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Robert Indiana
American Dream (EAT / DIE / HUG / ERR) (Sheehan 136) Love Food Life

1986

$15,000
£11,204.28
€12,989.58
CA$20,827.13
A$23,344.53
CHF 12,154.81
MX$285,046.65
NOK 154,321.92
SEK 146,283.30
DKK 96,916.32
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About the Item

Robert Indiana American Dream (EAT / DIE / HUG / ERR) (Sheehan, 136), 1986 Hard and soft-ground etching, aquatint, drypoint and stencil on white Arches paper 37 inches × 21 inches Hand signed, numbered, titled and dated on the lower right front in graphite pencil Published by Vinalhaven Press, Vinalhaven, Maine; Printed by Anthony Kirk, Vinalhaven Press, Vinalhaven, Maine Catalogue Raisonne Ref: Sheehan, 136 Unique - Historic Unframed The is a unique proof of Robert Indiana's important 1986 etching, aquatint, drypoint and stencil on Arches paper entitled "American Dream". The words read simply "EAT/DIE/HUG/ERR" - expressing basic humanistic activities - and recalling Indiana's 1963 etching "ERR 123" - both being some of the few etchings Robert Indiana did in his career. This print is - the Vinalhaven Proof, (publishers proof) from Robert Indiana's press in Vinalhaven Maine where he moved to after leaving the New York art scene. It is annotated in pencil VP 1/1 (Vinalhaven Proof, 1 of 1.) When Robert Indiana set up Vinalhaven press to print the works that he personally felt were important to make. This was one of them. This proof is aside from the regular edition of only 10.
  • Creator:
    Robert Indiana (1928 - 2018, American)
  • Creation Year:
    1986
  • Dimensions:
    Height: 37 in (93.98 cm)Width: 21 in (53.34 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    the work has been previously framed, so there are remnants of mounting hinges on the back of sheet which will frame out; otherwise in excellent condition.
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1745213929642

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Postcard signed, inscribed by Robert Indiana about his portrait at Coenties Slip
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Robert Indiana "My portrait was taken on Coenties Slip"...., 1993 Handwritten letter on an offset lithograph postcard Boldly signed in black marker under the letter 4 2/5 × 7 3/5 inches Unframed Unique one-of-a-kind hand written, hand signed note from Robert Indiana, dated 23 VII '93, written on the postcard depicting Robert Indiana's work "Mother and Father", published by the Farnsworth Museum in Maine. The note, done in black marker, is addressed to Don Allan II of Barrington, N.H. and reads" "DON - MY PORTRAIT IF YOU DO NOT KNOW, WAS TAKEN ON COENTIES SLIP IN NYC". Robert Indiana then signs the note.. (Presumably, the reply is in response to a letter or question this fan sent to the artist asking where Indiana's portrait was taken). Makes a great gift for Robert Indiana fans! Coenties Slip is a historic artist's address in the New York art scene - there was even a book written about it! Coenties Slip is a street in the Financial District of Manhattan in New York City. It runs southeast for two blocks in Lower Manhattan from Pearl Street to South Street. A walkway runs an additional block north from Pearl Street to Stone Street Here's an excerpt from Art in America reviewing the book: "How does specificity of place play a role in art, enough to become more figure than ground, less a context than a character? This is one of the larger questions framing art historian Prudence Peiffer’s momentous new survey The Slip: The New York City Street That Changed American Art Forever. The book vividly documents a moment in the 1950s and ’60s when a cast of artists settled, at staggered intervals, in a three-block area around Coenties Slip, a street on Manhattan’s lower tip. Coenties Slip borrowed its name from one of the “slips”—inlets for the docking and repairing of boats—that once cut sharply into New York’s downtown waterfront, facilitating the busy circulation of fish, freight, and sailors between land and sea. While New York’s status as a maritime trading hub lured fleets of boats, it was the skeletal remains of that activity, by then sharply diminished, that drew artists to Coenties Slip. In place of industry, they found vast and vacant loft spaces, cheap to rent, in which they could both work and live (illegally, owing to zoning laws)....Peiffer’s book arrives nearly 50 years after the earliest attempt to honor the Slip: the 1974 exhibition “Nine Artists/Coenties Slip,” organized for an old downtown branch of the Whitney Museum on Water Street nearby. The exhibition showcased lesser-known inhabitants of the Slip, including Fred Mitchell (the first to settle there), Ann Wilson...
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