1970s Abstract Prints

Artist: Peter Phillips (1939 - ) Title: Olympische Spiele Muenchen Year: 1972 Medium: Lithograph Poster mounted on linen Edition: 3000 Size:...

Hand signed and numbered limited edition print. David Roth studied at the Illinois Institute of Technology's Institute of Design and was twice the recipient of the Moholy-Nagy Scholarship in visual design. It was Roth's initial work as a designer at fine art for commercial use that brought him interesting positions as art director for Lanvin, Charles at the Ritz, and Germain Monteil. . The strings are tied in bunches and closely hung tram a wooden bar. The size and shape of the string is similar to that at a canvas painting. Each bundle is represented by a vertical row at squares on the graph and the groupings at string are lined up along the wall according to the horizontal rows at the program. The six primary and secondary colors are used in their full intensity along with black, grey, and white. As a painter Roth works to formulate with color. Some painters regard color as a concomitant of form, hence a subordinate, but Roth's color is the chief medium of his pictorial language. A programmed juxtaposition at primary color allows Roth and the viewer to play upon various combinations. The graphs Roth executes are proportioned according to a strict mathematical formula - the pictures are Composed according to horizontal and vertical divisions on the graph paper. The optical quality of color, deliberately sought, has its roots in the Bauhaus investigations of illusion, and thus has a direct relationship to the Op art produced in postwar Europe. Roth has arranged his hues so as to persuade the planes to separate from the ground on which they are planted, and float free in space. It is almost as if Roth is giving us a "readout" on his creative process. Although the graphs appear to vary in their use of color the same colors are used throughout, also the same amount of color. Roth's work illustrates the sophistication of the human eye-brain relationship that has developed and invites the viewer to participate in the evolution at visionary ideas. One Man Shows 1966 The Gallery Upstairs, Buffalo, New York 1967 The Gallery Upstairs, Buffalo, New York 1969 The House of Graphics, New York 1969 Illinois Institute of Technology, Chicago, Illinois 1972 Robert Elkon Gallery, New York 1973 Robert Elkon Gallery, New York 1974 Robert Elkon Gallery, New York 1975 Michael Wyman Gallery, Chicago 1975 Robert Elkon Gallery, New York 1976 G.W. Einstein, New York 1976 Robert Elkon Gallery, New York 1977 Robert Elkon Gallery, New York 1977 G.W. Einstein, New York 1978 Sunne Savage Gallery, Boston, Massachusetts 1978 Robert Elkon Gallery, New York 1979 Nancy Roth Gallery, Katonah, New York Group Exhibitions 1967 State University of New York, Buffalo 1970 Ronald Feldman Gallery 1970 The Everyman Gallery 1971 Robert Elkon Gallery, New York 1972 The Brooklyn Museum, New York 1972 The Newark Museum, New Jersey 1972 Art...

"Miró Lithographe I - Plate X" is a vintage lithograph realized by Joan Miró in 1972. Perfect conditions. It comes from the set of 11 lithographs realized for the catalogue "Miró...

Jennifer Losch Bartlett American Dance Festival 1978, 1978 Lithograph on wove paper Pencil signed and numbered 163/150 31 × 23 inches Unframed This limited edition print was designed by Jennifer Bartlett for the American Dance Festival in 1978. It is ; this is the hand signed and numbered limited edition lithograph - not to be confused with the separate poster edition which was not on the same lithographic paper. About Jennifer Bartlett: Jennifer Bartlett (b. 1941, d. 2022) was known for her room-sized installations ranging in medium, that explored her immediate environments including houses, mountains, trees, gardens, and the ocean. Inspired by Minimalism, she started working on square steel enameled plates in 1968 on which she went on to create her most notable works. Rhapsody (1975–1976), a polyptych first installed at Paula Cooper Gallery filling the entirety of the gallery, included hundreds of these painted steel plates. That work is now part of the permanent collection of the Museum of Modern Art, New York. Her work moved from Abstract Expressionism to Minimalism to Conceptualism with some works touching on all at once. Working in two dimensions and occasionally moving to three, her works often started in a controlled, mathematical abstraction and moved to more painterly realism. Bartlett’s first survey exhibition was held in 1985 and traveled to the Walker Art Center, the Brooklyn Museum, and the Museum of Art, Carnegie Institute. In 2006, her early enameled steel plate paintings were surveyed at the Addison Gallery of American Art. Klaus Ottman curated her second traveling survey exhibition in 2013­–14, Jennifer Bartlett: History of the Universe—Works 1970–2011, which traveled to the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum. In 2014, the Cleveland Museum of Art exhibited all three of her monumental plate...

