Robert Indiana

Love Is God II

2014

"Flowers," Michael De Feo, 2019 Silkscreen on 320 gram Coventry Rag paper Dimensions: 30.25" x 22.5" An edition of 50 Signed and numbered by the Artist ...

Silkscreen in 9 colors on 320 gram Coventry Rag Dimensions: 29" x 29" Signed by the Artists in pencil An edition of 75 John “CRASH” Matos and Eric Orr met for the first time as high school students. Although the exact location is unclear, both agree that it would have been at either Fashion Moda or the Writers’ Bench at 149th Street and Grand Concourse. Founded by Stefan Eins in 1978, Fashion Moda began as a “cultural concept” whose principles revolved around the fact that art can be made by anyone, anywhere and art should be accessible to anyone, anywhere. Located in the South Bronx, Fashion Moda embraced new talent and encouraged creative production across all mediums. The gallery has been credited as a major force behind the recognition of graffiti writing as an art form and it played a pivotal role in a community where Hip Hop was rapidly emerging. CRASH was only 19 years old when he curated “Graffiti Art Success for America” at Fashion Moda and his varied experiences at the gallery would later inspire his founding of WALLWORKS. The 149th Street Writers’ Bench, located at the back of the uptown...

In 1984, Eric Orr and Keith Haring joined forces to create a series of chalk drawings in the NYC subways. As their work evolved, the artists shifted their focus from the subway to the studio and embarked on the production of a suite of drawings. Included in the group was Repeat which had made its first appearance in the 23rd Street IRT uptown station. Little did Orr and Haring know that the reimagined drawing would be auctioned at Christie’s six years later. 2020 heralds a new beginning for Repeat, a truly unique silkscreen print that both illustrates and celebrates a fierce friendship that began in the early 1980s at The Roxy roller rink in NYC, when two young artists decided to trade t-shirts on the dance floor. Repeat, Eric Orr and Keith Haring, 2020 Silkscreen on 320 gram Coventry Rag paper with hand-deckled edges Dimensions: 20 x 28 inches Edition Size: 250 with 25 Artist Proofs and 25 Printer Proofs Signed and numbered in pencil by Eric Orr Plate signed by Eric Orr and Keith Haring Courtesy of Eric Orr and the Keith Haring Foundation Printed and Published by Gary Lichtenstein...

Renowned painter and printer, Gary Lichtenstein demonstrates true abstract expressionism via his spectacular use of color. His paintings and silkscreen prints, more than 200 oil-based and water-based works to date, exhibit mastery of the properties of light absorption and reflection, specifically with regard to the visual impact of color. Inspired by artists such as Robert Motherwell and Helen Frankenthaler, Lichtenstein creates canvases which have frequently been described as ethereal, and he has been praised as one who manages to capture a “sense of no-self…” In fact, the composition of Lichtenstein’s work has been referred to as atmospheric... “evocative of natural forms and phenomena.” In addition, Lichtenstein has collaborated with over one hundred artists during the course of his 49-year career. Despite, and because of, rich historical influences, Gary Lichtenstein’s vision and artistic intellect are uniquely his own and clearly evident throughout the enormous portfolio of work that spans his career. Lichtenstein’s work has been shown and collected by, among others, The Aldrich Contemporary Art Museum, Ridgefield, CT, New York’s Museum of Modern Art, the San Francisco Museum of Modern Art, the Smithsonian, the San Francisco Art Institute, the San Francisco International Art Expo, the Chicago Art Institute, the Butler Institute of American Art, the College of Art & Architecture at the University of Tennessee, the Silvermine Arts Center, the International Print Center NYC, the Boston World Art Fair, the New York International Exhibit of Contemporary Art, and Art Asia (Hong Kong). Solo exhibitions in New York, San Francisco, Tokyo, and Hong Kong have been celebrated at the Rubicon Gallery, Susan Todd Gallery, Galerie Enatsu, and the Modernism Gallery. The Fried screen print collection can be found at the Museum of Modern Art in New York City, the Whitney Museum, and the Museum of Modern Art in San Francisco. “Not enough has been written about Gary’s personal work as a painter and printmaker. The work, which can be categorized as “Color Field” has been informed by diverse influences, many of them not readily apparent to the casual viewer. One inescapable fact is despite Gary’s roots on the East Coast his artistic outlook has really been tempered by his thirty years in California, and by the Bay area in particular. Working with fabled San Francisco screen printer Robert Fried...

A dynamic neon-yellow and black Mark Lancaster screen print combining calligraphic paint strokes, paint drips, and smooth, graphic yellow gradients characteristic of the artist's mos...

Sightseeing is one of a group of ten prints which the artist made at Petersburg Press in 1972, each based on one of his paintings. Rosenquist’s Sightseeing 1962 oil painting on canva...

This abstract composition features a cropped view of the words SIGHT SEEING, in bold all-capital lettering. Roses fill the top line of text, and the bottom line of text in white is s...

Plaza by Eduardo Paolozzi is an exemplar of early pop art dynamism. Printed in black and white and packed with geometric forms, the composition contains references to maps, machinery...