Richard Tuttle, Surface: Contemporary Art, Minimalism, Signed Print
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Richard TuttleRichard Tuttle, Surface: Contemporary Art, Minimalism, Signed Print1997
1997
$2,111.39List Price
About the Item
- Creator:Richard Tuttle (1941, American)
- Creation Year:1997
- Dimensions:Height: 15.01 in (38.1 cm)Width: 17.76 in (45.1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hamburg, DE
- Reference Number:1stDibs: LU704315279302
About the Seller
4.9
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 2017
1stDibs seller since 2017
180 sales on 1stDibs
Typical response time: 12 hours
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllRichard Tuttle, Surface: Contemporary Art, Minimalism, Signed Print
By Richard Tuttle
Located in Hamburg, DE
Richard Tuttle (American, b. 1941)
Surface, 1997
Medium: Photogravure on wove paper
Dimensions: 15 x 17-3/4 in
Edition of 100: Hand-signed and numbered
Condition: Excellent
Category
20th Century Abstract Abstract Prints
Materials
Photogravure
Joseph Kosuth, L’Essence de la rhétorique est dans l’allégorie IV - Signed Print
By Joseph Kosuth
Located in Hamburg, DE
Joseph Kosuth ( American, b. 1945)
L’Essence de la rhétorique est dans l’allégorie IV, 1998
Medium: Set of three heliogravure and aquatints, on BFK Rives rag paper
Dimensions: each 4...
Category
21st Century and Contemporary Contemporary Abstract Prints
Materials
Aquatint, Photogravure
John Baldessari, Two Assemblages (with R, O, Y, G, B, V Opaque) - Signed Print
By John Baldessari
Located in Hamburg, DE
John Baldessari (American, 1931-2020)
Two Assemblages (with R, O, Y, G, B, V Opaque), 2003
Medium: Lithograph and screen print on vellum
Dimensions: 61.6 x 91.5 cm
Edition of 50: Han...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Lithograph, Screen
Günther Uecker, Lichtungen I - Signed Woodcut, Abstract Art, Zero, Minimalism
Located in Hamburg, DE
Günther Uecker (German, born 1930)
Lichtungen I, 1997/1998
Medium: Woodcut on wove paper
Dimensions: 62.5 x 51.5 cm
Edition of 100 + XX: Hand-signed and (Roman) numbered in pencil
Pu...
Category
Late 20th Century Abstract Abstract Prints
Materials
Woodcut
Carmen Herrera, Rojo y Negro - Abstract Art, Minimalism, Hard-Edge, Signed Print
By Carmen Herrera
Located in Hamburg, DE
Carmen Herrera (Cuban, b. 1915)
Rojo y Negro, 1993
Medium: Screenprint on wove paper
Dimensions: 55.7 × 48 cm (21 9/10 × 18 9/10 in)
Edition of 200 + 25 A.P.: Hand-signed, inscribed ...
Category
Late 20th Century Abstract Abstract Prints
Materials
Screen
Gerhard Richter, Cage P19-3 - Print, Contemporary Art, Abstract Art
By Gerhard Richter
Located in Hamburg, DE
Gerhard Richter (German, b. 1932)
Cage P19-3, 2020
Medium: Diasec-mounted Giclée print on aluminium composite panel
Dimensions: 100 × 100 × 3 cm (39 2/5 × 39 2/5 × 1 1/5 in)
Edition of 200: Numbered and labelled on verso; unsigned, as issued
Publisher: HENI Editions, London
Condition: Mint (shipped in original box)
“One of a series of Giclée prints based on Gerhard Richter’s ‘Cage...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Giclée
You May Also Like
"KVTNO7_02" Abstract Print 23" x 23" Edition of 50 by DOT
Located in Culver City, CA
"KVTNO7_01" Abstract Print 23" x 23" Edition of 50 by DOT
Print. Signed and numbered by the artist.
ABOUT THE ARTIST:
By compiling concepts from multiple philosophies, DOT’s Art...
Category
21st Century and Contemporary Abstract Geometric Abstract Prints
Materials
Canvas, Screen
Howard Hodgkin Late Afternoon in the Museum of Modern Art abstract black white
By Howard Hodgkin
Located in New York, NY
Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract.
Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press.
This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork.
Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract Interior Prints
Materials
Etching
Souvenir, Howard Hodgkin: large scale black white gray abstract interior scene
By Howard Hodgkin
Located in New York, NY
Very large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles. Striking print to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is more painterly, expressionist, and abstract.
Paper 45 x 55 in. / 114.3 x 139.7 cm.
Souvenir by Howard Hodgkin. Screenprint on Arches aquarelle mould-made paper. Signed by the artist with initials and dated 80 in pencil lower center, numbered in pencil lower left.
This bold Howard Hodgkin print layers five shades of black, with a wide variety of marks including some from the artist’s fingerprints and hand. Scribbles and lines of grey loosely define what could be an interior space with furniture. As is typical of his prints, there is a sense of space, and of the passage of time, expressed through shapes that seem to recede through the picture, deep black shades and, unusually for Hodgkin’s work, the white of the paper showing through. The last photograph displays these rich surface textures on the sheet at an angle.
Catalogue reference: Elizabeth Knowles...
Category
Late 20th Century Abstract Abstract Prints
Materials
Screen
Artist and Model Howard Hodgkin - green and yellow etching watercolour gouache
By Howard Hodgkin
Located in New York, NY
This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin. The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, green watercolor contrasts beautifully with marigold orange, crimson, and terra cotta red. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model.
Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring in a yellow watercolor wash and green gouache on Stoneridge mould-made etching paper. Edition 100.
Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and yellow) at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Catalogue reference: Elizabeth Knowles...
Category
Late 20th Century Abstract Interior Prints
Materials
Watercolor, Gouache, Etching
Artist and Model Howard Hodgkin abstracted orange and black watercolor gouache
By Howard Hodgkin
Located in New York, NY
Large black and marigold orange abstract interior scene of a bust in front of a window with fingerprints and painterly brushstrokes. Rich color and texture ideal for hanging in minimalist, contemporary and modern living spaces.
Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring on Stoneridge mould-made etching paper.
This print is one of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), Those…Plants). The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, marigold orange contrasts beautifully with rich black ink. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model.
Howard Hodgkin was introduced to the etching technique used in Artist and Model at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Catalogue reference: Elizabeth Knowles...
Category
Late 20th Century Abstract Interior Prints
Materials
Watercolor, Gouache, Etching
All Alone in the Museum of Modern Art Howard Hodgkin abstract black painting
By Howard Hodgkin
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract.
Paper: 29.5 x 38.75 in. / 74.7 x 98.2 cm.
Soft-ground etching with hand coloring in black gouache on grey BFK Rives mould made paper. Signed by the artist, dated 79, and numbered 59/100 lower center in red crayon. Printed from the same plate as 'Thinking Aloud in the Museum of Modern Art', this print was previously titled "Not Quite Alone in the Museum of Modern Art," suggesting an erotic dalliance in the museum.
This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Beside bold black strokes, his fingerprints form areas of texture. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each print in the edition unique.
Howard Hodgkin was introduced to the etching technique used in 'All Alone in the Museum of Modern Art' at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract Abstract Prints
Materials
Etching