An original hand-signed and numbered minimalist silkscreen from the Werkubersicht/Work-Overview Portfolio. Leon Polk Smith is credited with the founding of the hard-edge art movement...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London; printed by Ediciones Polígrafa, Barcelona, October 23, 1979. Excerpted from the album (translated from French), This book has been published for the exhibition of artists who have worked for Ediciones Polígrafa, Barcelona, at the Redfern Gallery, 20 Cork Street - London W. 1 from December 4th, 1979, to January 31st, 1980. This album was finished in Barcelona on 23rd October 1979 on the presses of La Polígrafa, S.A. The English edition for the Redfern Gallery has been limited to M examples. There is also a de luxe edition with a portfolio containing a selection of the lithographs with full margins, 3742 x 27 cm., specially made for this book, signed and limited to C examples. JOAN PONC (1927-1984) was a Catalan artist and member of the avant-garde group Dau al Set. Ponç was born in the Sarrià neighborhood of Barcelona, Spain to Gumersindo Pons and Dolors Bonet. He attended the Colegio Salesiano San Antonio de Padua...

Rolf Steinhausen Gestural Abstraction (monochromatic, black and white) Lithograph Signed and numbered by hand Edition: 100 Size: 11.9 × 10.9 on 23.0 × 16.4 inches COA provided

Etching, 1977 Handsigned by the artist in pencil and numbered 128/150 33.00 cm. x 25.00 cm. 12.99 in. x 9.84 in. (paper) 13.00 cm. x 11.00 cm. 5.12 in. x 4.33 in. (image) LCD5239

CR Rossbach - Geometric Composition, Year: circa 1970, Medium: Screenprint on Paper, Laminated, signed and numbered in pencil, Edition: 2/5, Image Size: 12 x 12 inches, Size: 18 x ...

Red Abstract is a contemporary artwork realized by Le Pond in 1970s. Mixed colored lithograph. Hand signed on the lower margin. Numbered on the lower margin. Edition of 38/100

Decalogue N°1 is an original artwork realized by Lucio del Pezzo between 1976 and 1978. It is part of "Decalogue", a portfolio of ten sheets, numbered variously from the total editio...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Etching and aquatint, 1970 Handsigned by the artist in pencil and numbered 15/50 Publisher : L'Œuvre Gravée (Paris) 75.50 cm. x 56.00 cm. 29.72 in. x 22.05 in. (paper) 64.50 cm. x 4...

Green is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 110/150.

This screenprint was created by American artist David Roth. Roth's images are proportioned according to a strict mathematical formula - the pictures are composed according to horizon...

Composition  is a lithograph and embossing artwork on paper realized by  Lucio del Pezzo. It belongs to the series "Decalogue". Edition of 29/75. The artwork represents a geometri...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Untitled is an artwork realized by Man Ray (1890 - 1976) in 1970. Etching and aquatint from the series Les Anatomes. Aquatint etching on lana paper. Hand signed and numbered. Edition 13/100. Image 43 x 31.8 cm; Sheet 66 x 50.8 cm. Ref. Anselmino 70. Very Good condition. Man Ray was born in Philadelphia into a family of Russian immigrants of Jewish origin. He grew up in New York where he completed his studies. Here he works in 1908 as a draftsman and graphic designer. In 1912 he began to sign his works with the pseudonym "Man Ray", which means ray man. He buys his first camera in 1914, to photograph his works of art. In 1915 the collector Walter Conrad Arensberg presented it to Marcel Duchamp, with whom he would become a great friend. The three founded the Society of Independent Artists. In 1919 he painted his first airbrushes, images produced with an airbrush, a commonly used retouching tool for a graphic designer. In New York, with Marcel Duchamp he formed the American branch of the Dada movement which began in Europe as a radical rejection of traditional art, but was not very successful. In 1921 Duchamp returned to Paris and Man Ray followed him. In Paris Duchamp introduced him to the most influential artists of France, including André Breton and Philippe Soupault. Soupault hosted the first exhibition of Man Ray in his library, where the famous work Cadeau was exhibited. Man Ray's Parisian success is due to his skill as a photographer, especially as a portraitist. Famous artists of the time, such as James Joyce, Gertrude Stein, Jean Cocteau and many others, posed in front of his camera. In 1922 Man Ray produced his first frames, which he called rayographs (rayographies), or photographic images obtained by placing objects directly on sensitive paper. in 1924 surrealism was officially born, Man Ray was the first surrealist photographer. The production of his research work goes hand in hand with the publication of his fashion photographs in Vogue. He falls in love with the famous French singer Alice Prin...

Miró Lithographe I - Plate IX is an original artwork realized by Joan Miró in 1972. Lithograph on paper; the hallmark of Graphis Arte, Livorno is on the back. Perfect conditions. This beautiful abstract print comes from the set of...

