Items Similar to Sans titre, Hommage à Aimé et Marguerite Maeght, Derrière le miroir
Want more images or videos?
Request additional images or videos from the seller
1 of 11
Paul RebeyrolleSans titre, Hommage à Aimé et Marguerite Maeght, Derrière le miroir1982
1982
$716
$89520% Off
£546.66
£683.3320% Off
€631.66
€789.5820% Off
CA$1,005.13
CA$1,256.4120% Off
A$1,120.32
A$1,400.4020% Off
CHF 587.79
CHF 734.7420% Off
MX$13,680.94
MX$17,101.1720% Off
NOK 7,442.75
NOK 9,303.4320% Off
SEK 7,034.53
SEK 8,793.1620% Off
DKK 4,714.38
DKK 5,892.9820% Off
About the Item
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 250, Hommage à Aimé et Marguerite Maeght, 1982. Published by Galerie Maeght S.A., Paris; printed by l'Imprimerie moderne du Lion, Paris, 1963. Excerpted from the folio (translated from French), This special issue of Derrière le miroir was designed and defined by Aimé Maeght in the fall of 1980. He envisioned its publication as a celebration with which artists and writers published since 1946 were to be associated. He also chose François Chapon, president of the Reverdy Committee, to write the presentation. This Derrière le miroir number 250 took the form, after its disappearance on September 5, 198I, of a tribute to Aimé Maeght and his wife Marguerite Maeght who died four years earlier. XXIV artists agreed to create an original graphic work for this issue which includes the general table of all issues as well as excerpts from texts by XXXII writers. Finished printing on June 2, 1982 on the presses of the l'Imprimerie moderne du Lion in Paris. CL examples were printed on Arches vellum, numbered from I to CL, and some non-commercial examples constituting the original edition. Additional notes: Excerpted from a Christie’s, New York lot essay, The life span of Derrière le Miroir was thirty-five years. Publication began in 1946. Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launch of Derrière le Miroir. The name, Derrière le Miroir was suggested by Jacques Kober, manager of Galerie Maeght. The gallery had opened in 1945; the first number of Derrière le Miroir was released a year later. For this first issue Geer van Velde was invited to create lithographs to illustrate the publication. The lithographs in the first issue was printed by Mourlot, Paris. The first three issues of Derrière le Miroir were unsuccessful for Maeght as far as the edition size—the initial print-runs were far too large. From 30,000 for the first issue, the number was taken down to 10,000 for numbers two and three, until Derrière le Miroir number four was published in an edition of 1500. Maeght instituted a policy whereby unsold issues were recycled and used for the fabrication of new paper for the coming editions—this served to both conserve resources and also usually result in ultimate edition sizes far less than 1,500. With number four, the permanent format for Derrière le Miroir was established. Lithographs in colours were key; text was limited to comments on the featuring artist's exhibition taking place in the Galerie Maeght, and this catalogue format was defining to Derrière le Miroir. Galerie Maeght took on the leading role in Paris and presented all main artists including Braque, Matisse, Chagall, Léger, Bonnard, Chillida and many more. So too did Derrière le Miroir. The idea of a magazine was meanwhile still on the mind of Aimé Maeght. He found an insert as a solution. Two, and later four, pages of art review were inserted from 1952 onwards. In 1968 this find had ripened to independency and the dream of Aimé Maeght was now a tangible fact named l'Art vivant. Derrière le Miroir was on it's own again. Over 250 issues in a row. At that point publisher Aimé Maeght wished to make a mark with the publication of an hommage to all who once contributed to the magazine which came in the form of issue number 250, but was delayed by the death of Aimé Maeght. It was published after number 253 in 1982 and became a tribute to Aimé and Marguérite Maeght and 35 years of friendship with artists and poets. The era of Derrière le Miroir was closed with that final publication.
PAUL REBEYROLLE (1926-2005) was a French painter. Afflicted by bone tuberculosis in his childhood, he was forced to immobility and solitude, which allowed him to develop a strong observational ability. He studied in Limoges and then, barely 18 years old, went to Paris. For several years he explored painting in exhibitions, workshops and at the Louvre, but also with his contemporaries. Thus, he participated in numerous group exhibitions, especially those of "L'Homme-Témoin". His first solo exhibition took place in 1951 at the Drouant-David Gallery at a time when he had already joined the New Figuration movement. Throughout his life, Rebeyrolle limited himself in favor of artistic freedom. This commitment is reflected in his immense body of work, much of which can be described as "political", a revolt against injustice and oppression. The other part is mainly dedicated to nature, whose beauty for him is violent and untamable. His figurative style and the subjects he tackles without compromise earned him the friendship of philosophers Michel Foucault and Jean-Paul Sartre. The force of his paintings and sculptures can also be found in his prints. He mainly produced lithographs illustrating political texts for art books. At the age of 33, Paul Rebeyrolle was awarded First Prize at the first Paris Biennale; years later he was also awarded the Grand Prix de la Ville de Paris. His loyalty to Maeght in Paris enabled him to participate in exhibitions around the world. The Espace Paul Rebeyrolle, a museum dedicated to his works, was inaugurated in 1995 in his hometown of Eymoutiers. In 2007, Paul Rebeyrolle's painting, Les depouilles 1 (from Les évasions manquées), sold for $136,537 USD, at Cornette de Saint Cyr Paris, setting a world record for the artist.
