span of Derrière le Miroir was thirty-five years. Publication began in 1946. Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launch of Derrière le Miroir. The name, Derrière le Miroir was suggested by Jacques Kober, manager of Galerie Maeght. The gallery had opened in 1945; the first number of Derrière le Miroir was released a year later. For this first issue Geer van Velde was invited to create lithographs to illustrate the publication. The lithographs in the first issue was printed by Mourlot, Paris. The first three issues of Derrière le Miroir were unsuccessful for Maeght as far as the edition size—the initial print-runs were far too large. From 30,000 for the first issue, the number was taken down to 10,000 for numbers two and three, until Derrière le Miroir number four was published in an edition of 1500. Maeght instituted a policy whereby unsold issues were recycled and used for the fabrication of new paper for the coming editions—this served to both conserve resources and also usually result in ultimate edition sizes far less than 1,500. With number four, the permanent format for Derrière le Miroir was established. Lithographs in colours were key; text was limited to comments on the featuring artist's exhibition taking place in the Galerie Maeght, and this catalogue format was defining to Derrière le Miroir. Galerie Maeght took on the leading role in Paris and presented all main artists including Braque, Matisse, Chagall, Léger, Bonnard, Chillida and many more. So too did Derrière le Miroir. The idea of a magazine was meanwhile still on the mind of Aimé Maeght. He found an insert as a solution. Two, and later four, pages of art review were inserted from 1952 onwards. In 1968 this find had ripened to independency and the dream of Aimé Maeght was now a tangible fact named l'Art vivant. Derrière le Miroir was on it's own again. Over 250 issues in a row. At that point publisher Aimé Maeght wished to make a mark with the publication of an hommage to all who once contributed to the magazine which came in the form of issue number 250, but was delayed by the death of Aimé Maeght. It was published after number 253 in 1982 and became a tribute to Aimé and Marguérite Maeght and 35 years of friendship with artists and poets. The era of Derrière le Miroir was closed with that final publication. PABLO PICASSO (1881-1973) Spanish painter and sculptor is one of the most recognized figures of twentieth century art. During his artistic career, which lasted more than 75 years, he created thousands of works using all kinds of mediums. He changed art more profoundly than any other artist of his time. First famous for pioneering cubism, Picasso continued to develop his art with a pace and vitality comparable to the accelerated technological and cultural changes of the twentieth century. Each change embodied a radical idea, and might be said that Picasso lived several artistic lifetimes.
  • Creation Year:
    1964
  • Dimensions:
    Height: 15 in (38.1 cm)Width: 22 in (55.88 cm)
  • Medium:
  • Movement & Style:
  • After:
    Pablo Picasso (1881-1973, Spanish)
  • Period:
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU1465215140442

More From This Seller

View All
Picasso, 4.5.64. I (Cramer 148), Le Goût du Bonheur (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...
Category

1970s Cubist Figurative Prints

Materials

Lithograph

Picasso, Composition, La Comédie Humaine, Verve: Revue Artistique (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 10.25 x 14 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, La Comédie Humaine, Suite d...
Category

1950s Cubist Abstract Prints

Materials

Lithograph

Picasso, Composition, La Comédie Humaine, Verve: Revue Artistique (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 10.25 x 14 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, La Comédie Humaine, Suite d...
Category

1950s Cubist Abstract Prints

Materials

Lithograph

Picasso, 25.4.64. (Cramer 148), Le Goût du Bonheur (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 9.84 x 12.8 inches. Inscription: Unsigned and unnumbered...
Category

1970s Cubist Figurative Prints

Materials

Lithograph

Picasso, Composition, La Comédie Humaine, Verve: Revue Artistique (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 10.25 x 14 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, La Comédie Humaine, Suite d...
Category

1950s Cubist Abstract Prints

Materials

Lithograph

Picasso, 8.10.64. XVII (Cramer 148), Le Goût du Bonheur (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...
Category

1970s Cubist Figurative Prints

Materials

Lithograph

You May Also Like

Pablo Picasso Original Lithograph. Mourlot Bibliography 401
By Pablo Picasso
Located in Torino, IT
PABLO PICASSO, Malaga 1881 - Mougins 1973 Hommage à Georges Braque, 1964 Original lithograph with date and dedication engraved on plate. Bibliography: Mourlot 401 Cramer 124. (mm. 27...
Category

1960s Cubist Portrait Prints

Materials

Lithograph

Picasso, Composition, Les Métamorphoses (after)
By Pablo Picasso
Located in Fairfield, CT
Medium: Lithograph on vélin papier Vergé fin blanc des papeteries de Bellerive paper Year: 1970 Paper Size: 11.024 x 8.66 inches Inscription: Inscription: Unsigned and unnumbered, as...
Category

1970s Cubist Figurative Prints

Materials

Lithograph

Picasso, Composition, Les Métamorphoses (after)
By Pablo Picasso
Located in Fairfield, CT
Medium: Lithograph on vélin papier Vergé fin blanc des papeteries de Bellerive paper Year: 1970 Paper Size: 11.024 x 8.66 inches Inscription: Inscription: Unsigned and unnumbered, as...
Category

1970s Cubist Figurative Prints

Materials

Lithograph

Picasso, Composition (Cramer 155), Pablo Picasso, La Chute D'Icare (after)
By Pablo Picasso
Located in Fairfield, CT
Medium: Lithograph on vélin paper Year: 1972 Paper Size: 20.5 X 26.4 inches Catalogue raisonné reference: Cramer, illustration 155 Inscription: Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Pablo Picasso, La Chute D'Icare, Décoration du Foyer des Délégués Palais de l'UNESCO à Paris, Suite d'études préparatoires en noir et en couleurs réalisées du 6 décembre 1957 au 29 janvier 1958, 1972. Published by Albert Skira, Éditeur, Genève; printed by Roto-Sadag S.A. Genève, December 20, 1972. Excerpted from the folio (translated from French), This album contains the series of preparatory tests in black and VII color studies, reproduced, made by Pablo Picasso for the decoration of the home of the delegates at the Palais de l'UNESCO in Paris, was completed to print on December 20, 1972 on the presses of Imprimeries Roto-Sadag S.A. and Atar S.A. in Genève. The edition of this album is as follows: CXXV examples numbered from I to CXXV, XXV examples, out of commerce, numbered H.C. I to XXV, reserved for the artist and the publisher. Each of these albums contains an etching by Pablo Picasso, signed and numbered...
Category

1970s Cubist Figurative Prints

Materials

Lithograph

Picasso, Composition, Les Métamorphoses (after)
By Pablo Picasso
Located in Fairfield, CT
Medium: Lithograph on vélin papier Vergé fin blanc des papeteries de Bellerive paper Year: 1970 Paper Size: 11.024 x 8.66 inches Inscription: Inscription: Unsigned and unnumbered, as...
Category

1970s Cubist Figurative Prints

Materials

Lithograph

Picasso, Composition, Les Métamorphoses (after)
By Pablo Picasso
Located in Fairfield, CT
Medium: Lithograph on vélin papier Vergé fin blanc des papeteries de Bellerive paper Year: 1970 Paper Size: 11.024 x 8.66 inches Inscription: Inscription: Unsigned and unnumbered, as...
Category

1970s Cubist Figurative Prints

Materials

Lithograph