The encounter is an artwork realized by Leo Guida in 1972.  Etching, 34 x 50 cm. Hand signed, dated, titled lower side. Good conditions

Letter Letter N by Rafael Alberti, from Alphabet series, is an original lithograph, realized by Rafael Alberti in 1972. Hand-signed, dated, numbered, edition of 83/99 prints The ...

Artist: John Hoyland – British (1934-2011) Title: Brown Block on Pink Series: New York Suite Year: 1971 Medium: serigraph Image size: 36 x 26 inches Sh...

Blue Composition in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Limited edition of 100. Handsigned in pencil on the right lower margin. Excellent condition.

Artist: Henri Goetz, French/American (1909 - 1989) Title: Untitled II Medium: Aquatint Etching, Signed and numbered in pencil Edition: 30/40 Image Size: 6.5 x 8 inches Size: 14 in. x...

Square composition is an original screen print on cardboard realized by Nato Frascà in 1974. Hand signed and dated by the artist on the lower right margin...

Robert Indiana Anne inspired by Susan B. Anthony, 1977 Color Lithograph on Arches Paper Hand Signed, dated and numbered 93 from the limited edition of 150 (93/150) front in graphite pencil 17 4/5 × 14 inches Unframed Robert Indiana, celebrated for his iconic “LOVE” design, entered the realm of the theater in 1966 when he served as a set and costume designer for The Mother of Us All, an adaptation of Gertrude Stein and Virgil Thomson’s 1947 opera about activist Susan B. Anthony during the Women’s Suffrage Movement. Billed as “An American Pop Opera,” the play was first performed at the Guthrie Theatre...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Une Étoile de Craie, seize lithographies originales par An...

Red Abstract is a contemporary artwork realized by Le Pond in 1970s. Mixed colored lithograph. Hand signed on the lower margin. Numbered on the lower margin. Edition of 45/100

Artist: James Rosenquist, American (1933 - ) Title: Hot Lake (2nd State) Year: 1978 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 78 Size: 23 in. x 40 in. (58.42 c...

Lithograph realized by Costantino Persiani in 1971. Limited Edition of 120. Excellent condition.

This angular print by William Schwedler is indicative of his geometric, abstract manner of composing forms and shapes in his compositions. Come to the Light ]Artist: William Schwe...

"Pygmalion's Ladder" - Surrealist Colored Etching 9/20, 1975 In this etching, a figure in soft blue could be interpreted as the sculptor surrounded by their creations by James C. Cr...

"Miró Lithographe I - Plate VIII"  is a lithograph realized by  Joan Miró  in 1972.  Good conditions. It comes from the set of 11 lithographs realized for the catalogue "Miró Litho...

This reserved and sophisticated Lithograph on Japon Paper by André Masson Edition 70/101 originates from France, C. 1973. This surrealistic abstraction features a vertical compositio...

This bright yellow modern lithographic poster was printed at the Atelier Mourlot in New York City in 1967. Certificate of Provenance: Each individual work of art carefully curated...

This screenprint was created by American artist Josef Levi. Levi is especially known for his interest in the visual similarities that transcend cultures, like the pattern shown here....

Lithograph realized by Nicolas Carrino in 1970. Edition of 150 pieces plus 30 pieces in Roman Numbers. One of the 30 specimen in roman numbers. Excellent condition.

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

Joan Miro (1893-1983), Color lithograph for Derrière le Miroir No. 203 II, 1973 Joan Miro (1893 Barcelona - 1983 Palma), Color lithograph for Derrière le Miroir No. 203, 1973. Printe...

Green Figures is an original colored screen print, realized in 1970 ca. by the German artist Fritz Baumgartner. Hand-Signed on lower right margin in pencil and numbered on the lower...

2 Lithographs included Artist: Joan Miro, Spanish (1893 - 1983) Title: Les Revolutions Sceniques du XXe Siecle - I & II (Cramer 207) Year: 1975 Medium: Lithograph Image Size: 12 x 1...

Limited edition of 100 prints, numbered and hand signed.

L'Etiquette is an original lithograph realized by the Spanish artist Antoni Tapies. Hand-signed in pencil by the artist on the lower right. Artist's proof. Perfect conditions. The a...

Reuven Rubin, Israeli (1893 - 1974) - The Prophets, Medium: Poster, Size: 30 x 20 in. (76.2 x 50.8 cm), Description: Exhibition poster of expressionist painting with fiery color ...

Up towards the sun. 1972, paper, lithography, 15x12.5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began he...

Sybil is an original etching and aquatint realized by Leo Guida in 1972. Good condition. Mounted on a white cardboard passpartout (50x34 cm). Edition 1/5. Hand-signed. Leo Guida...

"Arian Moon Chance" - 1975 Surrealist Lithograph on Paper 1975 surrealist lithograph on paper titled "Arian Moon Chance" by Jim Crabb (American, b. 1947). Surrealist figures appear ...