- Creator:Paul Rebeyrolle (1926-2005, French)
- Creation Year:1982
- Dimensions:Height: 15 in (38.1 cm)Width: 11 in (27.94 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216700922
Paul Rebeyrolle
Paul Rebeyrolle (1926 - 2005) was a French painter born in Eymoutiers, France. As a child he had tuberculosis of the bone, which caused for long periods of immobility. Later he studied in Limoges and joined the French Communist Party. He ultimately broke with the party because of events related to the Hungarian Revolution of 1956. His art is often concerned with landscapes, but is marked by violence and rage. His work is sometimes abstract, or near abstract, portraying imagined animals, body parts or partial human figures, and seems to be a combination of invention and observation, where emotion plays a front role. He received praise from Francois Pinault, Jean-Paul Sartre, Michel Foucault and others.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1978
1stDibs seller since 2021
1,157 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Southampton, NY
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllSans titre, Hommage à Aimé et Marguerite Maeght, Derrière le miroir
By Gerard Titus-Carmel
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 250,...
Category
1980s Contemporary Abstract Prints
Materials
Lithograph
Sans titre, Hommage à Aimé et Marguerite Maeght, Derrière le miroir
By Jean Bazaine
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 250, Hommage à Aimé et Marguerit...
Category
1980s Modern Abstract Prints
Materials
Lithograph
$716 Sale Price
20% Off
Sans titre, Hommage à Aimé et Marguerite Maeght, Derrière le miroir
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 250,...
Category
1980s Modern Abstract Prints
Materials
Lithograph
Sans titre, Hommage à Aimé et Marguerite Maeght, Derrière le miroir
By Claude Garache
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 250, Hommage à Aimé et Marguerit...
Category
1980s Modern Abstract Prints
Materials
Lithograph
$716 Sale Price
20% Off
Sans titre, Hommage à Aimé et Marguerite Maeght, Derrière le miroir
By Pablo Palazuelo
Located in Southampton, NY
Silkscreen on vélin paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 250, Hommage à Aimé e...
Category
1980s Modern Abstract Prints
Materials
Screen
$716 Sale Price
20% Off
Sans titre, Hommage à Aimé et Marguerite Maeght, Derrière le miroir
By Claude Garache
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 250, Hommage à Aimé et Marguerit...
Category
1980s Modern Abstract Prints
Materials
Lithograph
$716 Sale Price
20% Off
You May Also Like
Paul Rebeyrolle - Original Lithograph
By Paul Rebeyrolle
Located in Collonge Bellerive, Geneve, CH
Pablo Palazuelo - Original Lithograph
1976
Dimensions: 32 x 25 cm
Revue XXe Siècle
Edition: Cahiers d'art published under the direction of G. di San Lazzaro.
Paul Rebeyrolle (1926...
Category
1970s Modern Figurative Prints
Materials
Lithograph
Figure Miroir
Located in San Francisco, CA
This artwork titled "Figure Miroir" c.1980 is an original lithograph on Arches paper by noted French abstract expressionist artist Francois Rouan, b.194...
Category
Late 20th Century Abstract Expressionist Abstract Prints
Materials
Lithograph
Paul Rebeyrolle-Deux etudes sur fond colore
By Paul Rebeyrolle
Located in Brooklyn, NY
First edition double page lithograph published on pages 10,11 in Derriere le Miroir (DLM) No. 163. With fold line down the center as issued.
Shipping and Handl...
Category
20th Century Abstract Expressionist Prints and Multiples
Materials
Lithograph
$200 Sale Price
20% Off
1969 Paul Rebeyrolle 'Composition II-177'
By Paul Rebeyrolle
Located in Brooklyn, NY
First edition double page lithograph on pages 4,5 of Derriere le Miroir (DLM) No.177. Fold down the center as issued.
""All my mysteries have remained intact. Nobody understands t...
Category
1960s Contemporary Prints and Multiples
Materials
Lithograph
$120 Sale Price
20% Off
Study for a Diachronic Painting in Graphite, by Grégoire Mathias
Located in PÉRIGUEUX, FR
Etude pour tableau diachronique (Study for a Diachronic Painting)
Medium: HB graphite on paper
Dimensions: 50 × 32.5 cm
Signed lower right
Condition: Very good, with minor handling m...
Category
21st Century and Contemporary Cubist Nude Drawings and Watercolors
Materials
Paper, Crayon
"Komposition" (Composition)
By Bernhard Heiliger
Located in Kansas City, MO
Bernhard Heiliger
“Composition”, 1967
Medium: Lithograph
Signed, numbered or inscribed
Edition: 100 + H.C.
Size: 20.5 × 12.9 on 25.5 × 19.7 inches
COA provided
Bernhard Heiliger (11...
Category
1960s Abstract Portrait Prints
Materials
Lithograph