Composition in Blue is a colored serigraph on paper, realized in the 1970s by the Italian artist Wladimiro Tulli. Hand-signed on the lower right and numbered in pencil on the lower ...

DEREK BOSHIER "Culture Carriers Stamp Out Art", (Hand Signed), from the Collection of Art Critic Anthony Haden-Guest, 1971 Lithograph mounted on franked envelope of wove paper (Hand Signed) 6 × 9 in 15.2 × 22.9 cm Limited Edition of 250; hand signed and numbered 24/250 Signed in ink lower left of the lithographic stamp affixed to the envelope, and hand numbered 24/250. From the series The Post Office Worker's Strike Commemoration Stamps Unframed The artwork consists not just of the signed, limited edition Boshier postage "stamp", but also the franked envelope, which it is affixed to, with the stamps as described above. The entire mixed media piece is far more desirable than the stamp alone. As a consequence of the prolonged strike by the Royal Mail postal workers in the United Kingdom, Derek Boshier along with a group of British artists including Allen Jones, David Hockney, Christopher Logue, Eduardo Paolozzi and Richard Hamilton, published ''Culture Carriers Stamp Out Art''to raise funds for the striking workers. The "stamps" were published in a limited edition of only 250, with Derek Boshier signing each by hand in black ink with his initials on the lower left. This particular stamp is also numbered 24/250. The stamp itself measures 3.25 by 2.75 inches, and it is affixed to a franked (postmarked) envelope which measures 6 inches by 9 inches, bearing the stamped text "Culture Carriers 23 Feb 1971" on the top left, and the stamp "CULTURE CARRIERS STAMP OUT ART" on the lower left (front). and the stamp "STRIKE ISSUE" lower right front of the envelope. Very desirable as an ensemble. these were known as The Post Office Worker's Strike Commemoration Stamps. This particular piece has superb and interesting provenance, as it came from the private collection of the American art critic Anthony Haden-Guest. As additional provenance, we will furnish the buyer with a xerox copy of the receipt from Flair Magazine...

Lithograph, 1974 Handsigned by the artist in pencil and numbered 32/100 Publisher : Poligrafa, Barcelone Catalog : Maeght 935 34.90 cm. x 51.90 cm. 13.74 in. x 20.43 in. (paper) 20.00 cm. x 39.70 cm. 7.87 in. x 15.63 in. (image) A horizontal lithograph...

Square composition is an original screen print on cardboard realized by Nato Frascà in 1974. Hand signed and dated by the artist on the lower right margin...

Ernest Tino Trova TROVA (hand signed by Ernest Trova), 1978 Hardback monograph with dust jacket (hand signed by Ernest Trova) Hand signed by Ernest Trova on the half title page 11 × ...

Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed on the lower margin. Edition of VIII/XXX.

Friedrich Geiler Concrete Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Linocut Year: 1974 Signed, numbered and dated by hand Edi...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Abstract Tulip Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200 Paper Size: 35 x 26 inches (...

Abstract Composition is an artwork realized by Salvatore Provino. Screen print on paper. Hand-signed on the lower right corner. Numbered on the lower left, edition of 75. Very go...

Delicate lithograph with abstract leaf by Dennis john Ashbaugh (American, b. 1946). "Proof" is written in the lower left corner. Signed "D. Ashbaugh" in the lower right corner. Presented in a new grey mat with foamcore backing. No frame. Image size: 5"H x 4.75"W Dennis John Ashbaugh (American, b. 1946) was born in Red Oak, Iowa, and attended California State University at Fullerton, receiving his MA in 1969. Ashbaugh has spent most of his career in New York City. In 1992, he collaborated with William Gibson, fiction writer, and with publisher Kevin Begos on a book, Agrippa, meaning 'book of the dead'. Exhibition venues include the Metropolitan Museum of Art in New York City, the P.S.1 Contemporary Art Center, the Seattle Art Museum, and the Whitney Museum of American ArtPublic collections holding his work include the Hirshhorn Museum, the Museum of Fine Arts, Houston, the Los Angeles County Museum of Art, and the New York Metropolitan. He received a Guggenheim Fellowship. Ashbaugh lives in a trim frame house in Flamingo Park...

Horst Antes Untitled, from the Swiss Society of Arts Portfolio (Lutze 629), 1975 Lithograph on paper with Deckled Edges. Hand signed and numbered 26/200 by the artist on the front 2...

Artist: Adja Yunkers, American (1900 - 1983) Title: Morketiden II Year: 1973 Medium: Silkscreen, signed and numbered in pencil Edition: 10/175 Image Size: 15 x 17.5 inches Paper Size...

Artist: Richard Smith, British (1931 - 2016) Title: Munich Olympics 1972 Year: 1971 Medium: Lithograph with Collage, Signed and numbered in Pencil Editi...